KWZ Iron Gall Blue #1

(Jeff Abbott is a regular contributor at The Pen Addict. You can find more from Jeff online at Draft Evolution and Twitter.)

Iron gall inks aren't something I've experimented with much, as there are plenty of other inks to try that aren't difficult to clean out of your pen if you leave it idle for over a week. Not a big deal, still. And then, there's the archival quality of iron gall inks, but that didn't bring me in either. It wasn't until Brad sent me some samples of some KWZ iron gall inks that I gave them a try.

For those who aren't entirely acquainted with iron gall inks and their unique attributes, Vanness Pens has a page that describes the KWZ iron gall inks, as well as a few cautions against leaving it in pens unused for long periods. Basically, iron gall inks react with the paper when the water evaporates, making a (more or less) permanent mark on the page that grows darker as it dries.

To me, that's the main distinction, and one that I find fascinating to watch, regarding iron gall inks — they dry darker. This isn't normally the case for most fountain pen inks. They either dry a little lighter and less vibrant, or stay roughly the same, minus the sheen of wet ink.

Let's be honest, sometimes I just scribble with this ink to watch it dry over 20 - 30 seconds so I can watch it magically change color.

The particular KWZ iron gall ink I've tried first is called Blue #1. When wet, it looks like a pale, dusty denim color. After it dries, it's a dark midnight blue. It's so dark, I have a hard time discerning the exact color through all the black. But, in proper light, you can tell it's a deep, dark navy with purple and green hints. It's a very pretty ink, especially if you dig dark inks (blue-black fans?).

Like I said, watching this 20-second transition fascinates me.

When writing, the flow is a bit on the dry side. The Monteverde medium nib, which usually flows like glass with most inks, feels like it's dragging a tad. But, even though it feels a little slow, it's still smooth.

There's not a lot of shading in this ink, since it's so incredibly dark. You can see in the swab sample that there are some variations in color, but I never got that result from a nib. Show-through also isn't much a problem with this ink. It's on par in that respect in that you normally can't see it from the back of the page.

Dry time is also normal, coming in around 20 seconds or so in a medium nib. Not fast, but not slow either.

Since this is an iron gall ink, I also brought some water into the equation. If you've ever applied water to any colored inks, you'll probably find in most cases that the ink runs like a brand new red shirt in a load of white laundry. In the case of KWZ Blue #1, the results are impressive. I used cheap 20# copy paper for this test, and the aftermath is very usable. The text is legible, but it also barely bled and feathered. If you need an archival-quality ink in a dark midnight blue, look no further. This is permanent as long as the paper exists.

Cleaning the ink out of pens wasn't difficult. None of my pens laid around very long with the ink in them, so that's something to consider. I imagine it make take considerable more effort if the ink had been idle for a long period. Vanness pens make a special note of saying that stainless steel (which are used in a lot of nibs) is more susceptible to damage than gold nibs. It's nothing to panic about, but just be mindful!

In all, I have to admit I'm pretty impressed with iron gall inks, and KWZ, in general. The only complaint I have is in the name. I wouldn't say it's "misleading," but it's also not informative. Blue #1 doesn't indicate what kind of blue, and the screenshots online can be confusing. It would be great if they had signature names to tell them apart, because the blues all look fairly similar to me.

Apart from that one complaint, KWZ Iron Gall Blue #1 really impressed me. I hope the fascination with watching the ink change color as it dries never wears off. It's definitely worth your consideration.

(Vanness Pens provided this ink sample at no charge to The Pen Addict for review purposes.)

Posted on November 25, 2015 and filed under Ink Reviews, KWZ.

The Pen Addict Podcast: Episode #182 - Spend Even More Than Usual, Holiday Gift Guide 2015

She's back! Myke and I were joined by Ana Reinert from The Well-Appointed Desk for our annual gift guide episode. We broke down our choices into product groupings, from fountain pens, inks, and paper to adult coloring, we covered all the bases. Be sure to check out the show notes for all of the links you need to break the bank!

Show Notes & Download Links

This episode of The Pen Addict is sponsored by:

Pen Chalet: use the code PENADDICT at checkout to save a special 15% on your order between 11/26 and 11/30.

Karas Kustoms: Get 20% off anything in their store by using the code "BLACKFRIDAY" before you checkout. Offer valid between 11/26 and 11/30.

Harry's: An exceptional shave at a fraction of the price. Use code PENADDICT for $5 off your first purchase.

Posted on November 24, 2015 and filed under Podcast.

Apple Pencil Review

(This is a guest post by Myke Hurley. You can find more of Myke's work at Relay FM and can follow him on Twitter @imyke.)

