Fantastic Nibs and Where to Find Them

(Susan M. Pigott is a fountain pen collector, pen and paperholic, photographer, and professor. You can find more from Susan on her blog Scribalishess.)

All fountain pen aficionados know that the soul of a pen is its nib. No matter how beautiful the body of the pen is, if it doesn't write well, it loses its purpose in life. I've chosen some of my favorite nibs and why they are, in my view, fantastic. With one exception, all the nibs below are factory nibs that worked perfectly straight out of the box. Although I own spectacular nibs ground by nibmeisters, I wanted to focus on nibs that anyone can buy without special grinding.

Pilot Metropolitan Fine

Many people say that the Pilot Metropolitan is the gateway pen to fountain pen addiction. I have to agree. The nib is steel but smooth and uncomplicated. I've bought three Pilot Metropolitan Retro Pops, and all three write consistently well.

Pilot Retro Pop Fine Nib

The turquoise Retro Pop is my all-time favorite grading nib coupled with Diamine Marine (less scary than red). Smooth, perfect flow and $15.00–what is not to love? You can find these pens with their stellar nibs at many vendors, including JetPens.

Lamy 2000 Makrolon Fine

I got my Lamy 2000 through Massdrop, and, unfortunately, the original nib was awful. One of the tines was longer than the other and the pen was unusable.

Lamy 2000 Fine Nib

But, because Massdrop is an authorized dealer, Lamy changed out the bad nib for a good one at no charge, and now this is one of my favorite writers. Lamy 2000s can be found at JetPens, Goldspot, Goulet, and, occasionally, Massdrop.

Franklin-Christoph Marietta with a Gold Masuyama Medium Italic

I love Franklin-Christoph fountain pens. I would buy one of each if I could. The best part is you can get a pre-ground nib by nibmeister par excellence Mike Masuyama, without having to stand in a long line at a pen show or get in his business queue (which is months long).

Franklin-Christoph 18K Gold Medium Cursive Italic Nib

This is one of my favorite writing pens. I opted for the gold Medium italic and it is just terrific–no scratchiness, just beautiful, precise lines. You can get Masuyama nibs on virtually any Franklin-Christoph model.

Pilot Custom Heritage 912 with FA Nib

I reviewed this pen a few months back on Pen Addict. As I said in that review, there's nothing really remarkable about the pen itself since it's a typical black pen.

Pilot FA Nib

Nevertheless, what makes this pen stand out is the FA nib. The FA nib has wing cut outs on the nib that allow the pen to flex, giving you an almost-but-not-quite vintage flex experience. I bought my Pilot Custom 912 on Amazon, but you can also find them at Goldspot and Goulet.

Pilot Custom Heritage 823 Medium

The Pilot Custom 823 is one of those pens that almost everyone adores. Its vacuum filling system, size, and simple beauty are all a testament to the pen's popularity. But the thing that sets it apart from all the other cigar-shaped fountain pens is its huge, gorgeous nib. I love this nib.

Pilot 823 Medium Nib

Here's the key, though. If you want a smooth writing experience with the 823 nib, I recommend you go with a medium (or larger) nib. With extra fine or fine nibs you may wind up with something scratchy that digs into the paper. It's not that Pilot extra-fine or fine nibs are bad, but they are much finer than Western pens and the medium nib on my 823 writes like a true fine–one of the smoothest fine nibs I own. Goldspot and Goulet carry these pens as do many other vendors.

Graf von Faber Castell Intuition Terra Cotta Oblique Medium

In order to get a factory oblique medium nib, I had to purchase this nib from Martini Auctions (no American vendors stock these nibs). The price for the pen was definitely competitive (less than some American vendors without the OM nib), so I didn't mind the fact that it took a little longer to obtain from overseas.

Graf von Faber Castell Oblique Medium Nib

It has a nice crisp line but none of the strict positioning that can come with a cursive italic nib. I like obliques since I tend to hold my pens at an angle. The Graf von Faber Castell Intuition in Terra is difficult to find these days, but you can get other models. I'd suggest Martini Auctions if you're interested in nibs other than the standard medium.

Sailor Cross Concord

I reviewed this nib a couple of months ago along with the Sailor Cross Point. The Concord is definitely my favorite of the two because its standard position writes like a normal fine nib. But if you want some swishy, fat goodness, you just flip the pen over and glide away.

Sailor Cross Concord Nib

Sailor Specialty nibs are expensive and right now are difficult to obtain. You can order them from nibs.com and now from Anderson Pens.

Omas Ogiva Factory Italic

This is the smoothest italic I've ever used. I don't know if it is just a medium or broad nib whose tip was chopped off (it certainly doesn't seem to have tipping), but that seems to be the case (see the discussion on FPN here and here).

Omas Ogiva Factory Italic Nib

Regardless, it writes as smoothly as Ella Fitzgerald singing "Summertime." Sadly, since Omas is now out of business, it's much more difficult to purchase any of their pens, especially those with special nibs. Keep an eye out for sales on FPN and other Internet sites.

Montblanc Heritage 1912 Fine

This nib isn't huge and it isn't ornate, but it writes beautifully. Of course, you wind up paying a premium for the pen, not because of the nib, but because of the safety pen mechanism and the Montblanc name.

