Posts filed under Pen Shows

2026 San Francisco Stationery Fest Recap

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

No joke, I started this article on Wednesday, April 1, when I readied myself to write this recap about the inaugural San Francisco Stationery Fest (SFSF). I think I’ve recovered enough from the show to hopefully write coherent sentences about my very first stationery fest! Yes, that’s right, I’ve never been to a stationery fest before, just to a bunch of pen shows that had stationery vendors, including my home pen show, the San Francisco Pen Show where I’ve bought an embarrassing amount of stuff last year - see last year’s show recap for some haul pictures.

Welcome to the San Francisco Stationery Fest! (I know the picture says “Show” lol.)

Last year, I was planning/hoping to go to at least 3 events, but due to scheduling conflicts with my family as well as foot surgery, I wasn’t able to go to any of them, and I also couldn’t make it to the Chicago Stationery Fest last month, so needless to say, I was chomping at the bit for this one. While I hadn’t attended any sort of dedicated stationery events like this one, I had gone to a “maker” event a couple years ago which had at least a dozen stationery vendors. That, coupled with the increase in stationery vendors at pen shows, but especially at the SF and CA pen shows, gave me an idea of what SFSF might be like.

Oh, and even though this wasn’t a pen show, I was working at the Flax Pen to Paper tables, so as usual, most of my picture taking was done before show hours or during trips to/from the restroom, lol.

Like the San Francisco Pen Show, SFSF kicks off on Thursday with some events/meetups, badge pickups, and even a meet & greet with SFPS and SFSF show mascots Odin & Ace! (Bummed I missed out on seeing Odin & Ace at the meet & greet ☹️)

Both PLOTTER and TRAVELER’S COMPANY USA held events which allowed folks to meet fellow enthusiasts, explore (and buy) some of their respective products, and get their creative juices going.

April Wu waving hello during the PLOTTER Lounge and Creative Experiences event which kicked off on Thursday afternoon.

Look at all the fun stuff PLOTTER shared with folks who were excitedly working on their journals and notebooks!

PLOTTER also held a pop-up shop during their event - in the foreground, folks can assemble a paper pack to use page separators or as decorations.

The room wasn’t too crowded for the PLOTTER event but it ebbed and flowed as some folks came for the shopping, while others stayed for the journaling and meetup.

TRAVELER’S COMPANY USA also hosted a gallery and meetup later on Thursday. I love the creativity from various folks’ TNs! (PC: Jessica)

Another view of the very popular TRAVELER’S COMPANY USA event.

Due to a short notice event at the hotel (unrelated to SFSF) on Thursday evening, vendors weren’t able to set up their tables/booths until Friday morning. This made it a hectic morning for vendors, who were hoping to have everything set up and maybe even do a little pre-show shopping for themselves.

The view from the Flax Pen to Paper booth on Friday morning as everyone was frantically setting up for the 9am weekend pass entry time. This was taken at 7:51am. You can really see the wide aisles.

Jeremy Saumure, Alex Jay (of Imperfect Concepts), yours truly, and Ryan Finnegan of Saiko Stationery.

These gorgeous, hand-cut, hand-grommetted, and hand-painted journals by Imperfect Concepts were teasing me all weekend long because they were at the Flax booth. There was one that caught my eye, but I behaved though!

Shaundra Broughton, Joe Crace aka The Gentleman Stationer, and Lisa Vanness of Vanness 1938 were getting ready for the inaugural SFSF! They had a nice U-shaped nook at the very end of the hallway!

This is the back hallway (aka where the nib grinders were at the SFPS the past couple years). This didn’t get too congested, though there was a line (right) for the LCN Design Studio table around the corner!

It was neat to see some of the non-paper stuff that Midori brought with them including incense, incense holders, and pen rests, along with their notebooks, of course!

I liked the examples of how their notebooks can be used.

It was great to see some familiar pen show faces, in addition to those from Vanness, Gentleman Stationer, and Flax Pen to Paper.

Erick Gama of Amarillo Stationery is all set up and ready to go!

Tori Woods of Stationery Universe and momma Mary were excited to be at SFSF! Not pictured is Francisco Lopez of Hinze Pens who also had some collab pens at the table.

No stranger to SFPS, Rickshaw Bagworks was also a sponsor for SFSF. Chief Smiles Officer, Cheryl (left) and Mark Dwight (not Rick), owner of Rickshaw, along with the Rickshaw crew, are showing off these adorable plus Pixel cases that debuted at the show!

While there were some pen classes & seminars, as well as a few pen vendors in attendance, this was definitely not a pen show - it was a stationery fest after all, so let’s take a look at some of those stationery vendors now!

