Posts filed under Dominant Industry

Dominant Industry Takasago Ink Swatch Paper Review

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

As if I needed more ways to swatch my inks, I couldn’t pass up the opportunity to try the swatch paper from Dominant Industry. The Dominant Industry Takasago Ink Swatch Paper measures 2” x 3.5” or 50 x 90 mm and comes in 3 designs of 40 cards each, packaged in a small cardboard case. Note that the packaging doesn’t say “swatch cards”, that’s just what I’m calling them in this review.

Dominant Industry Takasago Paper Ink Swatch Review

Box of Dominant Industry Takasago Paper ink swatch cards.

This is the Tea Time set - with 3 different designs.

Each one has a teacup image on the upper left, designs of writing tips on the bottom left (fountain pen, dip pen, glass dip pen, marker or pencil - not sure what the fourth one is, to be honest), space for Brand and Ink names, and a bar with 4 segments to color in as you see fit.

Testing notes:

  • I used the Stainless Steel Kakimori dip nib in my trusty Kaweco clutch pencil holder to make the swatches and writing samples.
  • I used the DI swatch cards and Col-o-Ring cards (my go-to for swatch cards) for comparison.
  • I did not rinse the nibs while swatching the same ink on different cards/paper. I definitely rinsed after I was done swatching each color.
  • For the bottom right bar, I swatched from left to right to fill the whole space, then dabbed extra ink on the second half of the bar to make it darker.

I started out staying on brand and swatching some Dominant Industry inks.

DI Tanzanite (top) and Pen Chalet exclusive Desert Eclipse. Both are very similar dark purples with a bit of copper sheen, with Tanzanite being a touch darker. DI swatches are similar to Col-o-Ring.

You can see that the DI cards also show some of the copper sheen.

Two more DI x Pen Chalet inks: Arizona Sky Crimson (top) and Arizona Sky Citrus. (bottom) Both DI cards are similar to Col-o-Ring.

The cards are made from Takasago 87.9 gsm paper which happens to be the same weight as #5 in the Yamamoto Fountain Pen Friendly Paper Collection Vol. 7, but I can’t tell if they are exactly the same or not. The paper is very smooth to write/swatch on, and while it’s very thin, there was minimal ghosting and zero bleedthrough.

I wanted to make sure that the DI cards also worked well with other inks, so I swatched a few other brands too.

Lamy Sepia (top) and Colorverse x Lucky Star Pens Stellaris (bottom) - Both matched the Col-o-Ring. Sepia is a “straightforward” red-brown ink with a little bit of shading, while Stellaris has copper/rose gold shimmer, which showed up in both swatches. It also shows the turquoise outlines in the darker parts of the swatch.

I can go on with the various inks that matched the swatches on the Col-o-Ring, but what fun is that? There were other inks where the swatches were similar but a little bit off. Here are some examples:

Dominant Industry Les Nympheas Matin (top) and Duftrausch (bottom) Nympheas is pretty similar on both the Col-o-Ring and the DI card, with the card showing a touch more purple, and the Dufrauch showing more pink on the Col-o-Ring vs a little more grey on the DI card.

This isn’t as easy to see in the pictures, but Anderillium Pompadour Cotinga Burgundy (top) is browner on the DI card than Col-o-Ring (which had some water drops resulting in bright pink spots). On the bottom, Anderillium Roseate Spoonbill Pink is a lighter pink in both the DI writing sample and the swatch. Only when I went over the same part of the bar multiple times, was the pink as dark as the Col-o-Ring writing or swatch.

Then there were some swatches that had me questioning whether I swatched the right ink or wrote down the right name and yes, I double-checked and it was not a mistake.

Anderillium Purple Gallinule Purple (top) is practically blue on the DI swatch card, while being somewhere between blurple and purple on the Col-o-Ring. You can also see some of the purple peeking out on the DI swatch card. The Van Diemena’s Sacagawea is a gorgeous dusty blue/teal/purple chromashader with a bit of shimmer on the Col-o-Ring card but is a mint green with a hint of light pink/grey.

Lest you think this must be a chromashading issue, there were no problems with these two chromashaders that I happened to swatch today either. There were also no problems with other inks from those brands.

Wearingeul Enki (top) on Col-o-ring, Wearingeul Instant Film Color Swatch card and DI card - you can see the subtle purple shading on all 3 of these swatch cards. Ditto for this gorgeous chromashader Mung Shing by Hosia Ink Studio.

I swatched 22 inks on the DI and Col-o-ring cards and really only had 2 inks look drastically different on the DI card, and maybe 4 that were a little different. Needless to say, as with any paper and ink combo, your mileage may vary with some inks swatching the same on the DI cards as other cards/paper. I won’t bore you with additional photos, but I compared my Col-o-Ring swatches to swatches done in my Hobonichi Weeks (52 gsm Tomoe River paper) and Endless Recorder (68 gsm TR) and they were what I expected, so it was really the DI Takasago paper for a few of these inks that was the differentiator.

