Posts filed under Pen Shows

2025 Empire State Pen Show - Recap and Report Card

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

I was so excited to hear about a pen show in one of my favorite places to visit, New York City. This is the first year of the Empire State Pen Show (“ESPS” for short) and unlike past New York pen shows which were held in Long Island at Hofstra University, the ESPS was held in Midtown Manhattan. The show was organized by Frank Zhang (who also co-owns/organizes the CA Pen Show), so vendors who have experience with that well-run show, were willing to support this endeavor. New show means new report card, so let’s go!

Note: Most of my pictures were from Saturday morning before opening hours and Sunday was spent behind the table at Schon DSGN. I didn’t get as many pictures when it was busy on Saturday because I was stuck in my room cuz I hurt my back dragging suitcases on the thick carpet.

Empire State Pen Show at the Hilton in Midtown! Even though the note design is a pencil, it’s still a writing instrument!

Size - There were around 65 vendors which makes it on the smaller end of a medium-sized show. Vendors had anywhere from 1 to 6 tables. There was a good mix of vintage, modern, pens, paper, ink, stationery, and accessories.

I don’t have attendance numbers for the show but there were a decent number for a two day show. There were more people on Saturday, and fewer on Sunday (which is expected for most shows). Hard to say if the lighter attendance (especially on Sunday) was due to it being a new show, incoming storm, ComiCon, or the holiday weekend (Monday was Indigenous Peoples’ Day).

There is also a lot of physical room for the show to grow as well (more on that later).

Score - 6/10 (I have scored slightly larger medium shows as 7.)

Some of the team from Goldspot Pens brought their many exclusives (as well as other products) for the show. Tom Oddo, aka InkJournal, is waving at the end of the table.

Gary Lange is busy repping some of the many brands that Chartpak distributes.

The folks at Leuchtturm were busy embossing people’s names on their notebooks.

Ian Schon (right) and Mikey on Saturday morning before the crowds came in.

Can’t help but take a picture of these colorful Monocs.

Justin Zucker from Kenro/Esterbrook peeks out while setting up their banners.

Justin again, this time pointing at something on the table, while folks looked at all of their offerings. Joel Blumberg (founder and President of Kenro) is watching the action from behind the table to the left of Justin.

Mikayla Jackson of White Bear Pens with all her beautiful products set up.

I love these Ursa Minors! Thankfully, someone bought the one I was eyeing (the second from the bottom), which saved my wallet!

Fountain Pendulum had a variety of accessories, including pen rests, inks, totes, and more.

Joe Cortner (center) and his crew from Florida Fountain Pen with lots and lots of pens!

I was at first surprised, but then, not surprised, that there were so many stationery vendors from California. It made sense when I remembered that organizer Frank Zhang also works with these vendors at the CA Pen Show. I thought it was awesome that they decided to travel across the country to support this show! Also, I’m glad to see the continued addition of pen-adjacent/stationery vendors alongside traditional pen/ink/paper vendors.

Susie Cacacho of Shady Pines Paper Co had a lot of cute stuff at her table, don’t ask me how I know, lol.

It was great seeing Yushing Foo of Kuboandlucy Stationery Co again; I may or may not have bought stuff from her table at SF AND at this show!

Bloom Paper Studio, also based in California, had a lot of cute stationery and stickers - they have the cutest bear designs!

Mark Dwight (aka “not Rick”) of Rickshaw Bagworks didn’t have a table, but came to show support for the show and also handed out stickers and other goodies!

Not from California, but Japan-based Ahnitol has the coolest pen rests! I have several of these at home!

I forgot the name of this young lady from adopt-a-pals, but she was quite the saleswoman! I had the hardest time picking (since I already bought a dragon from them at BWI), but I did eventually get something!

Tori Woods of Stationery Universe always has a great assortment of stickers and washi, as well as her own line of Pennonia inks! She was also selling some of her pens, which I was REALLY tempted by.

Link Tong’s latest creation for his pop-up card company Roses Without Thorns!

Location - This is the first time in a long time (maybe ever? not sure cuz that’s before my time) that a pen show was held in Manhattan (and not in Long Island), so locals (and not-too-far train travelers) were excited to finally have a show in the city. Manhattan has a lot to offer in terms of food, art, entertainment, activities, shopping, etc., so it’s no surprise that it attracts visitors and vendors from out of town/state.

NYC has 3 major airports in the vicinity - JFK, LaGuardia, and Newark, NJ - which makes flying to NYC pretty easy. The show was held on the weekend of October 11th-12th and a nor’easter storm may have kept some locals home, and disrupted travel on Sunday. It is normally a nice, autumn time of year in the city, and while it was windy and rainy, it wasn’t super cold.

Score - 9/10 (Honestly, I’m not sure why I didn’t make this a 10 cuz I love going to NYC, but it can be a pricey place to visit.)

There were quite a few local vendors at the show, like Helen’s Creations (NJ), Kwohtations (NY), Inkii (NY), Josh Lax (NY), and more.

Helen of Helen’s Creations NJ (with her son, Dom) has beautiful pen cases and notebook covers made from Japanese fabrics, as well as glass dip pens, inks, pen trays and more!

Janine Kwoh of Kwohtations at her table. I love her stuff because she doesn’t shy away from real life topics, like grief, getting through tough times, letting a friend know you’re there for them, positive self-messages, and healing through humor.

I loved this NYC/Empire Station Pen Show journal spread at her table!

The folks behind Inkii started out of tinkering with leftover leather and materials, which resulted in the most delicious-looking pen/nib and glasses wipes ever.

They really leaned into the cannoli theme and I’m here for it! Too bad I couldn’t eat it!

Packing up my “cannoli” with tongs!

Chris Henline and Cary Yeager (former longtime NY resident) of Truphae had two tables full of gorgeous pens.

Hotel - The inaugural ESPS was held at the New York Hilton Midtown, on the corner of West 53rd Street and the Avenue of the Americas (aka 6th Ave). It is a very large hotel, with lines for the front desk that reminded me of a Las Vegas hotel, or a bank, as there were at least 8 stations for folks to check in/out of the hotel.

The hotel is 40 minutes drive northwest of Newark, 30 minutes west from LaGuardia, and 50 minutes northeast of JFK. Cost for an Uber/Lyft costs anywhere from 70-120 each way for each of the airports, depending on time of day. I took two trains from NJ after having breakfast with some friends, and that cost me, but I had to schlep my very heavy suitcases up multiple flights of stairs because there were no elevators at the stations I ended up at.

