Posts filed under J. Herbin

J. Herbin Straight Body Frosted Glass Dip Pen (or, my favorite ink testing pen)

(Jeff Abbott is a regular contributor at The Pen Addict. You can find more from Jeff online at Draft Evolution and Twitter.)

In all of the different reviews and discussions about the various types of pens that we talk about in the community, there's one type that doesn't get much attention. It's probably because there aren't many of them out there, but that doesn't make them unworthy. Amidst all the talk of gold- and steel-nibbed fountain pens, gel pens, pigment markers, brush pens, and pencils, there's a small, delightful category of glass pens.

Glass dip pens are works of art in the own right, hand-crafted by someone trained in working with glass. Have you ever watched someone craft handmade glass ornaments? It's really something to behold. Obviously, a straight pen isn't as impressive as an intricate ornament, but it's still a thing of beauty.

But when it comes to the writing aspect of these instruments, they have a unique advantage: they're extremely easy to clean. Yes, metal nibs are also easy to clean, but I'm arguing that the glass dip pen is still easier.

I'll be the first to admit that I have absolutely no skills when it comes to lettering and calligraphy. Practice makes perfect, and I haven't put in the hours to become skilled at this art. That being said, I like to think my hand-writing is fairly legible if I want it to be. I'm sure there are more artistic uses for glass dip pens, and that's wonderful. But, my main enjoyment comes from the ease of use and cleaning that come with this pen.

The J. Herbin (get ready for this incredibly long name) Straight Body Frosted Glass Dip Pen, Small is an affordable way to enter this market. It's a simple pen — a smooth, 5 inch body attached to a spiraled tip. In between the two, a small bulb to rest your fingers. The color I chose is the amber tint, which is great because it's mostly see-through.

At $16, this is a great choice for anyone wanting to try out dip pens without having to choose nibs and nib holders. Those have their merits and advantages, but you can't beat the simplicity of the glass dip pen. It's one piece, and each one is unique.

Yes, it's a thing of beauty and each one should be admired and appreciated. But, how does it write?

Let's break this down into pros and cons, starting with the pros.

Pros

Open the package, grab the pen and a bottle of ink, and you're ready to go. It couldn't be simpler. There's no filling, no cartridges to fuss with, and no cleaning of the nib and section after dunking it into a bottle to suck up the ink. You dip the nib into the ink, dab it on the edge of the bottle to prevent drops, and start writing.

In my experience, I usually get 3-5 lines of writing before I need to re-dip. I'm never able to write for this long when using metal nibbed dip pens. The spiral grooves on the tip of this pen do an amazing job of storing ink, and they do an even more amazing job of feeding the tip consistently. The only time I notice any heavy flow issues is when I've dipped the nib too deep or done a poor job of dabbing before starting to write.

The pen takes some practice before you can write with your normal hand, but that doesn't take long. As for the shape and grip, I enjoy the way the pen fits in my hand. I imagine that plenty of people will discover that it doesn't fit their hand at all, though. It has the shape of something that will polarize users. Either you'll do well with it, or you'll loathe it. For me, it's delightful.

Writing with the pen is a fun experience. The thoughfulness behind periodic breaks to dip the pen back into the ink bottle forces you to slow down and focus on what you're writing. Take your time, form the words, and dip for some more ink. It's pleasant.

The writing feel is slightly scratchy at times depending on how much ink is stored in the nib, but it's generally pretty nice and smooth. Since this isn't a standard nib with two tines, it has several "sweet spots" that work better than other spots on the tip. One of the sweet spots on this pen writes like a medium fountain pen, while another writes like an EF. If you can remember where these spots are, it can be quite handy.

Finally, did I mention how easy it is to clean? When you're done using it, simply run the tip under water for a few seconds, and wipe it dry with a paper towel. Done! No flushing, no rinsing — just rinse it, dry it, and start using it with a new ink. That is the #1 attraction of this pen for me. When I want to do some ink testing and sampling, this is my go-to pen. I can fly through different inks because of how quickly I can "reset" the pen to a clean state.

Cons

As much as I love the pen for its character and easy cleaning, it has some downsides. For one, it feels fragile. For normal use, it feels great. But, I worry that if I drop it on the desk or into the sink while cleaning it, it might chip or shatter. This is to be expected for anything made of glass, but most glass objects are decorative and not meant to be handled.

Remember those "sweet spots" I mentioned? Yeah, it also has a couple of dead spots that write like an EF fountain pen that's running out of ink. These are dead spots no matter what usable angle you hold the pen. Luckily, the dead spots are very few and easy to avoid once you learn the pen. Keep in mind, the tip on this pen is very small, so every millimeter gives you a different feel.

Along with the dead spots, there are some scratchy angles to the pen. Luckily, you can smooth out the tip just like you would a fountain pen nib. Grab some micromesh and draw a couple dozen figure-eights and infinity signs, and you will notice an improvement. Just don't get too carried away.

My final complaint is that the pen loves to roll on a flat surface. There's no clip or flat side, so it obviously will have issues staying still on its own. Minor issue, but worth noting.