As I mentioned earlier, this is a thinner paper so I don’t think it would hold up as well to the constant flipping that I subject my Col-o-Ring cards to. I would definitely put them in a binder to protect them.

A pack of 120 sheets of the Dominant Industry Takasago Ink Swatch Paper retails for $13.00, but you can often find it for less. It is a cute way to swatch your inks as long as you are aware that some inks might look different on other papers.

(Disclaimer: The Dominant Industry Takasago Ink Swatch Papers were purchased at a discount from sponsor Pen Chalet. Lamy Sepia and Anderillium inks were from past reviews. All other inks (including the DI inks) and Col-o-Ring are my own.)

Posted on August 8, 2025 and filed under Dominant Industry, Paper Reviews.

Dominant Industry Ink Muddler Review

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

As you may recall, I have a love/hate affair with ink swatching. It’s one of those activities that I desperately need to do because I am so behind in swatching. Once I get started though, it ends up being a relaxing activity that I enjoy and I like discovering what inks are exciting me even if they are “old” bottles/samples that I’m finally getting around to swatching. As such, I like to try all the different tools out there for swatching inks, so up for today is the Dominant Industry Ink Muddler.

Dominant Industry Ink Muddler Review

The Dominant Industry Ink Muddler comes in a simple box labeled “Ink Muddler” and the tagline “For Glitter Fountain Pen Ink”. A bit of kraft-like paper and a strip of washi tape protects the Muddler in the box.

The Muddler has a small column of pliable clear plastic (silicone, perhaps?) that protects the glass tip.

On one end of the Muddler is a spiral glass tip, as is common with most glass dip nibs. On the other end, I expected a round ball of glass, but instead, the DI Ink Muddler is more of a flattened glass disc.

The Muddler’s glass tip.

The flat side of the Muddler.

Rotate the Muddler 90 degrees and you’ll see that this end isn’t a round ball of glass but it’s flat.

The Muddler wrote right out of the box, with no issues (looking at you, Drillog and Kakimori brass dip nibs). It does take a little practice to figure out how many “drags” across the bottle top to make sure you don’t get too much/little ink. I had to remember to be more careful than usual, since I’ve been using the Kakimori steel dip nib for the past couple of years.

I probably could have used another drag across the bottle top since this first bit of writing is a bit saturated.

Using the muddling end to make an ink swatch. Pretty straight forward for this kind of swatching.

It’s a little difficult to be precise with the Muddler. The glass distorts what you see, so you can’t really tell where the ink meets the paper. As such, I couldn’t quite get my lines to be on the dots like I can with the Kakimori.

I had a little more trouble making these swatches in my Endless Recorder, dot-grid notebook, especially since you can’t really control how much ink gets laid down. You can see how much ink got dumped at the beginning of that lower line.

With practice, it became easier to figure out how much ink you can put on the Muddler end so it wasn’t too inky. (The above swatches were my first attempts using the Muddler).

Aside from the first entry, where I used the Kakimori steel dip nib as usual, the remainder of the swatches and writing samples were done with the Muddler. The squiggly swatch lines could sometimes be done in one dip, and sometimes 2-3. (Part of that depends on how wet/dry/sticky/watery the ink is, as well as how much I may have gotten in a dip.)

I had no issues using either the writing end or the muddling end with a variety of inks, including shimmer, sheening, saturated, or shading inks. Aside from the Dominant Industry inks in the above photo, I also swatched a few other random ink from other brands with no issues either. (There was really nothing interesting to report, so no photos.)

The Muddler is little, and that’s saying a lot coming from someone who doesn’t post their Kaweco Sports. It’s also very slim.

Here are some other items to compare against: Tennessee Red wood pencil, Schmidt K5 converter, Ink Muddler, uncapped and unposted Kaweco AL Sport, Kakimori steel dip nib in Kaweco clutch lead holder, Sailor Hocoro dip pen/nib.

I kid you not when I say that the Ink Muddler isn’t much bigger than a standard international converter. It is similar in girth (except for the Muddler end, of course). Even the pencil is girthier than the Muddler. If you have larger hands or a lot of swatching to do, the Muddler might be uncomfortable if you don’t like slim and short writing implements.

One of the things I both liked and disliked about the Ink Muddler is that it is two tools in one. I liked it because it meant I had a writing end and a swatching end (or ink mixing end). But I also disliked it because I have to rinse and flip between writing and swatching. I have a multi-step process for swatching (2 Col-o-Ring cards, swatch and writing sample in the Endless Recorder and more recently, in the Hobonichi weeks too). This meant that I had to do all of my writing on different cards/papers, clean the dip nib, flip it around, and then do all the swatching. This would be an improvement over the old days when I used to use a glass dip nib for writing samples and a separate tool (the non-brush end of a cheap paint brush) for the swatching. But now that I’ve switched to the Kakimori in the Kaweco clutch lead holder, I already have a tool that does both.