The hotel also had a coffee/breakfast bar, as well as a take out “market”, and a casual restaurant called Herb N’ Kitchen. I only got coffee and a croissant one morning and didn’t get anything else during my stay since Midtown is full of food options fitting all sorts of budgets and cuisines.

The rate for the Hilton was $319/night (before taxes), which is quite a bit higher than any other hotel on the circuit. It is about right for (1) this time of year, (2) Manhattan and Midtown, and (3) possibly ComiCon which was also happening the same weekend. Someone told me they stayed at a similar hotel in the area a couple days prior and it was closer to $500/night. Parking was available for $95/night. Pets are also allowed at the hotel but I don’t recall seeing any at the hotel.

The rooms themselves were fine, if a bit outdated, but my room had a small couch which doubled as a pullout bed. Based on conversations with a few folks, no one had coffee makers or fridges in their rooms, which is a bummer if you’re trying to save money by making your own coffee or eating leftovers.

View from my room - it was less nice as the weekend progressed.

The biggest annoyance, by far, was the elevator, which was being upgraded to a “smart elevator” system. First, you have to go to the correct bank of elevators corresponding to your floor. Then you tapped a screen with your floor, and the system would tell you which elevator door to go to. And lastly, the elevator would know which floor you’re going to, so you don’t have to press any buttons once you’re inside the elevator. I’ve seen this work smoothly at other hotels, but at this one, it was a nightmare.

Tap the floors that you’re trying to go to, and it’ll tell you which door to stand at.

If you want to go to the 28th floor, you’ll need to take elevator C8, which is arriving in 2 minutes (that estimate was often on the low side).

Since the show was on the second floor, if you wanted to go back to your room, you would be waiting for a very long time because the elevator was always full. This is because there were always people in the lobby trying to go back to their rooms. In fact, it was actually easier to go down the escalator and take the elevator up instead. Heaven help you if you were trying to get to another room on a floor that was in a different elevator bank than the one you were on. You would actually have to go all the way down to the lobby before going back up to the floor you wanted!

There were 7 folks (including me) trying to go down to the lobby and we had to wait for two elevators, and everyone in the second elevator squished in to let us in. They said they had waited TEN MINUTES before they got an available elevator because every one was full! I can’t imagine being a vendor who needed to “run upstairs real quick to get something” and then end up getting stuck for 20 minutes trying to go up or down. The hotel did say they were still in the process of these elevator upgrades, so hopefully it’ll be a better experience next time.

As for the show itself, it was easy to get to the second floor - you could use the elevators or one of the two sets of escalators from different parts of the lobby). Once upstairs, it was very open and roomy - unlike the crowded lobby and elevator areas.

Folks lining up to get inside - this was probably 10 minutes before the show started on Saturday.

The ballroom itself was also pretty spacious, though the ceilings were a bit low. The aisles were very wide and there was a good amount of space behind tables too. Some of the tables were a bit too close to each other, which sometimes resulted in customers overlapping other vendor’s tables. This was more of an issue for vendors who only had one table as multiple attendees would try to look at the table, but you could only fit 2-3 people max before they started blocking the tables on either side. It was a weird mix of “lots of space” due to the aisles and “too crowded” once you got to the table. Hopefully, as the show grows, they can still keep the wide aisles and have a bit more space next to the tables.

Leuchtturm was the first thing greeting you as you entered the ballroom. To the left is Chartpak, Esterbrook/Kenro and others.

To the right as you entered was Goldspot Pens along the wall (as you can see, everyone was still setting up).

The ballroom has a mostly L-shaped floorplan. The wall where Goldspot Pens was, would be the top of the L, aka the narrow part.

This is at the far end of the ballroom looking back towards the entrance. The show hadn’t opened yet, so you can really see how wide these aisles were, as well as how much room there is for the show to grow.

Near the end of the ballroom is the “bottom of the L”, where there are vendors along both walls, some in the middle, and also several large tables/chairs in the back for folks to take a break.

Score - 6.5/10 I would have rated it a 5 for the elevators, the cost for travelers to get to the hotel from the airport, as well as the very high room rate, even though it is reasonable for the city at this time of year. The location (Midtown is a great area) and the large ballroom space would have garnered an 8.

Tickets - Admission to the show costs $25 for Saturday (same price online as in-person), and $20 for Sunday since it ended one hour earlier. There were no weekend or two-day pass discounts. Kids under 12 were free. For a show in the city, the ticket price is reasonable, but there are shows in other major cities that charge less. I like that the Sunday price was discounted for the shorter day.

Side note: I appreciate that you can buy tickets online, not just for the show, but for the various events and classes too.

Score - 7/10

Classes/Seminars - There were 10 classes and seminars, with a wide range of costs, from free to $85. Some of the classes/seminars included Fountain Pen Basics seminar with Tom Oddo of Goldspot Pens, Making your own Stamp, Intro to Japanese Bookbinding, Copperplate Calligraphy, and my handwriting improvement class. I like that folks can sign up and pay online for the classes. Some of the classes got moved to different rooms due to the need (or lack thereof) for projectors, so that caused a little bit of confusion. I didn’t see anyone near the room helping students or teachers with directions or technical issues, so that could be something they could look into for next time. The classrooms were spacious, making it easy to fit 30 (or more) people with plenty of room. Considering this is a first time show and it was only announced on Instagram back in May, the variety and number of sessions were great.

Score - 8/10

Had a great time teaching this bunch! Couldn’t quite squeeze everyone into the pic!

Nib Workers - There were five nib workers at the show and I think that might have been about right, though it was fairly slow for most of them on Sunday. They were as follows (alphabetical by first name):

Damien chatting with a customer.

Situated next to the Kenro/Esterbrook tables, Josh Lax is working on a customer’s nib.

Taku was working on nibs by the OMAS table and also had some pens available for sale.

Could the show have benefitted from more nib workers? At this point, I don’t think so, but we’ll have to see how many folks come next year.

Score - 8/10 Higher score because it’s the right number for now, not because there are more or fewer than other shows.