PSA from ILOOTPAPERIE who reminds us that stationery (the kind you’re going to a fest for) is spelled with an “E”. The way I remember is is stationARY is where you “ARe”, while you buy stationERY from a stationer, or “E for envelope.” 🙂

A rare crowdless photo of the Fog Cats & Yanchako table, which was one of the first tables you encountered. It was practically mobbed all weekend long. (Yes, pose is intentional.)

I don’t have a cat and I found this hysterical and almost bought it.

From Berkeley, Goby Design had a colorful array of leather notebook covers.

Another Bay Area vendor, Sara Burgess of Sara Burgess Studio adapts her hand-cut artwork into these gorgeous note cards.

Dana (left) of Dana Ate Oatmeal with helper Denise. It was so nice to meet Dana in real life because I love her art!

One of the few times I saw Cindy Duong of Sakura Dragon at her tables - it was pretty busy there the whole weekend - but we would keep missing each other every time I walked by!

Megan of k1rmizi is a self-taught artist and illustrator who also teaches perfume workshops when she’s not making stationery products!

I hadn’t seen this journal bag by Menmin Made before!

The Ultimate Journal Bag allows you to flip through different sections and add/remove them as needed! There’s also a spot in the front to show off your pins too.

Stephanie from Vincenza Los Angeles is known for her notebook covers, but I got some patches that I forgot to buy at CAPS.

Definitely couldn’t miss RiN Studio’s big blow up in the corner of the ballroom!

I couldn’t bear to tear off this page from Flax’s Blackwing tester display. People are so artistic and talented!

I love the vibes from the art and cards at the Goyangi table.

It was so nice to meet Michaela of Michaela Made who is based out of the Dallas, TX area. I was trying to convince her to check out the Dallas pen show later this year!

This huge booth by SumLilThings is something one doesn’t typically see at a pen show, where products are displayed high up vertically, but is quite common at stationery events.

One of the funnest things I’ve done at a show was the shaker charm rally organized by Miki of Pineberry Paper. You buy an empty “frame” (she had several, but I picked the SFSF exclusive), and then go around to participating vendors to buy their charm. And if you complete the rally, you get a free sticker sheet with the charm logos! It was a great way to get to know some new-to-me vendors too!

One of the cutest and most memorable souvenirs I have from the SF Stationery Fest!

While it wasn’t a surprise that there were so many California and US-based stationery vendors, SFSF also had a fair share of international vendors, including folks from Japan and Taiwan. I can’t believe I forgot to take pictures at Tokubetsumemori’s table!

I love Taizo Yamamoto’s latest creation, “Color Palettes Town”! They had a cute little train going around these “buildings” of paper, which you can mix and match to create a little “house” with. And of course, I had to get one!

Traveling all the way from Japan, Ahnitol came with their cool crabs, cats, and assorted animal pen and phone rests. My large pink crab speaker is playing music on my desk as I write this!

Inden, a lacquered leather goods company from Japan since 1582, had these stunning wallets, pouches, and accessories made from leather that is lacquered with urushi.

Another vendor from Japan, Daigo brought a wide array of notebooks and accessories.

Sanby, often associated with stamp collabs with eric small things, brought these awesome Godzilla stamps.

I asked him to sign my TN accordion insert which was stamped with one of the Godzilla stamps.

Like the SF Pen Show, there were quite a few events held throughout the weekend, during and after show hours. I already mentioned the ones with PLOTTER and TRC USA, but there were also meetups hosted by Sakura Dragon, Cozy Stationery Friends Club, Bay Area Planners, and Postcrossing. I wasn’t able to get photos of many of them since they were held while I was working at the fest.

Cindy Duong of Sakura Dragon and Mr. Sakura Dragon, aka Colin Tan Wei, were all smiles at their meetup! They told me they were shocked by the huge turnout! (I wasn’t surprised, Cindy makes some awfully cute stuff!)

Pink-shirted folks were on hand to help facilitate the Sakura Dragon meetup, where folks got a chance to mingle with other fans, swap and share from the destash table, stamp to their hearts’ content, and work on their journals. No surprise this was such a popular meetup!

Joe Crace of The Gentleman Stationer and Lisa Vanness of Vanness 1938 recently started the On the Paper Trails podcast, and did a live recording on Friday night. Check it out here!

Joe Crace and Lisa Vanness before the start of the live On the Paper Trail podcast recording. (PC: Yuan)

Even though the after hours scene at the Aloft hotel wasn’t as hoppin’ as it usually is at SFPS, people still seemed to have a blast. Karaoke was a new addition to the scene and there are already plans to keep the tunes going at SFPS later this year! Folks sung their hearts out in the Tactic Room (so we didn’t have to subject others to our melodious voices) and had a blast.

Joe Crace has “got friends in low places” and Lisa Vanness is laughing cuz she’s one of them!

Yours truly is doing karaoke “My Way” with SFSF/SFPS/SF Pen Posse pal Franz Dimson.

