Monoc Monoc: Schon DSGN Monoc Nib Review

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

Sorry not sorry about the earworm but if you don’t have any idea what I’m talking about, Mahna Mahna. Anyway, read on...

When I first saw IG stories and teasers about the in-house nib that Ian Schon of Schon Dsgn was making, I knew that I wanted one. Now, let’s be clear, I’m less of a “nib person” than others. I am not too picky as long as it writes out of the box and doesn’t write like pants. I am also not usually an early adopter. After a career in Quality Assurance in software, I came to the conclusion that it isn’t always the best to be the first to market, nor to be the first to own it either. But then you throw in the fact that Ian and his team make some absolutely great products and I changed my tune!

I pre-ordered the Monoc in December and picked it up at the Philly Pen Show two weeks ago. After immediately inking up the pen and writing with it for a while, I wanted to chat with Ian to better understand his latest creation. And since pictures are worth a thousand words, I decided to handwrite this review so you can see writing samples.

What is the Monoc?

The Monoc is the name of the in-house nib and feed system designed and created by Schon Dsgn. The nib is cut from a rod of titanium and the feed is made from Ultem, which is an extremely durable engineered plastic. Making the nib from a rod of titanium versus stamping from a sheet means that you can have the nib and housing as a singular piece, so there is no need for a separate housing to hold the nib and feed as a unit.

You can unscrew the nib and feed for use in any Jowo 6-compatible pens.

Why “Monoc”?

The name “Monoc” is derived from monocoque construction which is more common in car racing and airplane manufacturing. Basically, it means that it is made from a single “shell” of material which provides strength, giving it a technical advantage from being single piece versus being constructed from multiple parts.

Why make this nib?

While known mostly as a machinist and engineer, Ian is also a designer and an artist of sorts. Maybe not in the Van Gogh kind of way (although this nib is a work of art), but in the way he approaches product ideas and designs. The Monoc is not out to solve some nib or writing experience problem; it’s about “bringing something new and different to the pen world.” The whole process around coming up with a new design, workflow, cutting out the nib from a rod of titanium versus sheets, figuring out how to angle the nib and feed so that it flows well, making something unique, even if it is extremely difficult, expensive and time-consuming - this is what gets Ian jazzed up. While he loves all the products that he makes, the Monoc is really his passion project.

Inking up the pen.

If you use a standard international converter, you just dip the nib into a vial or bottle of ink and use the converter to draw up ink as usual (which I just had to do because I was writing the pen dry at the bottom of the previous page) and you’re ready to write as the feed is already primed with ink. If you’re using a cartridge, however, you will need to get the ink to flow to the feed and saturate it so it can start writing. To do so, orient the pen nib down after inserting the cartridge until you see ink flowing to the tip of the feed and nib, then invert it nib up for about 5 seconds. Repeat a few times, blot and you should be good to go. More detailed instructions are included with the nib.

How does it write?

The Monoc is a wet and smooth writer, with just a hint of feedback; not wet like a fire hose but definitely not a dry writer. Widthwise, I would describe it as a “wet medium”, almost broad. Ian designed this nib to give you “a consistent, predictable writing experience.” Traditionally, titanium nibs (most notably by Bock) were bouncy and prone to being sprung if you bounced them a little too hard. The Monoc is made from a different grade of titanium, which is stronger, and the nib is also thicker than stamped nibs. This makes it a much stiffer nib than gold, titanium or even steel nibs, such that when you put it to paper, you won’t get as much tine movement (at the microscopic level), resulting in a more consistent writing experience for a wider range of writers. Because it is a firm nib, do not expect it to be bouncy or flexy. If I had to compare it to something already on the market, I would say it has the stiffness of a Jowo steel nib, with the wetness of a Pelikan gold nib and the slight feedback of a Platinum gold nib.

Here are some writing samples with nibs of different nib sizes/grinds.

Is it easy to clean the nib?

Yes! You can use a bulb syringe or converter to clean the nib, like you would with any other cartridge/converter fountain pen, but Ian and team have included a specially-drilled syringe since most syringes don’t fit on the end. You don’t have to use it, it just helps with cleaning if you don’t already have a bulb syringe. Because the nib and feed are hand-set and tuned, do not try to take the nib and feed apart. For this reason, I would advise against using shimmer inks with the Monoc.

How much does the Monoc cost?