Food - Lunch wasn’t provided for the vendors (most shows don’t do this), but there were a few hotel food options in the lobby. This is Midtown Manhattan, which means there were a TON of food options a block’s radius and even more if you went more than a block away.

Score - 9/10

If you didn’t want to leave the hotel, you could get a variety of packaged foods/drinks as well as coffee, pastries, etc. at the hotel “market”.

Not food, but this Papier Plume ink kit named “Manhattan Man-Eating Pizza” made me hungry, lol.

After Hours/Socializing - Even though the hotel lobby is huge, with a few cushioned chairs that were occupied most of the time (usually by folks waiting to check in, waiting for their Ubers, etc.), there really wasn’t anywhere to hang out in the actual lobby. There was a small lobby bar/lounge/restaurant as well - which was also full most of the time.

The Bridges bar was a great place to hang out for a beverage but wasn’t really conducive to the “let’s play with pens” kind of hangouts that happens at many other shows. Of course, to no one’s surprise, that’s where I spent my Friday and Saturday evenings (I had other evening plans on Sunday). The Bridges bar is decently large with several bartenders and good service, but it was quite loud and it wasn’t really conducive to playing with pens. Aside from vendors, I also hung out with a few attendees who had traveled for the show and were staying at the hotel. I think most of the folks who came to the show were locals (or close-enough to be locals), and left the hotel after they were done with the show.

Hanging out at the Bridges bar with Damien Alomar, and friends James and his wife Valerie.

There was a big storm that was coming in on Saturday and people were in a rush to get home. I think this was also the first show for a lot of folks and didn’t know that they should stick around after hours. Then again, I don’t know where we could’ve hung out that wasn’t at the (very loud) Bridges bar. Also, being in the middle of Manhattan makes it easy for folks to do other things after the show, like shop, go to the theatre, eat, etc. and going back to the hotel if you weren’t already staying there is probably the last thing most folks want to do. That said, it would be great if there were some post-show events that would encourage folks to hang out and meet each other. I think a short gathering from 5-7pm or something right after the show would be a lot of fun.

Score - 5/10 I always love seeing and spending time with my vendor friends, but I wished there was more of an After Hours scene to meet new pen friends.

Overall Sense/Vibe - Being a first show, there was definitely a sense of excitement for the attendees who finally got a show in the city. There were a fair number of first time show attendees and those newer to pens as well as seasoned veterans too. Along with that excitement came a bit of nervousness from the vendors who wondered what the show would be like and whether they’d do well enough to recoup the high cost of this show and hopefully make a profit as well.

Empire State Pen Show booklet.

The first of several pages inside the booklet, which also contained the floor map, vendor list, sponsored ads, etc.

Saturday, as expected, was a decently busy day. Nothing like the madness of shows like DC or SF, but it was good to see a good number of folks at the various tables. The aisles were very wide - a nice change compared to most shows.

It seemed like most of the attendees were from the NYC area, or within a train-able area. I’m glad to see “locals” (I consider anything within a 4-6-hour driving radius or short flight as “local”) supporting this show with their attendance. As I’ve said with other shows with a large local presence, I’d love to see more of them staying at the hotel (though at $300+/night, I totally get why they didn’t), or at least staying late enough at night to hang out because I don’t think I hung out with any locals after hours.

Score - 7/10

Other stuff -

  • Sunday early packing up - This is not the only show where vendors start packing up early, but it felt more noticeable because it’s not a large show. I do think that the show could’ve ended at 4pm instead of 5pm on Sunday, but there should be some sort of contract or penalty for packing up before closing. There are some exceptions, like folks who had to leave early due to flight changes from the storm, but for the most part, vendors should stay until the end of the show and not start packing until then. It’s an awkward experience for customers who want to shop but either see an empty table, or a distracted vendor who is trying to pack up. Again, not unique to this show, but it was more visible here.
  • Event Communication - I saw the first Instagram post for this show back in mid-May and followed right away, since I wanted to see if I could teach at the show. They posted 38 times, which is about 2 per week. I hadn’t signed up for any emails, so I don’t know how their emails were. I don’t recall seeing any posts on Facebook, but I’m not active there. I heard that their vendor communication was on par with other shows, which I guess is good? Considering the decent attendance, I think they did a pretty good job getting the word out. Hopefully, they can ramp this up for next year so that even more folks can enjoy this show.
  • Decent sales - Most vendors seemed satisfied with their sales numbers for the show, even for folks who made less than at other shows. They felt that it was alright for a first time show, though Sunday sales were quite a bit lower. Again, hard to tell if this was due to the storm, ComiCon, or the usual Sunday slowness.
  • Busy time of year - There are 6 pen shows in a 6 week week period. The Dallas Pen Show was 9/26-27, the Detroit Pen Show was the following weekend (10/3-5), then Empire State Pen Show (10/11-12), then Colorado Pen Show (10/17-19), and the Ohio Show two weekends after that (10/31-11/2). Even if they aren’t going to all of the shows, vendors have to pick the shows that will be the best bang for the buck. Considering the timing of the other nearby shows (Philly (Jan), BWI (Mar), DC (Aug), I don’t know if there are better times to have the show (aside from mid summer when it’s often hot and muggy).

Score - 7/10 It was a good show overall but it will need more attendees (and sales) so that vendors feel that it is worth their time, cost, and effort to attend this show.

Report Card: 0-50 Oof, do not attend

51-70 Show is alright

70-80 Show is solid

80-90 Show is pretty darned good!

91-100 REALLY good show and not to be missed

The 2025 Empire State Pen Show scored 72.5/100, which is pretty good given that it’s the first show. Being in Midtown Manhattan made the Location and Food scores higher than a lot of other shows. The Size score might go up if they added more vendors, and the After Hours score definitely has room for improvement. The biggest drawback to this show, if you’re not local, is the cost of travel and lodging.

All that being said, it seemed like everyone, including myself, was glad to be there. It will be interesting to see if they will move forward with the show next year (I hope they do) and if it will be held at the same hotel or elsewhere.

My haul was “relatively modest”, as I’m still recovering from both SF and Dallas shows. There’s just a lot of pictures cuz I couldn’t cram it all into one photo 🙂

Left to right: Stickers, cards, stamps, and washi tape from Kuboandlucy, 2 3D-printed spider pen rests from adopt-a-pals, sticker sheets from Stationery Universe, and 2025 Colorvent Calendar from Lemur Ink.