Some after hours sticker swapping, journaling, and socializing at the Aloft bar. (PC: Yuan)

Since this was my first stationery fest, and also the inaugural SFSF, I had a few thoughts/suggestions/gripes/etc. about the show:

  • Stampers are bit too eager - I’ve seen this on both sides of the table at pen shows and also at SFSF, people taking up a lot of space and time to stamp their journals/sticker paper, while disregarding nearby shoppers who are trying to look at/buy products or ask questions, but they can’t because “stampers” (who often aren’t buying) are in the way. Vendors don’t mind folks using their stamps, that’s why they bring them, but they do mind if you’re getting in the way of other people trying to shop. They also mind when you (or your kids) are pushing too hard on their stamps (I’ve seen people use their entire upper body weight to press down on stamps). Some vendors have started bringing fewer stamps to their tables for these reasons. I would like to suggest that the show have a dedicated stamping room and/or event (during pre-show or after-hours), which would be monitored for proper usage and prevent thefts (so sad that this happens). This would allow folks to stamp to their hearts content, while also ensuring that customers have an easier shopping experience.
  • Less crowded than SFPS - I heard that there were as many (and possibly more) attendees than at the SFPS, but it still felt less crowded. Due to the highly curated vendor list, aka a lot fewer vendors than SFPS, the ballroom was more spacious at SFSF compared to the pen show. The aisles were nice and wide, though the space behind the tables seemed a wee bit cramped for vendors. The exception to the wide aisles were the hallways, which had vendors on both sides, making them more of a bottleneck than the ballroom. Fortunately, you could take a shortcut through the ballroom.

This was the line to enter on Saturday just before the 8 am weekend pass opening time. I don’t think it ever went out the door and around the hotel like it did at SFPS last year!

I almost don’t recognize this ballroom with these super wide aisles! This was taken on Sunday afternoon when there were still plenty of people wandering the show floor.

Don’t get me wrong, there were still crowds throughout the weekend but it never felt nearly as claustrophobic as SFPS.

Taken in the ballroom at 10:30 am after the 10 am general admission folks were let in.

Fair amount of people, but also fair amount of room to get around.

The hallways were the most congested areas of the show - for both SFSF and SFPS. I don’t see a way around that unless you get rid of the vendors on one side, and I don’t think that would be great either.

  • More locals than SFPS? - While I didn’t ask everyone if they were local, it definitely felt like there were a lot more locals attending SFSF, than folks who traveled. Locals tended not to stay at the hotel, resulting in a more mellow after hours, which is usually a lot more bustling (like at SFPS) than it was at SFSF. Folks definitely stuck around for evening meetups, but were ready to go home. Usually, local folks don’t go for all 3 days of a show vs folks who travel will be there all the days. Which brings me to my next point…
  • Too many bags, especially big ones - There were so many bags. Everyone had bags upon bags upon bags. Can’t say I blame them since there was so much shopping to do. But all those bags made for more crowded aisles and shopping experiences. Folks are told never to leave anything in their cars, so people kept their bags with them. And many of them weren’t staying at the hotel, so the bags multiplied and got fuller. This happens a little less at pen shows, where there are more travelers (and therefore, hotel stayers) who can periodically put their purchases in their rooms. I don’t know if stationery folks have been told not to bring their big backpacks/bags to shows because I saw some of the largest bags/packs I’ve ever seen at SFSF. So if you’re just discovering this now, it’s ok - just keep it small, or as flat as you can, and put your bag down on your feet when you’re shopping so your bag isn’t blocking the aisles (you can put your foot through the bag loop if you’re worried about theft). And please don’t put your bags on top of the merchandise (even more important at pen shows where it can cause costly damage).
  • Bring more cash - I think the term “cash is king” has never been more true than at SFSF (and probably other stationery shows). Other than some vendors (especially international folks) who preferred credit cards or PayPal, most of the US vendors would rather have cash than pay credit card fees, especially when the average transactions are significantly lower than at pen shows. I ran up so many $3.50 single washi tape transactions with credit cards, that it just blew my mind. Vendors not only have to pay a percentage fee, but also a transaction fee (like 3% + $0.10/transaction). Those fees really eat into sales, which is more noticeable when you’re making low dollar purchases. I heard this from quite a few vendors.
  • Get cash ahead of time, and get small bills - Hotel ATMs empty out pretty quickly and don’t always get refilled during the weekend, so you’d have to make a separate trip to a bank or ATM if you need more cash. And if you can, get small bills, especially $1 and $5 to make it easier to give exact change, which makes it faster for everyone.
  • Ticket prices felt about right - Ticket prices ranged from $10 cash for Sat or Sun day pass (general admission), to $25 early access Sat or Sun day pass, to $40 Friday general admission, up to $75/$85 for weekend passes which had early access all weekend. Early access pass holders got in 2 hours earlier on Sat/Sun and were able to get in at 9 am on Friday vs 1pm for general admission. As I don’t have any other shows to personally compare them to, it seemed reasonable to me, especially given all the classes and events, as well as the ballrooms, that the organizers have to put on.
  • Which day(s) to attend? - I will always say that if you can go for all the days, do so. But I also realize that’s not always feasible, so prioritize what is/isn’t important to you. If there are exclusives that you absolutely have to get, definitely splurge for the weekend pass, which gets you Friday morning access. If you’re not as eager for those exclusives, or you’re just dipping your toes in the stationery world, I would stay away from Saturday as that was the busiest day of the weekend, followed by Sunday, then Friday afternoon (Friday morning felt quieter but you’d have to get a weekend pass to attend). Sunday after 12pm still felt lively but more manageable.
  • Pets - One of the things I love about the SFPS and also SFSF is that pets are allowed in the hotel. That said, shows can be very stressful for animals, especially with the crowds. I would suggest that folks bring them in the late afternoon or on Sunday, when shows are typically less crowded, though SFSF was busier on Sunday than it was on Friday - likely due to the significant ticket prices.