Right now, there is an introductory price of $400 for the nib, which includes a black, full-size aluminum Schon DSGN pen. You can also get a different pen body and apply $100 towards the purchase of that (please read the website for more details on the offer). I picked the black Ultem feed and blue anodizing for the nib engraving. At some point, the nib will be offered separately, but right now, this is a good deal since this price includes a pen. Lastly, the nibs are made to order, so you won’t get your nib & pen right away. There is a limited number of nibs that can be made each month, so you will need to select a month for future delivery (currently, February and March are available delivery options).

Wait, how much?

Yeah, $400 for a nib. It is a lot, but why so much? Nibs like this aren’t easy to make. Designing and engineering a new nib and feed system is a lot of work, requiring a lot of design and manufacturing time, making and testing prototypes, not to mention taking away resources from making other products. In addition to the R&D and manufacturing time, each nib is individually (and manually) inspected, assembled and hand-tuned - does it even write, do all of them write correctly, are the feeds delivering ink properly? Once it is put together and all tuned up, every nib then needs to be cleaned, polished, anodized, and all of that takes a lot of time. Each nib takes countless hours post production to make. To put it into perspective, Ian said they can only make hundreds of these nibs each year, not thousands.

So, should I get a Monoc?

First of all, this is definitely not a product for everyone. It is an expensive purchase. It will not miraculously make your handwriting stunning (though with regular practice, it certainly could help). You would get this not only because it writes well, but because it is a gorgeous nib. Because it is a technical marvel. Because titanium is cool, but also because this titanium nib won’t spring on you. And I’ll be honest, because it is sexy as heck. It’s like the Pilot Myu or Murex - people don’t love them because they are necessarily the best writers out there, but because they look and feel amazing. And while I really like how the Monoc writes, I love how it looks even more. This is definitely an emotional purchase as opposed to a functional one and I have zero regrets.

If you are looking for a Fine, Extra Fine or Needlepoint, the Monoc is not for you, though one can hope that other nib sizes will be offered in the future. Ditto if you’re looking for a flexy nib or an inexpensive “instabuy” product. But if you value creativity and ingenuity of this project, the pushing of boundaries of what one man and his team can do, the inevitable “holy crap, that’s gorgeous” or “oh wow, this is nice!” responses that you’ll get when you bust it out at a pen meetup, as well as a really nice writing experience, the Monoc just might be for you.

(Disclaimer: All products shown were purchased by me, at regular prices. I preordered the Monoc from the website in December and picked it up in January.)

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Nemosine 0.6 mm Stub Nib Review

One of the turning points in my fountain pen journey was realizing how important the nib is. Not simply nib material or style, but shape and size. And not only that, but specific shapes and sizes that improve my handwriting by just … existing.

My writing style is particular, but not totally unique. It’s a block-print style, which on the page translates to all-caps writing. There is no cursive, no joined up, no lower case. I truly embody the MF DOOM lifestyle.

When I discovered that there are nibs that make by handwriting better, it was open season on my wallet. What nibs, specifically? Stub nibs first, followed later by cursive italics.

The shape of those nibs is flat across the front, as opposed to more rounded nib tipping in a stock Medium nib, for example. So this is why my handwriting looked like a boss when I used chisel tip markers in the before times!

My block print looks best when the edges of the letters are sharp. Stub nibs got me there first, primarily due to their availability. I don’t recall my very first one, but it could have been a TWSBI, who offers them in 1.1 and 1.5 mm widths. The 1.1 mm is more my style, seeing as I write small to begin with. As I learned later, I could have other standard nibs modified by a nib grinder to even finer widths. I won’t tell you how narrow I’ve gone (pretty narrow!) but I will say I’m always excited to find loose stub nib options finer than the usual 1.1 mm.

That’s where the Nemosine 0.6 mm Stub comes into play. I was late to the game in picking one of these up to test, but I’m glad I’m here now. An 0.6 mm stub is nowhere near micro-sized in relation to regular sizes (again, 1.1 and 1.5 mm mostly,) but it is finer, which works even better for my handwriting.

This nib comes in the standard #6 size, and is made from steel. The nib is sold alone for $27, without a feed or housing, so you will want to have an existing pen to swap this into. Bock feeds are the natural fit, although I’ve had followers tell me they can make them work with Jowo feeds and housings with a bit of manipulation.

From Left to Right: 0.6 mm, 1.1 mm, 1.5 mm.