Clockwise from upper left: Grief Club book, sticker sheet and mystery pack from Kwohtations, Kingfisher ink and other goodies from Esterbrook, stickers from Shady Pines Paper Co, Zodiac Pen Co Virgo pen, Inkii Cannoli.

Clockwise from upper left: Wearingeul Call of Cthulhu, Colorverse Cosmic Lime Explosion, and tote from Goldspot Pens, NYC NIB Pride stickers from Damien Alomar’s fundraiser, Papier Plume Manhattan Man-Eating Pizza ink, notebook cover by Helen’s Creations NJ, purple A5 writing mat by Girologio, stickers/sticker sheets and washi tape from Stationery Universe.

Empire State Pen Show exclusives including an A5 Leuchtturm (I paid extra for the personalization), Robert Oster Central Park Twilight ink, show pin and bag, and pen sleeve from Rickshaw Bagworks.

As always, the real haul are the friends that I get to spend time with at the show – some of whom I haven’t seen in ages, and others only weeks prior.

That’s all the pen shows for me this year! I might have another trip or two for Fountain Pen Day and other store events so maybe I will see you out there. Until then, stay safe and stay inky!


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Posted on October 17, 2025 and filed under Pen Shows.

2025 Dallas Pen Show Recap

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

While I may have way overspent and underslept at the 2025 San Francisco Pen Show, it still doesn’t diminish the anticipation of the next show. Like I said in last year’s recap, the Dallas Show is one of those shows that is reliable from year to year, which means that this year’s recap will be similar to last year’s (and the year before, and so on).

Welcome to THE Dallas Pen Show!

Once again, I had the opportunity to work at the Franklin-Christoph table, so my picture-taking and shopping opportunities were done in short breaks.

This is one of the few two day shows on the US pen show circuit (Friday and Saturday); while most shows are Fri-Sun. There are also trading hours on Thursday afternoon, but I didn’t get there in time. In the past, the Friday show hours were 10am-8pm and Saturday hours were 9am - 5pm. This year, they shortened Friday hours by an hour (10am - 7pm) and I’m pretty sure all of the vendors were grateful for that “early” finish (I know we were!). The Sunday hours remained the same. There are murmurs of changes to the 2-day schedule, more on that later.

As in past years, the Dallas Pen Show was held at the DoubleTree Hotel Dallas, Galleria, in two adjoining ballrooms, with the silent auction, Pen World and show registration desk in the area outside of the first/smaller ballroom.

In the first ballroom, Gee from Karas Kustoms was busy most of the weekend (though I took this pic during a brief lull), and worked the table single-handedly!

The Austin Pen Club sponsored the Pen Collectors of America (PCA) Scavenger Hunt program, “Pens For Kids”. The PCA also holds a seminar that teaches kids how to use and take care of fountain pens! The club had friendly volunteers working this table all throughout the show.

There were four seminars again this year - a Journaling Meetup on Friday, and on Saturday, Discovering Fountain Pens, Pens for Kids, and Managing Your Collectibles. It would be great to have more classes (paid or otherwise).

Pen Addict Slacker, Beth Lowell, had a great sign to make sure everyone knew about her Journaling Meetup!

After passing the Austin Pen Club/PCA table, you reach the main ballroom - this is the view of the left side of the ballroom, with Dromgooles in the far back left corner.

Darrell Davis of D2 Arts with his resin blanks and pens.

It was relatively quiet back at the Dromgoole’s Corner shortly after the show started because it takes a while for the crowd to make it all the way back there.

Michael (left) and Larry Dromgoole had additional tables away from the corner for their Pilot and Montblanc wares.

Do you know how difficult it was to get Retro 51 owners, Jeff Velker, Adam Finer, and Joe Corona together at the table?! Very!

What is Joe doing now?

Joe hiked up his pants to show off his Retro socks! Now that’s some company spirit!

Dromgoole’s & Retro 51 always launch an exclusive rollerball at the Dallas Show and this year, the exclusive is Outlaw, which was also designed by Marty Henderson!

Pilot’s 2025 limited edition Vanishing Point, Link Midnight.

This is the “right” side of the main ballroom. It was pretty busy both days.

Francisco Lopez of Hinze Pens lookin’ good with his cowboy hat.

Both Matthew Chen and Kirk Speer were busy tuning and grinding nibs at the show, as they have in past years. This year, Pilot brought their “pen doctor”, Tsuchida-san, to do tunes for Pilot pens!

Matthew Chen (right), along with helper Alex, and Momma Chen (aka Nina).

Kirk Speer (far left) breaks out his cowboy hat just for this show. Also present were Josiah, Elizabeth, and Crystal Speer - it’s a family affair!

Members of the Pilot USA and Japan teams were in full force at the show!

Tsuchida-san (center) is taking a look at my Myu which wasn’t writing as well as it should. The lady on the right is translating for him (and me).

Starting with some writing to see how it’s behaving.

I love this Pilot-fitted squeeze bulb which Tsuchida-san used to clean the pen.

The tuning begins.

Once again, I forgot to take pictures after he took apart my Myu (with my permission, especially since they don’t have replacement parts for this long-discontinued model), and he discovered that the feed was kinda gross. A quick ultrasonic bath and reassembly and the Myu was good to go. Now it’s definitely a keeper!

In addition to having their pens on display for folks to try, and having Tsuchida-san tuning pens, members of the Japan team also conducted a short survey about types of paper. Can’t wait to find out what paper they will be releasing and in what format!

The big news of the weekend was the announcement that Chartpak will no longer be distributing Pelikan in the US. Instead, Pelikans will now be distributed by Coles of London, known for representing Visconti and ST Dupont. Side note - Coles of London was not involved in this year’s Pelikan Hubs (nor Chartpak in prior years), so please continue to direct any Hub-related comments to Pelikan Germany.

Gary Lange will continue to work for Chartpak. For most folks, he was synonymous with Pelikan in the US, but he also represents/distributes many other brands in the ChartPak portfolio. As such, he will still attend pen shows as he continues to show off those products.

Mark Sloan (left) and Mark Cole (he’s the Cole of “Coles of London”) showing off the new Pelikan M601 Art Collection, Rudi Rother.

Pelikan M601 Rudi Rother in the box (and a wee bit of the M200 Apricot Achat on the left).