Ace, one of the SFSF mascots, was totally listening to his owner, Todd (one of the SFSF owners/organizers), who was telling him not to get on the table, lol.

The OG SF show mascot, Odin, is the bestest boi!!

Obligatory pic of my doggo, Bungee, who came through SFSF on Sunday afternoon (thanks to hubs for bringing her). Here she is squinting away (no idea why she’s squinting but I love this picture from Yuan) - isn’t she cute?!

One of the absolute cutest (and softest) dogs at the show, and was extra cute in a tote bag! So well-behaved too!

How about two dogs in two bags?! These two were so sweet!!

  • Lots of Social Media - I primarily pay attention to Instagram, but I saw a lot of posts and stories on both IG and FB about SFSF. I got excited every time I saw a new vendor being added or a new class being offered (even if I couldn’t take them).
  • Good info on website
  • Informative - There was a lot of information on the website, and it was pretty easy to navigate.

It was easy to find classes/events/etc on the website based on day, instructor, description and/or type.

  • FAQ - For once, I actually read the website FAQ and found some good information, including…
  • Parking validation - While I’m talking about parking, I wanted to mention that the show negotiated a lower parking rate
  • Interactive map was easy to use, even on mobile. They only had 1-2 printed maps at the help desk but printed maps ended up as garbage on the show floor, so they opted not to have them at SFSF. I think some larger printed maps would be helpful though.

You can click on a table, or search by name or keyword (like washi) to find out where a vendor is located. This is a screenshot from my iPhone.

  • Parking better than SFPS - I may be completely wrong on this one but I didn’t hear as many complaints about parking. Maybe it’s because a lot of folks were local and could take public transportation, Uber/Lyft, or carpooled, but it didn’t seem as problematic as at SFPS.
  • Lots of classes/seminars - Since the show didn’t put vendors in the small side rooms like they did for SFPS, there were a lot more rooms for classes & seminars (classes are paid, seminars were free, but required registration to ensure adequate space). I loved seeing the variety of classes and heard from a lot of attendees that going to classes gave them much needed breaks from all the shopping, while also learning a new skill and meeting new people.

What a fun time at my handwriting improvement class on Friday afternoon! (oof, I need more sleep, lol.)

Since I recently went through some of my stationery stash, I was able to be a little more mindful about what I wanted to get at SFSF. Definitely didn’t go as crazy as I did at SFPS last year, but that doesn’t say much, does it? The haul pic still required an aerial shot of the living room rug, lol.

Clockwise from upper left: stickers/patches/inserts/stamps/washi tape from Kuboandlucy Stationery Co, Stationery Squad storage bags from Sakura Dragon, paper house from Yamamoto Paper, washi tape/clear stamps from Everyday Explorers, sticker sheets/ink from Oblation Papers & Press, stamps/stickers/postcard/canvas bag from Fog Cats & Yanchako, stamps/patch/album/Pixel from Rickshaw Bagworks, postcards/stickers from ilootpaperie, patches from Vincenza Los Angelesa, stickers/tin from Dana Ate Oatmeal, dandelaid paper notebook from Paper Mind, accessories from PLOTTER, stickers/postcards from Shady Pines Paper Co, official SF Stationery Fest stickers and pin, stickers/stamp from Sugar Turtle Studio, card from le petit elephant, passport insert from Thousand Skies, sticker sheets/charm rally frame from Pineberry Paper.

As I always say, the stuff is great, but it’s the friends that make shows great. Whether it’s a pen show or a stationery fest, getting to spend time with friends, old and new, is the best part!