In all of the press shots and in all of the reviews, the focus of the Apple Pencil is on how amazing it is for artists to draw and create beautiful graphics, but this isn't what I was interested in when Apple announced the Pencil. Sure, I like to doodle and scribble as much as the next person, but all I wanted to know was if the Apple Pencil would give me the digital handwriting experience I had wanted for so long.

TL;DR: It does. But more on that shortly.

When Apple released the Pencil, I couldn't understand why they didn't choose to call it the 'Apple Pen'. The latter is a more elegant sounding name, and considering that there's no way to use the end of the Apple Pencil as an eraser — there's no extra button or sensor here, just the one at the tip — it felt like it fit more as a product name.

As soon as I took this product out of its box I knew why. The Pencil is long, slender and thin. It looks and feels a lot like a Pencil, and if the design came before the name, then 'Pencil' is the clear choice.

Some of my friends that have used the Pencil said that they found it to be slippery to hold. This isn't the case for me; I find the plastic material that the Pencil is made of to be comfortable, and I am able to grip it with my fingers easily. It also warms to the touch after being used for a short period of time, which pleases me.

The Pencil is heavier than I imagined it would be. On the podcast, Brad and I constantly talk about how important weight and balance is in our writing instruments, and this has clearly been considered here. The Pencil is weighted fantastically. It feels great to hold; it feels substantial.

From what I can tell, the weights inside the Apple Pencil are there to solve two problems. They are magnetic, so this gives you the ability to place your Pencil on the edge of the iPad (where the magnets are for the Smart Cover to attach), and have it hold in place.

I should note that there is nowhere else to store the Pencil—neither inside the device, or in any of Apple's cases. This magnetic attachment is by no means a way to safely transport the Pencil, but it gives you somewhere to quickly place it if you need both hands free to type, or you just want to put it down at the end of the day.

The second issue these weights attempt to solve is to stop your Pencil rolling off your desk. The Pencil is completely cylindrical – there are no flat edges and no clip – so it's prone to fall victim to gravity and non-level work spaces. But with the weights inside the Pencil, as soon as you set it down, it rolls a little and then stops itself. The weights appear to have been designed to balance it and take over. In most instances this works out great, but I have observed that if you place the Pencil down with any force, say if it is not gently put down on a desk, but maybe dropped from a few inches (I love my implements, but I use them too...), the Pencil will likely roll a couple of times in the process.

When this happens the weights actually seem to give it momentum, and will propel it forward further and faster than it would have otherwise. Each time as the Pencil turns, it acts against itself as it is moving to quickly to balance, and on it goes, off the table.

In all honesty, I'm not sure that putting weights in the Pencil is the right way to solve this issue. Even Apple's own Marc Newson put a clip on his recent Mont Blanc pen which would stop this from happening. I wish Apple would have considered this when designing the Pencil.

One of the many things that have prevented people from being able to ditch their favourite notebook for an iPad and stylus is palm rejection. Many apps have tried to build their own implementations of this, with varying success, but it has always been an issue as the majority of previous styluses are just trying to fool iOS that they are fingers.

The Apple Pencil works differently. Because of a combination of Bluetooth and the fact that Apple designed the Pencil and the iPad Pro to work in conjunction with each other, the iPad Pro is able to accurately distinguish the difference between the Pencil tip and any touch input.

I have been astounded by just how well this works. I can have my arm, wrist, and other hand on the screen, and the iPad Pro can distinguish the movement of the Pencil over the movement of anything else. I am thoroughly impressed by this.

To really see what the Pencil is capable of, the best place to try it is in iOS' built-in Notes app. The drawing mode that you can activate only features a modest selection of tools and options, but is by far the most responsive experience. Using the Apple Pencil in Notes is the closest I have ever come to getting a true handwriting experience from a digital device.

To say there is no lag would be incorrect, but it is close enough to feel that it works. When you move the Pencil across the screen, most lines will travel ever so slightly behind it. But compared to previous experiences of using a stylus on a iPad, the difference is like night and day.

Let's face it, it is extremely unlikely that any digital experience is going to ever be able to replicate the feel of a pencil or a pen gliding across a piece of paper. The joy that we all feel when using our favourite combinations are unlikely to ever be matched by glass and plastic. But that's not what this product is about.

What I was looking for from the Apple Pencil was to be able to write naturally on the screen, in the size I usually write, and it visually match what I would expect to see.

And it does.