This picture doesn’t do it justice. I’m not even sure that the video I took does it justice. It is absolutely stunning. No, I did not buy this. Yet.

We (F-C) were in the same spot as last year - in the first room on the left. Unlike last year, where we had a huge rush of people on Friday morning, it felt a bit less crazy, but was mostly steady throughout the day, and then slowed down in the late afternoon. Friday has late hours to accommodate the post-work crowd, but I don’t think that was very noticeable this year - which made the 7pm close even better. It’s brutal working a show when traffic is slow - time just ticks by so slowly. Saturday didn’t seem to have as big of a rush either.

Sarah, a member of Kaligrafos, a calligraphy guild, is writing out my IG handle on a bookmark. This was taken at the end of Friday when folks were covering up their tables.

I had to take a picture of this shirt because it made me giggle. I knight thee, Sir Racha! 😁

Even with the slightly shorter Friday, it is still a very long day for vendors, especially if they spent Friday morning setting up (thankfully, we were able to set up Thursday evening). I think most folks were done with dinner and back at the hotel by 9pm, which is early enough to hang out at the bar area and lobby for a bit before calling it a night. Of course, yours truly lives for the after hours, so you know I was socializing and playing with pens until way too late (why did I stay up til 2am on Thursday?)!

One of the things I had heard at the show was that the organizers are thinking of adding one, possibly two, additional days to the show. Either making Thursday, a full sales day (like Friday or Saturday), or adding Sunday (like most shows), or both. When talking about this with several other vendors, they all said no. Dallas is a good show, people work hard (esp on Friday, which is a longer day), but I don’t think they have enough attendees to make it worthwhile for a third day. As it was, it didn’t feel that crazy busy on Saturday, at least not compared to past years. I really hope they do a vendor survey before they make that decision.

I also heard that they might be adding another ballroom to the show, which would be great because the main ballroom had some crowding and major ventilation issues. It was very warm, stuffy, and occasionally malodorous, and that’s putting it kindly. Having additional space would allow the show to accomodate more vendors and also more space for attendees to move around.

One final bit of feedback for the show organizers - the security guard, whom I believe is an active duty police officer, was extremely rude and aggressive to folks. One vendor, who didn’t have a badge on, was accosted all the way back to his table and was then told “Do you really want to do this? This is Dallas. Bring it.” In the last 20 minutes of Friday, he also approached the teenage kids of a couple because he didn’t see a wristband on them. I know that security is there to prevent non-ticketed folks from entering, but he was, in my mind, out of line.

Even with the long hours and the show only being 2 days, I still had a great time and managed to pick up a few things at the show. I’m glad I got a chance to spend quality time with friends, even if it meant staying up until 2am and being tired the next day.

Clockwise from top: Pelikan M600 Rose Gold, a giveaway pen (see below), Preppy Wa Cats, sample paper pack from Pilot for filling out their paper survey, Vanness “you matter” sticker, TWSBI Eco Carrera, Robert Oster x Vanness Oh My Stars, and RO Skipid. Not pictured is the Myu that I had tuned by Tsuchida-san.

Bonus haul: After each show, on the way out, Karas Kustoms hides a pen and I was lucky enough to find it!

Of course, I always say that the real haul are the friends we get to spend time with, whether it’s a few minutes at a table, or hours at a meal or the bar.

Thank you, Dallas Pen Show, for a great time (and for having lots of water at the show)! I will be heading to the inaugural Empire State Pen Show next week and am really looking forward to a show in one of my favorite cities. Until next time, stay safe and stay inky!

PS - If you make the trek for the Dallas Pen Show, consider spending the following day at the Texas State Fair in Dallas. As they say, it’s “the most Texas place on earth”! Here are a few pics from my day at the fair:

Matthew Chen and his buddy, Alex (not pictured), showed me around the fair.

Matthew did a great job cutting the Vietnamese Crunch Dog (one of the 2025 Savory Finalists) with two forks!

Had to have a Fletcher’s Corny Dog!

Got to see this cute lil calf that was born 15 minutes before we got to the pen! What a cutie!


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Posted on October 3, 2025 and filed under Pen Shows.

2025 San Francisco Pen Show - Still the Funnest Pen Show

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

(Apologies for the late recap - a pulled back muscle prevented me from finishing this last week. I must have pen showed too hard!)

It’s Wednesday afternoon after the 2025 San Francisco Pen Show and while I’m mostly recovered from all the shopping, eating, and late nights, my mind is still swirling around all the things I want to say about this year’s show. There is a lot that is similar from last year’s SF Show, so if some sentences/paragraphs look the similar, it’s not because I forgot to edit this but because they still applied this year and it didn’t make sense to rewrite it.

It was an absolutely gorgeous weekend for the 2025 San Francisco Pen Show.

Disclaimer: 2017 SF Pen Show was my first show, has been and still is my favorite show on the circuit. I’m also a member of the SF Pen Posse who volunteer at the show. This means that it is really difficult for me not to be biased but I promise to be as objective as I can.

This is the third year in a row where I didn’t work for any vendors at this show, which freed me up to do whatever, whenever, and however much I wanted. This is both awesome but extra dangerous for the wallet, lol.

Last year, there were about 130 vendors and this year the number grew to somewhere between 145-150. This doesn’t include some vendors where they shared their table - like Carolina Pen Company & Atelier Lusso, or White Bear Pens & Robs Pen Works, and others. Some vendors were moved to different spots this year to help with traffic/flow, and like last year, some of the classes/seminars were held in other parts of the Westin and Aloft hotels. Despite these efforts, more vendors and more attendees meant more crowding than last year. I have some thoughts on this, but first, let’s take a look at the vendors!

The San Francisco Pen Show continues to bring in a large number of international vendors, especially from Asia. There are vendors from Japan, Hong Kong, Taiwan, Singapore, and more. Many of these vendors don’t go to any other US shows. We also get folks from the other side of the pond like the UK, Italy, Germany, Croatia, Turkey, and India, to name a few. It is this variety that continues to attract both attendees and vendors to this show.

Tsai Han Shian (left) of Henry Wood Crafts and Ya-Ching Lai of Yaching Style traveled from Taiwan to attend the show for the first time!

Lucas Mahoney of Hanabi Glass Studio makes glass dip pens (and other glass items) in Yokohama, Japan. The glass dip pens start off with an Extra Fine line, and he can make them broader, or even make an “artist grind” where the line width changes as you rotate the nib!