I saw the Pen Addict patch on this fella’s bag before he turned and I saw the Pen Addict hat! First time meeting Pen Addict fan, J Cucchiara, and we had a lovely conversation about the blog and had to snap a selfie to show the boss!

While I regularly see my friend Mary on the PA Slack, as well as the CA and SF pen shows, we rarely get more than a moment to chat. I absolutely enjoyed the more relaxed after hours atmosphere where we were able to talk for more than we have in years.

There’s nothing like good ol’ fashioned hanging out with friends, old and new!

Like most folks, I didn’t know what to expect from SF Stationery Fest, but it felt just right - not too big and not too small. Was it perfect? Probably not, but vendors I spoke with seemed to think it was well-organized and that they had a really good show. After-hours wasn’t nearly as crazy as pen shows, but that’s probably a good thing since I’ve already been to 3 pen shows this year and I still need to catch up on sleep, lol. For an inaugural show, I think the show organizers did a pretty darn good job and it certainly fills the stationery fest void for me. I loved making new friends and enjoying old friendships, just with more stickers and washi tape!

A huge thank you to the organizers for putting on such a great stationery event, and thank you also to the vendors, helpers, attendees, friends, and pups that made SF Stationery Fest such a wonderful time. It’s nice having a few weeks to recover before the Chicago Pen Show, which I am really looking forward to. Until then, stay safe and stay inky!


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Posted on April 10, 2026 and filed under Pen Shows.

Thank You Atlanta!

Truphae

(Note: I was quick to share my thoughts on a disappointing 2025 Atlanta Pen Show last year, so I think it’s only fair to to share my opening few paragraphs in this year’s show recap for Pen Addict Members and see what, if anything, changed. Short version: we back. Newsletter issue #517 is has landed in inboxes around the world, and you can join the crew for only $5 per month, which helps support all things Pen Addict. Thanks for reading!)

Atlanta got her groove back.

I was openly critical of what I saw as a clear decline of the Atlanta Pen Show in 2025. After returning from this year’s event, I am thrilled to report that things have begun to turn around quickly, and I left with a positive outlook for the future of what is an important show to me personally, and to the pen show calendar overall.

There is still work to do to elevate the Atlanta Pen Show to the destination-type show it once was, but with the addition of Trupahe - helmed by Chris Henline and Cary Yeager as, at a minimum, assistants in running the show - change in the 2026 edition was noticeable. Specifically:

  • An updated, and up to date website.
  • Online ticketing.
  • A class schedule with something each day (2025 had zero on any day.)
  • Accurate scheduling of events.
  • Active social media and promotion.
  • Vendors who would not have come back if Truphae were not involved.

The last point is the most important. Pen shows are a symbiotic relationship between the show promoter, vendors, and attendees. If you lose one link in that chain, the rest crumbles quickly. If the promoter doesn’t live up to their job description, the attendee count drops, and there are fewer customers for the vendors, who need to at least break even to make their efforts worthwhile.

In 2025, we lost the link to the promoter. In 2026, that chain was repaired, and the changes were noticeable.

On Saturday, I spent time talking to as many vendors as possible and getting their feel for this year’s show. Several times I was told that they did more sales on Friday of this year than the entire three days of last year’s event. I was also told - again, multiple times - that they would not have returned if Chris and Cary didn’t get involved with the show. Those vendors took a chance, and it seems to have paid off.

The best part about this is that Truphae didn't come on board until late 2025 to put their stamp on the show. They aren’t officially the show owner or running it completely, but their involvement and expertise made a difference, and for that I am grateful for all of the work they did in a short timeframe.

Ok, I could wax poetic for many more paragraphs, and no, the show is not all of a sudden “GREAT! PERFECT! AMAZING!” But the Atlanta Pen Show has that little sparkle in its eyes again, and I’m a keen observer of what the future may bring.

Posted on March 30, 2026 and filed under Pen Shows.

2026 Baltimore Pen Show Recap

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

Can’t believe this is going to be my 5th recap (2022-26!!) of the Baltimore Pen Show (BWI) since writing for The Pen Addict. That means it is going to sound a bit like last year’s but not quite. Here’s last year’s recap if you need a refresher. After last year’s shows, and this year’s Philly and CA Pen Shows, Baltimore is no longer my second favorite show (after SF, of course). I haven’t yet figured out where it falls in my lineup of shows. Let’s get started and maybe I’ll figure out the answer before the end of this recap.

With the show being held in the middle of March, the weather isn’t always cooperative - some years there’s sideways rain or snow, but this time, the weather was fine - it was cloudy when I got in on Thursday morning but it was pleasant the rest of the weekend.

VIP bag for the Baltimore Pen Show.