In my testing, I used the Notes app and two other apps—Notability and GoodNotes. With these I was able to freely write on the screen, at practically any size I wanted, and I got the results I would have normally expected from pen and paper. The Pencil was able to keep up with me, and I was genuinely surprised at just how small it would let me write. Without a shadow of a doubt the Apple Pencil and the iPad Pro is a comparable and comfortable solution for digital note taking. I will definitely be using this going forward.

I also tried out a selection of drawing apps, just to see what the Pencil was capable of. I spent most of my time in Paper by FiftyThree, Adobe Photoshop Sketch, Procreate, Tayasui Sketches, and Zen Brush 2. The responsiveness of the Pencil really differed in each of these apps, with Paper by FiftyThree being the worst.

All of these apps boast some fantastic tools to create digital masterpieces, but also to create some quick diagrams or sketches to help illustrate a point you need to make. I'm yet to finally decide which of these apps I'll be keeping installed, but there's a tonne of great choices out there for this. I'll most likely keep the more simple of the tools, as this is more akin to the types of work I'll need them for.

The Apple Pencil isn't just recognised in writing and drawing apps. It can be used throughout iOS to interact with whatever you'd usually be touching. I have actually taken great joy in using the Pencil as a way to interact with apps, and treat the iPad Pro as a pen input device.

Selecting text using the iPad Pro is incredibly more precise than using a finger. I have a lot greater control about where to exactly drop the cursor, without having to press and hold to move it just one letter over. It's also a lot easier to drag the text selection cursors around too. The precise point of the Pencil tip is excellent for performing these kinds of actions on a daily basis.

I have been using the Pencil to scroll long lists, like in Tweetbot, and on occasion have used it to tap out a quick reply on the keyboard if the Pencil is already in my hand. I even installed the SwiftKey keyboard and quite enjoyed sliding the Pencil across the keyboard to type out words, instead of tapping each key. I would love to be able to use SwiftKey more, but Apple still has a lot of work to do on the fundamentals of how third party keyboards work, before I consider using one more seriously.

As a 1.0 product, I am astounded by just how well the Apple Pencil and iPad Pro work together. After only having used it for a few days, I am now at the point where I wouldn't want to go back. Being able to take quick notes or doodles whilst recording podcasts, having quick access to some sketching tools to mark up a document or screenshot, and having a new way to interact with iOS more precisely, has made the Pencil a must-have item in my toolkit.

I have recently switched to using a Wacom tablet to interact with my iMac, so I am becoming more and more used to operating computers in this way. But there is truly something to be said for being able to use the Pencil directly on iPad's screen, seeing the results happen almost immediately.

The work Apple has done to get the hardware and software in harmony to the point where this all works so flawlessly is astounding to me. The results I am able to achieve are just fantastic.

I have always been a pen guy. But now I'm a Pencil guy too.

Posted on November 23, 2015 and filed under Apple Pencil, Pencil Reviews.

Three Questions With Junee Lim

One of the coolest things about writing The Pen Addict is talking to people from all over the world. Junee Lim from Alt. Haven hails from Singapore and writes some of the best stationery reviews on the internet. She is also as nice and as helpful as they come. My thanks to Junee for answering Three Questions.

What role do analog tools such as pens, pencils, and paper play in your day to day life?

I very much enjoy using my tech products. I love buying apps and playing with my iPhone and MacBook Pro. However, I’ve made a conscious choice to use my pens and paper every day. It’s not something I have to use but it’s what I enjoy using. I use them as a respite in our increasingly digital lifestyle.

I use my pens and paper for work notes, daily bullet journal and letters to pen pals. This doesn’t include the notes I take for my reviews. My pens and paper go where I go, the same way my iPhone does. Just because the mobile phone is something I am dependent on doesn’t mean I have to give up my analog tools. I believe my pens and paper will always be the bridge that connects me to the physical world.

What are your favorite products you are currently using?

My Lamy 2000 has recently returned from a 4 month round trip to Germany to get its piston knob tighten. It’s a long time to be away from a favourite pen but now that its back in my procession all is well with the world again.

My favourite ink of the year so far has got to the Sailor Bung Box L’Amant. The pink - purple colour is really eye catching and the shading is really one of a kind. I got my feet wet in the world of inks being a die hard fan of Pilot Iroshizuku inks but Sailor inks are fast taking over their position.

What post are you the most proud of on your blog?

I am particularly proud of my recent review of the Visconti Van Gogh Starry Night. I love the photos that I took of the Visconti. It’s the first time I ever put a disclaimer on the photographs of a pen. The research also took me to places that I didn’t expect. I found out more than I thought there was to know about that particular pen.

Posted on November 21, 2015 and filed under Three Questions.