Look at the stunning swirls in these Hanabi glass pens!

Glass Studio Toos had a table full of all sorts of glass dip pens.

Closeups from the Glass Studio Toos table.

More glass dip pens, this time it’s from Hong Kong-based Glassophy!

These urushi/raden pens from Koubou Setu are stunning, but they’ll set your wallet back a bit ($4K to almost $12k depending on model).

Maybe these urushi/raden boxes are more your budget?

Taizo Yamamoto-san setting up his tables on Thursday evening (hence the lack of chaos).

Yamamoto brought new Canopus paper to the show. This ended up being one of the big sellers at his table.

There were a lot of new and upcoming pen releases too.

Got to see the upcoming Pilot Custom 74 Lavender Fog - this is already causing quite a buzz because it’s gorgeous AND because of their special nib offerings (Soft Fine, Soft Fine Medium, Soft Medium, Double Broad)!

Here are the upcoming additions to the Parker Jotter Global Icons collection. I already have the bottom four, and can’t wait until they release Paris, Miami, London and Seoul!

Brian Hulser of Kenro Industries showing off the new Funky Town Esterbrook Esties.

They also launched their new collab with Bungubox - the Kingfisher!

Even though it is out of my budget, I had to get a closer look at the recently released Schon DSGN Monoc Evo Ocean Wave Guiloloche - it is stunning!

Last year, the show had nine nib workers at the show; this year, that number grew to 11!! In alphabetical order by first name, they are:

This list doesn’t include Audrey Matteson who does the grinds and tunes for Franklin-Christoph (though not doing any grinds at the show), or Salvatore Matrone of Leonardo Pens who also did nib work on Leonardo’s.

The Nib Grinder hallway where many of them were BUSY all weekend, including Damien Alomar of All in the Nib (foreground).

Speaking of Damien, he had a cool setup which allowed him to stand while grinding nibs.

Damien can see the nib and grinding wheel (down below) on his screen, and can also see me staring at him, lol.

It was great to see Yukio Nagahara (left) again (his last SF Show appearance was 2019) and this time he brought his son, Takuma Nagahara, who was also doing nib work!

An orange painted Kakuno with Yukio’s profile? Yes, please! (There were other painted Kakunos at his table, but this purchase was a no-brainer.)

Always wonderful to see Klarissa Maria and Salvatore Matrone of Leonardo Pens! I especially loved having our conversation in Italian - buying/using Italian pens helps fluency, right?!

Love this inky hands pic of the nib workers from the show! Left to right, front row: Damien Alomar, Matthew Chen, Thomas Ang. Back row, Yukio Nagahara, Takuma Nagahara, Tsubasa, CY, Anabelle Hiller, Gena Salorino, Audrey Matteson, Josh Lax, and Kirk Speer. (PC: PactaDad, aka Matthew Chen’s dad).

One suggestion for our nib grinders – please save some spots for walk-ins. Most folks don’t know anything about nib work or nib grinders, and wouldn’t have known to make an appointment weeks (or even months) in advance. I encouraged folks to try the testers so they know what they’d like to get in the future, but it’s like giving them a sample without the opportunity to eat. This would also allow them to get new customers instead of primarily repeat customers who know to get appointments.

Moving on to stationery!! In recent years, there have been more stationery vendors at the SF Pen Show and this year was no exception.

I managed to get a picture of Cindy Duong (right) of Sakura Dragon and husband Colin Tan Wei before the show opened - their table was packed with people for most of the show.

San Francisco-based Fog Cats made this awesome sticker (also available as a canvas bag) that really embodies how many of us feel about tariffs.

The Pinky Elephant Craft table before the masses came in. (PC: Pinky Elephant IG)

It’s the first time at the SF Pen Show for Amarillo Stationery! Can’t believe I didn’t get a picture of Erick Gama at the table, probably because it was busy all weekend! (PC: Amarillo IG)

Another “pre-mob” table shot - this time it’s Kubo and Lucy! (PC:Kubo & Lucy IG)

Some of the RiraRira Hanko products at the Paper Treats table. They also had a cute stamp that you can stamp in your journal or on their stamp sheet!

As with past years, there were plenty of free seminars and paid classes. I led a couple of free seminars on Pen Shows 101 & tour, and also taught two handwriting improvement classes. New for this year were Thursday events, which included paid classes, as well as free seminars and panel events. For example, PLOTTER held a “Behind The Scenes” seminar, Traveler’s Company hosted a panel and meetup, and Lisa Vanness hosted a panel discussion with several international vendors to talk about trends, insights, and more. Having some of these classes and panels before the show officially starts is a great way to (1) kick off the show for folks who are in town early, (2) fit more classes/seminars into the schedule, as there is demand from teachers and students alike, (3) and give some of the vendors an opportunity to present to and meet their customers without impacting their work during show hours.

PLOTTER showed a 20 minute Behind the Scene video of their trip to Japan and the flagship PLOTTER store. (PC: April Wu)

Traveler’s Company did a pre-event popup and hosted folks like Abbey Sy, littlelu, and others to share their Traveler’s Notebooks. (PC: April Wu)

Lisa Vanness (3rd from the left) hosted a panel which featured Naoyuki Takeuchi of Nagasawa (and his translator on the left), Daryl Lim of Atelier Musubi, Satoru of seY Pen Japan, and Yukio Nagahara (and his translator). (PC: Yuan Niu)

Naoyuki Takeuchi-san of Nagasawa leading a seminar about the inspiration behind their inks.

Selfie with the students from my “Elevate the Everyday: Improve your Handwriting” class.

I had so much fun teaching both classes!

The show hosted several meetups by the SF Pen Posse, Bay Area Planners, SF Stationery, and Cozy Stationery Friends, others. These were held at various times during and after show hours, making it possible for vendors to hang out too! Aside from meeting and hanging out with other enthusiasts, these meetups often combine destashing/rehoming, where folks give away products they no longer wanted and/or pick up some new-to-them stuff - all for free!

Local vendor JetPens hosted a Hobonichi preview event on Friday afternoon at the Aloft (across the parking lot from the Westin), which allowed pre-registered folks to check out their upcoming selection of Hobonichis. There was a line for stand-bys for folks who didn’t show up or if anyone left the event before their 30 minute slot. Here are some pics from that event:

A table of Hobonichi Weeks greets you as you enter the room.