BWI has a layout similar to the California Pen Show, where you enter in one hallway, turn the corner and go all the way down to enter the main ballroom at the far end. BWI also had a smaller “side room” which had ~20 tables. There is only one set of open doors to the main ballroom entrance, but multiple ways of leaving (like near the exit doors next to the Franklin-Christoph table, where I was this past weekend). See the interactive map to see the layout and where vendors were located. If you’re a show owner and you want an interactive map like this, check out Pen Show Maps, or reach out to Alex K for more info.

Let’s start with the hallway. Not pictured were folks like Schon Dsgn and Luxury Brands of America (no drama, I’m trying not to take pictures of the same folks all the time), as well two of the nib grinders, Damien Alomar and Josh Lax.

Lucas Barrett was repping Ranga Pens, one of several vendors located in the hallway. He moved to the side room on Sunday because it had better light. (Yes, it’s the hallway light, not my crappy photography skills!)

Jeanne of Jeanne’s Ohana Designs had her lovely stationery and writing kits on her hallway table.

Those lights (and cameras), make it irresistible to walk away from those gorgeous pens. Here’s Chris Henline of Truphae selling a pen to Jason.

Look at all that Nagasawa eye candy that was at the Truphae table! So many binders, so many pretties!

The side room was easy to miss because it’s not a very big room, and most of the hallway vendors were situated on the left side, while the room was on the right.

Saturday midday view of the side room. This room was even quieter on Friday.

Located in the side room, Allie Ozga of alliinthealley made these incredible pieces out of wild clay!

The Fouche sisters of adopt a pals had all of these awsesome 3D-printed dragons, wyverns, squids, etc.!

Florida-based artist, Abdiel Acosta, makes beautiful art with fountain pens and ink, as well as these gorgeous pen rests (I won during one of the Bossman’s streams a couple years ago)!

It was Brooklyn-based inkii’s first time at BWI - here she is prepping her “cannoli” leather/chamois goods!

After checking out the side room and the hallway vendors, make your way to the main ballroom and that’s where a majority of the vendors and attendees are.

Andrea and Brian Gray of Edison Pens was just inside the main ballroom entrance. They brought their array of beautiful pens in different sizes and filling mechanisms.

Michael (left) and Larry Dromgoole brought a wide variety of pens, inks, and paper, including some fancy ones behind the glass.

Edison Pens was at the diagonally opposite side of the ballroom from Franklin-Christoph, so it took a while for folks to make their way over to us.

View from the Franklin-Christoph table in the early afternoon.

I took this and the next picture while standing in the middle of the ballroom looking on opposite ends of the room. This is facing the “back”, closest to the ballroom entrance.

This is facing the “front”, where the exit doors were. There was a decent amount of attendees on Saturday.

Ross, (foreground left) of Yafa Brands, was one of several distributors at the show.

Look at the newly released Diplomat Black Forest Aero, “an aluminum pen body with wood-inspired surface”. Diplomat is one of several brands that Yafa distributes. I heard they sold out of that pretty quickly!

Baltimore locals Evan and Julian Rosenberg of Penquisition have so many fun and colorful pen accessories, pen cases from Rickshaw, 3D-printed fidgets and pen rests, and more!

Stick a pen in the horse pen stand and it becomes a unicorn!

Look at these urushi beauties from Seypen! So many of them sold out before I realized he was here!

Jonathon Brooks and his “trademark” throw-em-on-the-table aesthetic, while Fountain Telling’s pens, made by daughter Kristen, are neatly displayed. They’re gorgeous either way! (Due to a family emergency, Kristen wasn’t able to make it to the show. Hope everything’s ok!)

Paul Erano (right, standing behind the guy bending over the table) is my “Pen Show Dad” and the Grand Poobah of the Black Pen Society. He is also a long term vintage dealer, the creator of the Fountain Pen Journal, and author of Fountain Pens: Past and Present. If you’re looking for or curious about vintage pens, he’s a good place to start - tell him I sent ya!

Congrats to Lauren Elliott on the Lucky Star’s 6th anniversary! Check out the unboxing video of their collaboration with Franklin-Christoph!

Jon from Lincoln’s Leather wrapped his beard in the same leather as that notebook cover!

More covers and pens from Lincoln’s Leather.

My favoritest things that Lincoln’s Leather makes, isn’t even leather, but these water bottles with engraved fountain pen designs. I’ve been carrying the one I bought last year to all the shows!

Justin Zucker of Kenro Industries showing off some of the Esterbrook prototypes on Saturday morning!

In 2024, there were 7 nib workers at the show and in 2025, it was down to 5 (6, if you include F-C’s in-house nib specialist, Audrey Matteson). This year was also 5, but last year Richard didn’t make it, but Gena did. This year, Gena didn’t attend, but Richard did. I think they didn’t seem to be as swamped as in years past - maybe due to more first timers at the show?