Conclusion

This definitely isn't an every day carry pen, but it's been so fun to use for testing inks and playing with lettering over the past several weeks. This isn't a pen that I use all the time, but it has a few specific purposes that I wouldn't trade it for. Next time you want to get out that box of inks and play, try using one of these to maximize your fun.

You can grab these on JetPens in several colors, as well as a larger size.

Posted on June 8, 2016 and filed under Pen Reviews, J. Herbin.

J. Herbin Emerald of Chivor Ink Review

(Susan M. Pigott is a fountain pen collector, pen and paperholic, photographer, and professor. You can find more from Susan on her blog Scribalishess.)

When J. Herbin first announced their newest 1670 collector's ink, the Internet went crazy–well, the fountain pen Internet went crazy. The photographs of the ink revealed a spectacular teal green with gold flakes and stunning red/pink sheen. I certainly had never seen anything like it before. Of course J. Herbin had already produced other 1670 inks with silver or gold flecks (Stormy Grey and Rouge Hematite), but Emerald of Chivor stands out because of its special sheening qualities.

As soon it was available, I bought a bottle from Anderson Pens for $26.00 plus shipping. I honestly didn't have high expectations for this ink. I bought the original formula Rouge Hematite and sold it. My bottle of Stormy Grey sits unused. The speckles just didn't show up consistently enough. Plus the red and grey colors weren't my favorites. But I'm a nut for blue and teal inks, so I knew I would like Emerald of Chivor even if the gold specks disappointed me. Plus, that fantastic sheen was so unique.

I've been writing with the ink for several weeks. It flows smoothly from my Pilot 912 with an FA nib. If I shake the pen gently before writing, the speckles appear pretty consistently. I'm impressed with how well the ink's sheen and flecks appear even with my fine FA nib.

I've also used calligraphy nibs to test the ink. Obviously broader nibs show off the ink even better than fine ones.

The ink is heavily saturated and it takes time to dry. So you have to be careful not to smudge it while you write. It isn't water fast, but it's so saturated, water doesn't completely erase it.

I haven't experienced any nib clogging. I've left the ink in my 912 for several weeks, and the nib writes perfectly each time. I wouldn't leave it in vintage pens for any length of time, however, just to be safe.

The thing that surprised me most about Emerald of Chivor is that the paper you use makes all the difference. On Clairefontaine Triomphe and Rhodia Dot Pad paper, the gold specks show up just fine, but there's no pink sheen.

But on Tomoe paper the ink shines like neon light. This is what made everyone go "Wow!" when they first saw this ink. I'm not sure why the pink sheen shows up on Tomoe but not on the other paper. You'll need to experiment the paper you use with Emerald of Chivor to find what brings out both the sheen and the sparkles.

Of course, to see these marvelous properties, you have to view the ink and paper in bright light, particularly bright sunlight. In ordinary light, the ink is a beautiful teal, and you can see some shimmer. But if you want an explosion of color, you need bright light.

The gold specks fall to the bottom of the bottle. You need to shake the ink well before filling your pen.

The gold specks fall to the bottom of the bottle. You need to shake the ink well before filling your pen.

Perhaps this ink is best used for special things like invitations and envelopes where calligraphy nibs best express its beauty. It's certainly terrific for every day use in finer nibs, but to fully appreciate this glamorous ink, you'll have to take your writing into the sunshine to see it sparkle. And that's not a bad thing. Everyone can use a little sunshine.

Posted on September 18, 2015 and filed under J. Herbin, Ink Reviews.

J. Herbin Stormy Grey Fountain Pen Ink Review

I've only been deep into fountain pens and inks for a few years and I don't recall a product - especially an ink - causing this much noise in our little world. J. Herbin Stormy Grey has taken the internet by storm, proving that we all like shiny and new. Especially shiny.

Gold flecks contained within the deep grey ink are the big selling point in J. Herbin's latest anniversary ink release. Rouge Hematite, the first release in the 1670 series, also had a gold feature, but in the form of a sheen, not actual flecks in the ink. That one slight change really sets Stormy Grey apart.

The grey is a beautiful, saturated coal grey, bordering on light black. I had zero flow issues in either my TWSBI 1.5 mm stub nib that this writing sample was done with, or a medium dip pen nib which I used for a few notes. I found the gold flecks to be inconsistent, with a heavy presence on some letters, and a light to no presence on others. This happens when there are actual physical materials that need to be dispersed within the ink.

My biggest issue with Stormy Grey is the additional maintenance required to keep the ink flowing consistently. J. Herbin even has a label warning:

Having these additional things to worry about doesn't fit my usage pattern. I would be very worried to leave this ink loaded for more than a week or two. Plus, the bottle and reservoir shaking that is needed to get even fleck dispersion before use is annoying. Using a dip nib is an option, but that limits portability.

I must be the only one with this issue though, as JetPens can't seem to keep it in stock. There was a short reload right before Christmas that vanished within hours, so if you want to get your hands on this ink be sure to sign up to be notified when inventory becomes available again.

(JetPens provided this product at no charge to The Pen Addict for review purposes.)

Posted on December 26, 2014 and filed under Ink Reviews, J. Herbin.