Platinum 3776 Century UEF Nib Fountain Pen Review

There is wow and there is WOW. The Platinum 3776 Century UEF nib fountain pen that Thomas loaned me late last year falls clearly into the latter category. This nib is something to behold.

Thomas knows my preference for super-fine pens and this one takes the cake. And the thing is, I was wrong in my handwritten review below. Mike Masuyama did not grind down the pen to this size. This is the stock UEF nib from Platinum! According to Thomas, Masuyama only tuned the nib so it was perfectly aligned, wet, and smooth. I can't fathom how steady Mr. Mauyama's hands are to be able to work on pens this fine. I would end up with some wonky half-stub nib if I even thought about trying this.

The 3776 in itself is one of Platinum's cornerstone pens, similar in style and price to Sailor's Sapporo line and Pilot's Custom Heritage line. Basic, but classically designed barrels and 14k gold nibs at a fair price. The 3776 was a glaring omission on my 2014 wish list from yesterday's podcast and I can assure you I will own one by the end of the year.

Will it be the UEF nib? I'm not sure, but probably so. I own several Japanese EF nib pens so why not go one step further. This one was an amazing writer. The line was as advertised - consistent and smooth - and required only a very light touch to move it across the page. My only hesitancy is if I could use the UEF nib all day or would it actually be too fine? Only time will tell I guess.

For your reading pleasure, Thomas passed along this Tipping Sizes Comparison Chart from Nibs.com where you can compare different nib sizes from company to company. Notice that only Platinum/Nakaya and Sailor dare to dip their toes in the 0.1 mm range. Also be sure to read up on the history of the 3776 from Platinum and watch the nib size comparison video from Brian Goulet. Awesome stuff!

Pilot Kakuno Fountain Pen Review

What is the best fountain pen for beginners?

I get this question all the time. My stock answers are the Lamy Safari and the Pilot Metropolitan but of course the real answer is "it depends."

The Pilot Kakuno will be joining - and maybe even replacing - the pens mentioned above as one of my favorite fountain pens for beginners.

Instagram has been a great resource to see what pens are hitting the Japanese market before makng their way to the US market, and pictures of the Kakuno have been popping up in my feed for months. I was in love with the simplicity of this pen before even getting my hands on it, and now that it is here I love it even more.

Let's be clear about one thing up front: The Kakuno is marketed towards school children in an effort to learn how to hold the pen properly and help improve their penmanship. Lamy did the same thing in the ABC fountain pen with their now commonplace grip design.

Marketing aside, this pen is for anyone who can appreciate great design and excellent performance. The plastic barrel and cap feature a hexagonal shape to keep the pen from rolling off the desk, with an added bump on the cap if the pen starts to get away from you. There is also a groove in the cap to help with removal.

The nib is standard Pilot quality. For those not playing the home game, standard Pilot quality is code for awesome. The F nib in my pen performs identically to other Pilot nibs found in the Prera and the like. It's fine, firm, and consistent. I'm assuming it is also swappable with other sizes (like the EF in the Pilot Penmanship or italic in the Plumix) but I haven't tried yet. I'm having too much fun writing with it as-is!

If there is any "gotcha" with this pen it is that there is a smiley face on the nib. It is there so kids know when they see the face they are holding the nib in the right direction. I thought it might detract from my use of the Kakuno but it is barely noticeable from a normal writing distance. Besides, what is more fun than a smiley face nib?

I see the Kakuno becoming a staple in Pilot's lineup, even moreso than the Metropolitan. The barrel is a blank slate, calling out for a huge range of colors and designs, and likely even some Japanese marketing tie-ins which are popular. Pilot could take this anywhere, especially with such a strong price point and the ability to use Pilot's ink converters.

For me, I'm taking it everywhere. It is highly portable, fun to look at, comfortable to hold, great to write with and downright cool. There is no doubt I will be adding more to my collection.

(JetPens is an advertiser on The Pen Addict and I received this product at no charge.)

Esterbrook J Fountain Pen Review

(This is a guest post by Garrett Kubat. You can find more from Garrett on Twitter @gazkubat.)

The Esterbrook J is my first vintage fountain pen. Of the pens that I own it is one of the most consistent workhorses that I can rely on to write. It writes when I need it to and only stops when the nib leaves the paper. The reliability is a huge plus in this vintage fountain pen. Reliability means that it can go from a novelty item to something that can be used every day. My estimates put this particular fountain pen to have been manufactured around 1948. I came to this conclusion by the fact the pen and lid both have the black plastic "jewels" on the ends. If someone more knowledgeable than I has a more accurate estimate I would be glad to hear it.

I purchased the pen from Brian and Lisa Anderson on their wonderful website for $60.00. They had others for sale that were cheaper, and I had read that eBay regularly sold them for even around half the price, but I was smitten by the blue colour and how I knew it would be a functional pen. Pens are beautiful, but I would rather have an ugly pen that wrote than a gorgeous one that didn't. That being said I was able to have the best of both worlds with this pen. This particular pen seems to be in a near flawless condition with no worn spots or scratches.

I would credit Brian and Lisa with the exceptional restoration I assume this pen received, but the state of the pen also speaks to how well these pens were made. They were made to be an affordable pen that used cheap but durable materials and were solidly crafted. It feels durable and write consistently, just like another amazing pen: The Lamy Safari. There are obvious differences but the two greatest similarities are they are long-lasting and reliable.

One element that makes this pen unique amongst the pens I own is the filling mechanism. Within the pen is an internal sack that can be depressed by the lever on the barrel of the pen. When the sack is depressed and the nib placed in ink all you do is push the lever back flush with the pen and allow the ink to flow into the pen. The ink capacity is not up there with say a TWSBI but it holds enough that I am not worried about running out of ink if I take the pen with me for the day.

This is an excellent choice to begin the vintage fountain pen journey with. The pens come in a variety of colours as well as other models like the LJ (Full length but slimmer than the J) and the SJ (shorter and thinner than the J). They can be found at a relatively affordable price and the large amount of nibs available makes these extremely versatile. An extensive list is available on Esterbrook.net, which is managed by the aforementioned Brian Anderson. I only have the 9556 (Fine Writing) and the 9555 (Gregg Shorthand) but I would love to get my hands on a stub nib.

This is my only vintage fountain pen so I can't compare it to others but I would say it stacks up well to a Lamy Safari, it was made to last and (most importantly) write.