  1. Damien Alomar of All in the Nib
  2. Richard Binder of Richard’s Pens
  3. Linda Kennedy of Indy-Pen-Dance
  4. Joshua Lax of JJ Lax Pen Co
  5. Kirk Speer of Pen Realm

Linda (left) and Mike Kennedy of Indy-Pen-Dance doing nib grinds and pen repairs, respectively.

I didn’t take as many selfies as I often do - probably because I took so many at CAPS two weeks ago (holy crap, was that just two weeks ago? No wonder I’m so tired!).

I got a selfie with the President! The President of Fahrney’s, Drew Brown, that is! I only managed a quick hello where I gave him a cute corgi pen from Legami.

So glad I got to see Bryant, aka “That Journaling Guy” on IG/YT! He’s down to earth and super fun to chat with!

Random thoughts…and some gripes:

  • Free Airport/Hotel Shuttle - Runs every 20 minutes for a bulk of the day and night. Super convenient, fast and free.
  • Book hotel early - The hotel sells out fast, so book your room early next year. The hotel was booked months in advance! If the room block sells out, you can book a refundable room and let Bert know and he can get it changed to the room block rate. There are also other inexpensive options that are very close to the show hotel.
  • Parking lot fills up - This show doesn’t have the largest of parking lots, so people had a hard time finding parking. If you can, carpool. If you can’t, come early and prepare to park at other hotel lots nearby. If you’re staying at the hotel, it might be worth getting a Lyft/Uber to dinner so you can keep your parking spot.
  • Lots of classes/seminars/events - I love that this show has a lot of classes and seminars (both paid and free) including Fountain Pens 101 (Pen Boutique), Sheaffer Snorkels (Nick Mastricola), Transformative Creative Journaling (LaQuisha Hall), and Pilot Parallel Flourishing and Frames (Dyuti Gayatri). I also taught my handwriting improvement class on Friday and Saturday. “Pen Shows After Dark: Vintage edition” was held on Friday night to spread the love of vintage pens. On Saturday night, there were raffles and giveaways during Pen Shows After Dark. My date with the treadmill meant I was too tired and hungry to take photos, but I heard the cheers!
  • Too little, too late - I want to make it very clear that this next section isn’t about me. It’s about all of the vendors. I’m just using myself as an example since I was an instructor. Vendors have paid good money for tables and travel/hotel and they have to be able to recoup their expenses, and they can’t do that, if the show isn’t marketed well.
  • Emails - This is what I wrote in last year’s recap: “Last year (2024), I commented on the deluge of emails in the weeks and days leading up to and throughout the show weekend. This year, it was the complete opposite. From August 2024 to March 5, I got a total of 4 emails, compared to at least 12 emails for BWIPS 2024. People aren’t going to the show if they don’t know that it’s coming up.”
  • It was worse this year. Aside from an email that I got as a past class instructor in early January, the first email about the show this year was sent on March 1 - a mere 5 days before the show. That email only showed classes and seminars for Friday, March 5th, along with a link to the Friday events and show ticket purchases. The second email, sent on Thursday, the day before the show starts, again, only listed Friday classes/events and a link to an interactive map. The third and final email, finally listing Saturday classes/events, was sent on Friday night/Saturday morning.
  • Website needs significant work - More is not necessarily better, and the show website is an example of that. It is one of the most cluttered and confusing sites to navigate. There are too many graphics, banners, videos, etc. that are way too large and distracting. I’d take a simple website any day, over one that I can’t figure out, especially on mobile. For example, you can’t find the menu unless you scroll past the class/seminar marquee, the huge ticket sales banner graphic, another huge video graphic on “how to find our show”. There are also two menus and only one of them has vendor listings, and if you’re on mobile, the menus are collapsed, making them practically invisible. Once you find the vendor list, it’s hard to figure out who is coming because they are listed randomly, making it hard to find out if your favorite vendors are attending. And like I said last year, there is also no contact information or links for vendors either. Many of the navigation issues I brought up last year continue to be issues this year. Take a look at some of the pictures from last year’s recap to see what I’m talking about. Or just navigate the show website to see what I mean.

  • What Social Media? - The first Instagram post for BWIPS 2026 was on January 19, looking for seminar and workshop hosts/instructors, and then nothing until March 4, two days before the show (just like last year). That’s it for Instagram (I am not counting posts made by others, which tagged the show’s account as a collaborator). That’s it, two Instagram posts. They shared some vendors’ posts as IG stories a couple days before the show, but didn’t create any of their own content or vendor spotlights in their own account. There were some more posts on Facebook, but most of them were (1) in the show’s own FB group, and (2) were FB events created for the classes/seminars. I didn’t start seeing the show posting in any other fountain pen groups on Facebook until a couple days before the show. It’s hard to say how much impact this had on attendance, but social media helps get everyone excited for the show, and makes vendors feel appreciated and that they are getting publicity from the show. Posts can easily be shared by vendors and attendees, which greatly extends their own follower reach. Can’t share what isn’t posted though (sad trombone).