The other thing about this all-in-one tool is that the dip nib is much more susceptible to getting damaged. This is partly because (1) glass dip nibs are fragile in general (certainly more so than a metal dip nib), (2) being on the same piece of glass as the muddling end means that you have to flip it around to use the other end and therefore, more chances to knock it into things, and (3) the shortness of it means the tip is sticking out when you’re using the muddling end (again, higher likelihood of accidentally hitting something). Or worse, it’s poking you in the hand if you have larger hands.

Thought I’d try to mix up the shimmer in this Dominant Industry Tanzanite, but as you can see, I’d have to grip it by the nib end in order to reach the bottom of the bottle.

Since I already have a swatch/writing sample tool that I really like, the Dominant Industry Ink Muddler wouldn’t be my top choice, but I do prefer it over other “traditional” dip nibs that are only meant for writing samples. I would like this a lot more if it was longer (at least by another inch or so) and a little girthier. I’m not sure if It would make a huge difference for me if the muddler end was a round ball of glass or not. Given its small size and fragile nature, it would be nice if it came with something more protective than paper and a box - I have to wrap it and put it back in the box when I’m not using it because there’s nothing to protect it otherwise. I don’t trust that it wouldn’t break in a pen sleeve in my pen bag.

The Dominant Industry Ink Muddler retails for $12, which is pretty affordable. You can find it at Pen Chalet.

(Disclaimer: The Dominant Industry Ink Muddler was purchased from Pen Chalet at a discount. All other products, including the Pen Chalet exclusive Dominant Industry inks were purchased by me over the years.)


Enjoy reading The Pen Addict? Then consider becoming a member to receive additional weekly content, giveaways, and discounts in The Pen Addict shop. Plus, you support me and the site directly, for which I am very grateful.

Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!

Posted on April 4, 2025 and filed under Dominant Industry, Accessories Review.

Dominant Industry Soleil Couchant à Etretat Ink Review

(Jeff Abbott is a regular contributor at The Pen Addict. You can find more from Jeff online at Draft Evolution and Twitter.)

Named after a Monet painting, Dominant Industry's Soleil Couchant à Etretat ink is a lovely ink with a dark blue-green color that looks fantastic.

I love when an ink is named after something else that it draws inspiration from. Whether it be colors found in nature on animals, in landscapes, or from famous works of art, I really like see what colors and other properties an ink maker focuses on when matching a name to an ink. In this case, the Monet painting of a famous French coast landmark is a beautiful starting point to draw inspiration for an ink color. To me, the color and quality echo the peaceful water in the painting.

The medium green-blue hue looks great on paper. Since it isn't a dark color, it's easy to see the greens and blues when writing with a normal nib. But you get more shading between medium to dark greens and blues when using a larger nib. The shading isn't dramatic, but there's enough of it there to mimic the characteristics of moving water.

(Note: This ink was mistakingly marked as a Pearl/Shimmer ink from the vendor. It's not! 🤣)

This ink is part of Dominant Industry's Pearl Series, which is a line of shimmering inks. I'm not a huge fan of shimmering inks, but they're fun in small doses. With the shimmering inks I've tried in the past, there's no way you can miss the shimmering quality when using the ink — regardless of how small the nib is. With Soleil Couchant à Etretat, the shimmer is minimal. You have to search for it under a good light to find it in normal writing. But, it somehow still manages to catch just enough light to make one of two spots twinkle as your perspective changes in relation to the piece of paper. This intangible "is it shimmering or not" effect is really cool. Since this is the first ink I've experienced with such a dialed-back sparkle factor, I'm second-guessing my original stance on shimmering inks. The effect is subdued and only pops out every once in a while. Again, this really echoes the source material in my mind.

Writing with the ink is also a great experience. It's a touch on the dry side in terms of flow, but it can keep up with fast-paced writing. It just doesn't feel as slick or lubricated as most inks. In terms of performance, I can't point to any degradation — just the sense of the nib dragging just a hair.

In what seems like forever, this is an ink that actually dries fairly quickly. In most cases, the ink is dry to the touch and smudge-proof in a 20-second window. Some spots may need 30 seconds to fully dry, but it's mostly dry in 20 seconds or less, making this a good choice for quick notes in a notebook that you plan on closing shortly after writing something down. It's not quick enough to really qualify as a good ink for left-handed writers, but it's worth consideration if the color and shimmer qualities speak to you.

Soleil Couchant à Etretat comes in a 25ml bottle for $17, and there are several other inks in the Pearl Series as well. I'm really curious if the other inks in this series are also minimally shimmery or if it's just this one. Either way, this is such a lovely color that shades well and dries quickly — it's worth picking up just for those properties alone.

(Goldspot provided this product at a discount to The Pen Addict for review purposes.)


Enjoy reading The Pen Addict? Then consider becoming a member to receive additional weekly content, giveaways, and discounts in The Pen Addict shop. Plus, you support me and the site directly, for which I am very grateful.

Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!

Posted on February 28, 2024 and filed under Dominant Industry, Ink Reviews.