Montblanc Heritage 1912 Fine Nib

I love the retro-feel of this pen (see my review here). It's substantial and heavy (the barrel is made of metal), but the nib has a vintage spring to it that makes it a joy to write with. I bought my Montblanc Heritage 1912 from a seller on FPN. It's available through Montblanc and occasionally other online vendors.

Pelikan M400 White Tortoise with Factory OBB Nib

Although I prefer the M600 size Pelikans, I bought this beauty from Rick Propas. It was part of a collection he was selling and came with a factory OBB nib at an unbelievable price. It is a spectacular writer, inked with Pelikan Edelstein Amber (the only pen lucky enough to warrant that ink).

Pelikan M400 OBB Nib

It's getting more and more difficult to find Pelikans with italic or oblique nibs, especially the BB and BBB size, so you either have to buy vintage or seek out vendors that have these nibs in stock. Expect to pay a hefty amount for one of these Pelikan nibs. Classic Fountain Pens is one source for special-sized Pelikan nibs. You can also contact Rick Propas to see what he has in stock.

Nibs can be hit or miss depending on the fountain pen brand. I've had bad luck with Visconti and Kaweco nibs. I've read several discussions about the lack of size consistency of Pelikan nibs. Lamy nibs tend to get rave reviews or the exact opposite, which I'm sure is a quality control problem. I've even read reviews of bad Nakaya nibs–something I never thought possible.

The reality is that nibs don't always write well straight out of the box. Every user's experience may vary. It's always possible that you will get a poorly aligned nib, or a feed that doesn't offer enough flow for a particular nib, or tines that are different sizes, or a nib that is just plain scratchy. That's why it's always good to read return and exchange policies for fountain pens. When you buy from individual sellers rather than vendors, you may not get a refund if the nib is not to your liking. So, as one of my pen friends wisely suggested, if you buy a used pen, factor in the cost of a nibmeister along with the cost of the pen.

Montblanc Heritage 1912 Review

(Susan M. Pigott is a fountain pen collector, pen and paperholic, photographer, and professor. You can find more from Susan on her blog Scribalishess.)

I wasn't planning on buying another Montblanc, especially not one that retails for $1,100. But I saw one for sale on Fountain Pen Network for almost half the price of retail, and, in spite of misgivings about the seller (see last week's post "Remorse"), I purchased one.

By the time I made my purchase, I had read several reviews of the Heritage 1912. This pen seems to be one of those that you either love or hate. Some reviewers deride the white star/snow cap that makes up the entire finial of the cap, saying it is ostentatious. Some like the simple lines of the pen and others think it is boring. Some appreciate the mechanics of the pen (it works like a safety pen); whereas others find it cumbersome to use. But almost everyone agrees that the nib, though plain, is something special: springy with a tiny bit of flex, reminiscent of MB nibs from the old days.

My Montblanc Heritage 1912 arrived in bubble wrap and packaged in a cheap Eau de Toilette box. If you buy yours from a more reputable seller, you will likely get a nicer box. I don't know how brand new Montblanc Heritage 1912s are packaged, but I presume that the box is much nicer than mine.

I took my chances when I bought my pen from an untrustworthy seller on Fountain Pen Network. As a consequence, I got an imperfect pen. The exterior is marred by one very obvious chip near the piston and numerous scratches all over the pen (most of which you can't see unless you look through a macro lens, which I always do, so I see every imperfection).

Plus, as many other Heritage owners noted, the cap leaves scratches where it screws onto the barrel. At this price point, such a thing shouldn't happen. But since my pen already had scratches, I'm not too bothered by it.

The Montblanc Heritage 1912 is a small pen, measuring only 121mm in length capped and 126 mm with the nib extended. It fits my hand perfectly, but people with larger hands might find it a bit small, especially since you cannot post the cap. Even though the pen is small in length, the barrel is fairly large in diameter (from 10.2 to 13.1mm). It's a hefty pen, weighing 48 grams capped, 37 grams uncapped. So though it is small in length, it feels substantial in the hand. I find it quite comfortable to write with.

The gigantic white snowcap/star underneath a clear, resin dome reminds me somewhat of a snow globe. I've read that the star is either cut out of quartz or painted with mother-of-pearl lacquer. Either way, it dazzles in light. It's quite distinctive from other modern Montblanc stars and mimics the original white finial of the Simplo Safety Filler.

The clip also hearkens back to the safety pen on which the Heritage is modeled. It is platinum plated and unadorned except for the Montblanc star engraved on the back.

The clip doesn't even have the name "Montblanc" engraved on it, though thanks to this blog post, I discovered that the words "Made in Germany" are engraved under the clip. A serial number is also inscribed in tiny numbers and letters on the upper ring of the clip.

The pen uncapped looks unremarkable, much like the Writer's Edition Agatha Christie without a nib. The barrel is slightly thinner near the nib opening and widens closer to the knob. The knob is set off by grooves which match the grooves beneath the finial on the cap. That's it. The barrel of the pen is black, sleek, and simple.