My screenshot of this IG story was taken around noon on Thursday, March 5th and it had been up for 23 hours, which meant it had been posted on Wednesday, 2 days before the show. A bit late if you want to hype up the show.

  • Classes/Seminars/Events publicized too late - My class was finalized around the end of January (which is a huge improvement from last year), and made it to the website in early February, but given the lack of emails and social media until a day or two prior, there wasn’t any publicity about the show if folks didn’t check the website. I made my own IG post and also shared other teachers’ posts. I spoke with a few instructors who were wondering whether they would get enough students to make it worth the effort and expense. It’s disheartening to see single digit signups in the weeks leading up to the show, even if there were more signups the closer we got to the show. I don’t think their “After Dark” sessions were posted on the website until a few days before the show.

Despite the website challenges and lack of show promotion, I had an amazing time teaching classes on Friday and Saturday!

The Saturday class really brought the energy! Being able to banter with my friend, Shahriar, made it even more fun!

  • Pen show flow - It is not easy to figure out where to put vendors, especially when there are poorly lit hallways (not the show’s fault) or side rooms that often get overlooked because people want to go to the ballroom. I think they’ve tried to rope off part of the hallway to force people to the side room but that wasn’t a viable option due to safety concerns. I don’t have an answer to this dilemma, other than to mention that it’s in your best interest, as an attendee, to check out all the rooms, aisles, and hallways as you may be missing some cool stuff.

Despite the lack of show and vendor promotion, there were a lot more attendees than I expected. It was significantly more than last year’s show, where DOGE and looming political/economic unrest kept people away from the show and folks limited their purchases. While Saturday was the busiest of the 3 show days, the show was never super cramped or crowded since the aisles are nice and wide.

If you are an attendee, this is still a great show for both newer and veteran pen fanatics alike. I think I’ve been saying this for at least the past two years, but every show I am greeted with more folks who are newer to the hobby and attending their first show. Aside from the wide variety of pens, both modern and vintage, like past years, there’s no shortage of inks, paper, cards, ephemeral, even ceramics, 3-D printed items and my favorite, chocolate!

It is always interesting to talk with other vendors to see what they thought of at day’s end. While a few vendors had a really good show, most of the vendors I spoke with, did “alright” to “not great” on Friday and Saturday, and it was relatively chill on Sunday, which is common for many shows. Vendors started packing up early on Sunday, which was unfortunate. Maybe early departure folks should get dropped in priority for tables the next year? Based on the vendors I spoke with, it seemed like vendors who sold accessories and lower ticket items (inks, paper, stickers, etc.) had a really good show, while those with $200+ price tags did not have a good show. Given the lack of promotion (and I’m not the only one who felt this way), I don’t know what that means for their return next year.

2:30 PM on Sunday afternoon and the ballroom is noticeably emptier, including on the vendor side.

So, despite everything I’ve said, I still had a great time at this show. I got to see friends I hadn’t seen in ages and I got to make new friends. I even had enough energy to hit the treadmill for an hour on Saturday night AND stay up to see 3am (not all my decisions are good ones, lol)! All the attendees I spoke with also had a great time and from the looks of it, great hauls too! As I said in my CAPS recap, CAPS is now my second favorite show, with Chicago and Philly vying for third. It’s the friends that come to this show, and not so much the show itself, that is keeping it from being ranked lower than fifth.

Still going strong at 11pm on Saturday night, the same night I saw my phone go from 1:59 am to 3am. Sunday morning’s alarm was brutal. Thanks, Daylight Savings Time, said no one ever.

Kirk Speer demonstrating the need to stretch after a long day at a pen show!

Clockwise from left: Postcard, stamp, sticker sheets, and inks from Esterbrook, chocolate from Jinji Chocolate (chocolate covered dates not pictured cuz they’ve been eaten, lol), Colorverse Inks from Luxury Brands of America, notebook cover & carabiner ink cloth from Helen’s Creations NJ, Pilot Custom 74 in Merlot, Pelikan M200 Cherry Blossom, Benu Haute Movie Star, pins by The Write Stuff, Gritty 3D-printed pen rest from Penquisition (Evan made them for Philly but couldn’t make it), and two little 3D-printed pen rests from adopt-a-pals. Not pictured, a super slim silver ballpoint from Grifos which seems to have disappeared on my desk somehow.

Until the next shows (which will be the inaugural SF Stationery Fest in a couple weeks (gah, already?!), and hopefully, at the Chicago Pen Show in May, stay safe and stay inky!


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Posted on March 13, 2026 and filed under Pen Shows.