I went for the Bock swap out with my latest Tesori Venezia, and this nib has found its permanent home. It is wildly smooth, and provides good line variation. As much line variation as a wider stub nib? No. The finer the stub, the less line width variation you will have between your horizontal and vertical strokes. This 0.6 mm hits the sweet spot for the way I write. You may prefer wider.

You may prefer stub nibs in general if you have a mostly print-based handwriting style. Plenty of cursive writers use them, too, adding some wide and narrow line variation as they work down the page. It’s a beautiful visual either way.

That’s the stub nib benefit for me-it makes my handwriting look nice! I don’t have to write faster or slower to get the most from it. My normal pace with a normal ink on a normal page leads to better than normal results.

Thank you, stub nibs!

If you are looking try your own stub nib, these Nemosine 0.6 mm nibs are an option for a slightly more experienced user. They are simple to use, but you need the right kind of pen to fit it in to. For your first stub nib, TWSBI is one of the more widely-available options in a variety of pen models and price points. Some, like the SWIPE, are essentially the same price as the stand-alone Nemosine nib.

Testing and experimentation is the key to finding the proper nib fit for your handwriting style. Give a Stub nib a try the next time you want to change the look of your letters on the page.

(I bought this nib from Birmingham Pen Co. at regular retail price.)

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Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!

Behold, Something New! The Harmonic Nib, from Opus Cineris

The Harmonic Nib. Image via Opus Cineris.

(This is a guest post by Andrew Coon. You can find more of Andrew’s fountain pen favorites on Instagram.)

Whenever a pen of note arrives, something interesting, I hand it to my wife. I play with pens, she knits. I appreciate the yarn she finds, and she appreciates the pens that show up. Over the years, many such pens have arrived and we have found a pattern.

She takes the pen, and writes the following:

A Harmonic BB nib, with Diamine Aurora Borealis on a Nock a5 Cahier.

And then she asks what makes it special. I have handed her a Pilot Emperor, a Pilot Custom Urushi, Jowo 6's, Bock 8's, King of Pens, stacked nibs of all different types, and many more.

This time, she said "this could be my favorite."

My wife has good taste.

What she wrote with is already one of my favorites - both for who made it as well as for what it is.

Anabelle Hiller, first being trained as a musician, then made the jump to metal working. A trained jeweler, she has focused on a particular piece of metal that anyone reading this holds dear - the nib of a fountain pen. After creating her own nib for her masterpiece she experimented with a batch of silver nibs. After a few truly lucky people tested them out at length, she moved on to make a batch of ten nibs in 14k gold.

I was lucky enough to obtain one of these, and I would like to tell you about it because there will be more of her creations. They will be worth finding and cherishing.

The Harmonic Nib, in Silver. Image via Opus Cineris.

What is immediately striking about this nib is the double layer of metal that frames the entire nib. I don't know how this is done - but I can see what it makes possible. On these, this edge has a hammered finish that is very striking. On Anabelle's second set of nibs, a set of 8 made in silver, this edge was engraved in a leaf border, complementing the scrolls down the center of the nib.

Matched with an ebonite feed from FPnibs.com, these nibs can be customized with any grind. What I have is a round BB, tuned for showing off the sheening and shading properties of any ink. And, it is perfect. Responsive and well behaved, I can only wish that all my nibs wrote like this one. I have used multiple brands of ink with it, multiple types of paper, and the performance has been consistent and superb.

The Harmonic Nib, with Giants' Pens ebonite barrel. Image via Opus Cineris.

The pen this nib came in was made by Teun and Joep of Giants' Pens, and is elegant and clean. The material is a black and grey ebonite, that is almost impossible to photograph. The tolerances are tight - and the quickest way to tell is with the threading. This threading is smooth and exact. Matched with the immaculate polish, the pen is a stunner. Its shape is that of a Nakaya Naka-ai, and that is what it reminded me of. Light, nimble, a pen that I reach for multiple times a day.

It is not often that something truly new comes along in the pen community. This is one of those moments.

Anabelle makes nibs sing upon request, for any pens purchased from Appelboom. In addition to employing her, Appelboom also allowed Anabelle to use their website for the sale. This is very cool - It is always good to see those who are well established in the field support those who are starting.

I look forward to following along with what happens next. Engraving, gem setting, overlays? I don't know. But it will be great.

I invite you to join me in following Anabelle at Opus Cineris and on Instagram @opuscineris

(This nib was purchased by Andrew Coon at the 2022 Washington DC Pen Show, directly from Anabelle Hiller. Opus Cineris images provided for this post with permission.)