Lots of covers!

More covers!

Tragen covers in A5 and A6.

Last year, one of the biggest gripes (aside from the crowds) was parking. The show bought out the hotel’s airport parking spots and also encouraged alternative transportation like public transportation (BART and Cal Train parking is less than a mile away), carpooling and Uber/Lyft/etc. Both of these efforts really helped the parking situation, but it’s a tough problem to solve when there are so many people coming to the show.

Now that I’ve given a taste of the show, let’s talk about the elephant in the room - crowding. The show was packed pretty much from the first minute of Friday All-Access at 8am til Saturday at closing. I mean, let’s be real, the lobby already had lines out the door BEFORE opening hours for All-Access or public hours! Sunday had larger crowds than is typical for Sunday at any show, including this one. I think the long Labor Day weekend may have contributed to the larger Sunday crowd, which was still a lot less crowded than either Friday or Saturday. It might be hard to tell from my photos because I tried to take vendor photos before the folks came in, or on Sunday when it was a little less crazy.

After last year’s registration/ticket line insanity, the show had multiple lines – (1) those who prepaid for the All-Access pass needed to check in and pick up their badges, (2) folks who needed to buy the passes, (3) once you were done with either line 1 or 2, you’d line up in the “entry line”. On Friday, this line was almost to the lobby before the 9 am All-Access time. On Saturday, this line went to the lobby, out the door towards the Aloft, around the curb and halfway around the Westin. Thankfully, as soon as it was 10 am (General Admission time), the line moved relatively quickly, though there is still quite the bottle neck at the show entrance tables.

Gary, Franz, & Froy are a few of the volunteers from the SF Pen Posse who were helping at the various ticketing tables.

This is the line just outside of the Westin lobby at 9:57am Saturday morning.

The line went around the corner to the metal wall and there were probably another 20 people in that little nook.

The main hallway was already pretty crowded at 9am on Friday morning - most of these folks are only All-Access pass holders along with some vendors who were finishing their setup or doing their own early morning shopping.

Pinky Elephant released several show exclusives which resulted in quite the line (we’re talking Toyooka Craft 2022/23 levels, IYKYK), going out the room, and looping around the ink testing stations, and unfortunately blocking many of the vendors.

Me at the end of the Pinky Elephant line at 10:03 AM on Friday.

The folks on the left of the ink stations were also part of the Pinky Elephant line.

Shortly after I arrived at the end of the line, they handed out numbered business cards, and asked folks to come back periodically to check where they were in line. I was number 48, and I think they were maybe in the single digits or low teens at this point. I returned two more times before I was able to make my purchase at 10:48am. I’m very glad they realized the impact of the long lines and quickly pivoted to make the shopping experience a little easier.

As part of Pen Shows 101, I did a tour of the show floor so that folks could see the lay of the land and know that there are hallways and side rooms, in addition to the main ballroom. Last year, I was able to lead folks around the show floor, but this year, it was hard enough for me to walk around solo, let alone lead a group of people through the show, and talking at a reasonable volume was next to impossible.

One of the smaller rooms near the ink testing stations - you can see how crowded it was in this room.

This is the show’s third year at this hotel and while the crowding was even more of an issue this year than last, I do appreciate the effort that the organizers put in to (1) find new ways to fit more vendors who are banging down their door, (2) move folks around to improve traffic flow, (3) while also trying to placate existing vendors who want to stay in their spots, and (4) make it work for attendees who just wanna be able to wander the show and blow their budgets. These are tough problems for any show to handle, but especially one that seems to have far outgrown the hotel that they have a multi-year contract with. I know it’s hard to tell because it was so crowded, but here are some of the things they did new or differently this year:

  • Electronic ticketing streamlined the pickup process - Verifying passes via Ticket Tailor was easier than requiring people to pull up their PayPal email, etc.
  • Thursday All-Access pass pickup - In addition to the panels/seminars/classes on Thursday, the show allowed folks to pick up their passes on Thursday, which made the line a little shorter on Friday morning. There was some confusion around pickup times as it wasn’t previously announced - something to work on for next year.
  • Multiple lines for registration & check-in was faster than a single line last year
  • Encouraged attendees, especially local ones, to carpool, take public transit, etc. to help with parking.
  • Bought out the hotel’s park and ride spots to free up additional parking.
  • Moved some high traffic vendors to other locations - most notably PLOTTER from the ballroom to the end of the first hallway, Toyooka Craft from the hallway to further down the main hallway by the nib worker alley, and Vanness Pens to one of the smaller rooms.

Traveler’s Company along with PLOTTER (pic below) worked with the show organizers to be put in the end of one of the hallways to minimize traffic disruption.

The PLOTTER tables were next to Traveler’s Company. When it got congested, April (right) diverted traffic to prevent blocking other vendors.

Michelle Malizaki helped Toru Yamazaki-san at the Toyooka Craft tables, which made pickup and sales more efficient than when he was solo.

Joe Crace, aka The Gentleman Stationer, was at the Vanness Pens table all weekend - here he is showing me the A5 Roterfaden.

Meltem, who does the nib grinds for Galen Leather, brought lots of their products to the Vanness Pens table!

Here are some ideas that might further help the crowding situation:

  • Increase the single day fee, especially for Saturday - The single day pass costs $10, $15 for both Saturday and Sunday, making it an inexpensive option for folks to bring their friends/family. I know we all want to penable them, but I also heard from folks that their friends/family weren’t interested in pens or stationery but came anyway because they were dragged along. Having a slightly higher rate might dissuade those folks from tagging along. I spoke with several vendors who have also attended bigger convention center-style shows where the day pass costs at least $25 if not more. And for a show of this size and diversity of vendors, a $20 day pass is not at all unreasonable.
  • San Francisco Stationery Fest (SFSF) - The SF Pen Show organizers are putting on a Stationery Fest at the same hotel in March of 2026, which will be quite different from the pen show. Just as there are plenty of pen folks who have no desire to get into stickers, washi, and journaling, there are plenty of stationery folks who aren’t particularly interested in fountain pens. I think it would draw a fair number of the “stationery-only” fans away from the pen show since they will have their own event in the spring. It has the potential to free up some vendor spots for those on the waiting list too. The Pen Show will continue to have stationery vendors and the Stationery Fest will have pen vendors too – this is good news for those like me who are both pen and stationery lovers, now there will now be two local shows to spend money at!
  • Vendors should prepare for long lines at their tables - a number system can be effective in minimizing congestion or blocking other tables, while also allowing your customers to do other shopping while they wait. Toyooka Craft did an excellent job with this last year and again this year. And it worked well when Pinky Elephant did this late Friday morning after having a 50 person queue blocking other tables.