The coolest thing about this pen is the mechanism that performs dual functions. If you twist the knob clockwise, the nib extends; counterclockwise, the nib retracts. Original safety pens did the same thing, and you filled them with an eyedropper.

But the Heritage is a piston filler. After extending the nib, you can pull the knob out and it functions as a piston.

Dip the nib into the ink of your choice, turn the knob, and the pen is filled with ink. Push the knob back in place and you're ready to write. I think this is absolutely ingenious. Though some complain that the pen doesn't hold much ink (about 0.8ml), I don't mind. I can fill it without the mess of an eyedropper. And, as far as I know, this is the first pen Montblanc has made with an extendable nib that doesn't require the use of cartridges.

The nib is 14K gold and rhodium-plated and Montblanc describes it as "soft elastic." Unlike most MB nibs with their intricate designs, this nib is fairly plain with a triangular breather hole. The MB star/snowcap symbol and the number 4810 are the only adornments on the nib, which is also stamped with the karats and the name Montblanc.

While the nib is by no means a vintage flex, it is springy and offers some line variation. The feed supplies plenty of ink and the nib writes smoothly. I've experienced no hard starts or skipping with this nib. I find it hard to describe why the writing experience is so special, but it is. This pen writes like no other pen I own.

The cap has a mechanism in it that prevents you from accidentally trying to cap the pen while the nib is extended. Yes, I've accidentally tried that once or twice. But this feature protects your nib.

The Montblanc Heritage 1912 is a solid pen. I can't stop writing with it. I love turning the knob and watching the nib emerge and disappear. (I am obviously easily entertained). Would I pay retail ($1,100) for this pen? No. I only bought this pen because it was priced well below retail. Admittedly, my pen was not in new condition (though it was described as such), and the seller gave me a partial refund. Ultimately, I bought this pen for less than half of its retail price. It is imperfect cosmetically, but it's a great writer, and that's what matters.

I highly recommend the Montblanc Heritage 1912 if you can afford it new or if you can find it at a really good price used (though I wouldn't recommend my seller). It's a beautiful, elegant, well-designed pen and an excellent writer.

Pros

• The nib absolutely makes this pen. It has a bounce and slight flex to it that is reminiscent of vintage pens. It writes beautifully.
• If you like understated, black pens with a simple retro clip and don't mind a big white snowcap on the top, you'll love this pen.
• The mechanism for extending and retracting the nib and for piston filling is simply genius. It works smoothly and flawlessly.
• The pen has a good balance to it in the hand, even though it is rather heavy and wide in diameter.
• The Heritage 1912 is a piston filler.

Cons

• Hoo boy, is this pen expensive!
• Some people find the white star/snowcap too ostentatious for an otherwise simple pen. Me? I love it.
• You cannot post the cap. If that matters to you, then it's definitely a negative for this pen. I never post, so it doesn't bother me.
• To use the pen, you have to unscrew the cap and extend the nib. That's an extra step, and some people find that burdensome. I think that's part of the cool-factor for the pen. But, if you find it tedious to add the extra step of extending or retracting the nib, then you won't like this pen.

Montblanc Blue Hour Ink Review

Twilight at Caprock Canyons, Texas

(Susan M. Pigott is a fountain pen collector, pen and paperholic, photographer, and professor. You can find more from Susan on her blog Scribalishess.)

Montblanc "Blue Hour" or "Twilight" is "linked to the 'blue hour,' the time when the day turns to night," according to Montblanc's website. The ink comes in a 30ml square glass bottle adorned with the Montblanc emblem on the cap. It is a limited edition ink.

When I first saw a sample of this ink, I couldn't wait to purchase a bottle. It looked lovely with deep blue-green tones, sheen, and shading. I love blue inks, and I expected great things from Montblanc Blue Hour.

But when I inked my first pen with Blue Hour, I was disappointed. The ink didn't have the depth I was expecting. Where was the sheen? Where was the shading? And, worst of all, after I wrote a few pages and the ink dried, it faded to a sort of dusty bluish-green. You can see in the picture below how the ink is deep blue when it's fresh and dusty blue-green when it has dried.

I tried it in several different pens with various nib sizes and grew more disappointed. Broad nibs bring out the shading, but the ink was dry and unsaturated in my finer nibs.

The only way I was able to get sheen from the ink was in droplets. None of my writing samples, even with my super broad, flexible music nib, exhibited any sheen.

Chromatography demonstrates that the ink has blue, green, and yellow tones. I expected it to be more of a blue-black, but it leans more towards teal.

Blue Hour is not a wet, highly-saturated ink. When you do a smear test, it dries quickly. Obviously, the dry times will be longer with broader nibs, but not by much. The ink is not waterproof.

When I first used Blue Hour, I thought it resembled Iroshizuku Tsuki-Yo. The two inks look similar, but Tsuki-Yo has more green and the color definitely doesn't fade. Tsuki-Yo also flows better, especially in fine nibs.

I'm glad Blue Hour came in the smaller 30ml bottle, because this is not an ink I will use much. After falling in love with Montblanc Toffee, I genuinely thought this would be a terrific ink. But it is dry; it fades, and it simply fails to impress.