A few things that attendees could do to make things better:

  • Bring slim bags to the show - Backpacks and other large bags take up a lot of aisle room, especially when bending over. And if you do have a big bag cuz maybe you shopped a lot already, put it down ON your feet because it takes up less room and you’re less likely to walk away without it. Or put stuff in the trunk of your car (never have anything visible in your car).
  • Be mindful of your furry friends
  • Consider bringing them on Sunday, when the show is traditionally less crowded. I saw folks almost tripping on dogs, or worse, stepping on paws.
  • Big backpacks and strollers for your pups are best saved for Sunday as well - the show is already very crowded, and it’s probably not the greatest experience for them either.

This kind birb owner brought their birb (and backpack) on Sunday when it was less crowded.

  • Be aware of your surroundings
  • Make sure you’re not blocking the aisle, don’t stop abruptly, or back up without looking. It’s easy to trip and step on feet/bags/etc.
  • If there are folks trying to look at stuff or buy products, maybe that’s not the time to wedge your way in to stamp your journal. Ditto for folks shoving their scavenger hunt cards to busy vendors. Be patient, wait until it’s your turn, etc.
  • If it’s busy (and it’s almost always busy), save the chit-chat for later. Vendors love to chat with you but they also want to take care of customers who are waiting to ask questions or make purchases.
  • Use the Starbucks app (esp if you’re a vendor) - Instead of standing in line to order, or waiting around for your order, save yourself some precious shopping/selling/resting time by ordering coffee/snacks via the app. It was much easier and faster to order via the app and be notified when your order is ready, instead of waiting in line.

Ok, enough about that, let’s move on to my favorite parts of the SF Pen Show!

I always love seeing Odin, the SF Pen Show mascot! He’s the best!

My dog, Bungee (English Cream Golden Retriever), made it to the show on Sunday afternoon and got lots of attention! This time she got to meet Klarissa and Erick, Judy of Tokubetsumemori squealed when she saw Bungee (no, she is not choking her, lol) and Bungee always smiles when Audrey Matteson gives her hugs!

We all know that one of my favorite parts about pen shows is what happens AFTER show hours!

It was “only” 1am Friday night (or is that Saturday morning) when I decided to call it a night.

The SF Pen Posse hosted a casual after-hours hangout on Saturday night. As usual, there were more people that came than pictured, since I didn’t think about taking a picture until after 11pm, oops, lol.

After hanging out at the Posse meetup, I headed across the parking lot to the Aloft and spent some more time with pen friends.

This show is always extra dangerous for my wallet because of all of the amazing vendors but also because of its proximity to my birthday. It is always held over the last full weekend of August, and this year it was a mere week and change before my birthday so I might have gone a little overboard.

Roughly clockwise from upper left - Stickers/postcards from A Thousand Words, inserts, Tag Stationery ink set, and stamp from Pinky Elephant, washi tape from Enigma Stationery and InkyConverters, stickers and stamps from Everyday Explorers, Hachimonjiya, Paper Treats, and Sakura Dragon.

Patches and stickers from Fog Cats, stickers and postcards from Tokubetsumemori, more stickers from Sakura Dragon, washi tape, stamp and stickers from Kubo & Lucy.

Rickshaw x Sakura Dragon pouch, ink bottle trays from Toyooka Craft, Eclipse clips from Esterbrook, clear stamps from Everyday Explorers, and SF show pin, sticker and bag.

Inks – Colorverse Wildflower inks, Dark Skies of Black Mesa, and San Francisco Fog (2025 show ink), sample of Platinum Chou Kuro, Kobe City Museum Gray, Bitter Chocolate, Chapel Oak, Kitano Antique Sepia, two inks from Hachimonjiya and one from Yaching Style.

Paper - Nebula Casual Note, pocket & A5 show notebooks from Curnow Bookbinder & Leather, SF notebook from The Pleasure of Writing, paper, notebook and jotter from Yamamoto Paper, Iroful Bible-size refill from Vanness Pens, Takegami Bamboo notebook from Musubi, Life notebook from Hachimonjiya, and a free bookmark from The Friends of Calligraphy.

Pens - painted Kakunos (top), Pilot 743 Verdigris, Visconti Comedia Virgilio, Franklin-Christoph new model Pocket 45 and 45, Leonardo Momento Zero and Magico, TWSBI 580 ALR Affogato, Michaels Fat Boy purple ballpoint and stand (don’t worry, I’ll replace the refill with a rollerball, lol).

And last, but not least, this adorable plushie Odin from InkyConverters - no plushies were harmed in the making of this photo, but Bungee absolutely would’ve destroyed it if I let her!

Just a few of the friends I managed to take a selfie with. This is the real pen show haul ♥️

I couldn’t tear myself away from the show - this is Monday afternoon with pen friends, Cheryl Ball, Franz Dimson, Jeremy Saumere, and Leo Carney (with the selfie skills). At the end of the day, at the end of a pen show, it’s the people that make pen shows so special.

Every year, I say that I had a blast at the SF Pen Show and my 8th SF show is no different. Every year, I say I’ll go to bed earlier and every year, I lie (I have a fuzzy picture of my watch at 3:43 am Monday morning if you need proof). The show isn’t perfect, there are still issues to sort out, the biggest of which is the crowding - but it is still my favorite show by far. So many people from near and far, making new friends and enjoying old friendships, so many hugs, so many smiles.

Whether you’re the organizers (BIGGEST THANK YOU), vendors, helpers, attendees, friends, or a pup, thank you for giving me the best weekend ever! I’m sad to say that the SF Pen Show is a wrap, but all good things must come to an end. I’m still recovering for far too little sleep but am looking forward to the Dallas Pen Show in a couple of weeks. Until then, stay safe and stay inky!


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Posted on September 12, 2025 and filed under Pen Shows.