Posts filed under Pen Reviews

Deleter Neopiko Line 3 Drawing Pen Review

Deleter is known as one of the premier Japanese manga supply brands, releasing various sets of pens, markers, and paper for those interested in manga artwork, and comic art in general. I’ve used their products in the past, and Brian Draghi reviewed the Neopiko Line 2 for The Pen Addict when it was imported by JetPens in 2012.

The Line 2 is a good pen, but not a great one when compared to its peers in the drawing pen market. I found the tip to be a little soft and the price a bit high compared to pens like the Sakura Pigma Micron but it was something different, was kind of cool, and worth having one laying around for a switch up from time to time.

Because of that, I was happy to grab the Deleter Neopiko Line 3 when it landed at JetPens and try it out. The barrel looked nice and the price was even less than the previous model, but I discovered something strange when I uncapped it the first time. This pen is a Deleter in paint job only. The pen itself is the Kuretake Zig Cartoonist Mangaka Outline Pen, also known as my number 1 plastic tip pen.

White label production is not a new thing. Many companies across many industries use this type of manufacturing for various reasons, primarily to increase the bottom line. There is no issue with this, and it is actually a benefit to the consumer in many cases, allowing them to buy a similar quality product for less than the original marketed and advertised product. Unfortunately for Deleter, that’s not what happened here.

(Note: I'm making an assumption that Kuretake is the one making the pen for Deleter. Could it be the other way around? Yes, but I think that is very unlikely.)

I didn’t catch it from the exterior design at first, but the second I opened the pen and before I even wrote with it I said wait a minute, this looks familiar. I grabbed the Kuretake Zig from my desk, uncapped it, and set it next to the Line 3 and I was right. It is the exact same pen. Literally.

That’s good I thought, because the Kuretake is a great pen. My next thought was to compare the price. The Deleter should be cheaper, or at least the same price, right? Nope. It’s 50% more from JetPens than the Kuretake, and comes in fewer options. Bummer.

If you are a Deleter fan and swear by their products this shouldn’t sway you from paying more for the same pen. I pay more for Copics because I like them and their style even though they are overpriced compared to the competition. But just know what you are getting with Deleter. If you want an awesome drawing pen, save over a dollar per unit, and have more choice, then buy the Kuretake Zig Cartoonist and don’t look back.

(JetPens provided this product at no charge to The Pen Addict for review purposes.)

Posted on January 4, 2016 and filed under Deleter, Drawing Pen, Kuretake, Pen Reviews.

Lamy Imporium in Black and Gold: A Review

(Susan M. Pigott is a fountain pen collector, pen and paperholic, photographer, and professor. You can find more from Susan on her blog Scribalishess.)

My first fountain pen was a Lamy Safari in metallic blue. I pretty much hated it. The grip was uncomfortable; the steel nib was scratchy; I didn't like the cartridges. I doubt I would have stuck with fountain pens had I not bought a Pelikan later that year and discovered the joys of a gold nib and a piston fill.

I refused to consider any more Lamy pens for a long time after the Safari. I believe it was Brad's review of his Lamy 2000 that convinced me to try the brand again, but that was almost a bust. I ordered a Lamy 2000 Makrolon through Massdrop, and when it arrived it had a bum nib. One tine was longer than the other, and there was this big divot on the top of the nib. Fortunately, Massdrop is an authorized Lamy dealer, so I was able to get a replacement nib. Now the pen writes like a dream, and it's one of my favorite pens.

The bum Lamy nib.

The bum Lamy nib.

When I first saw shots of the Lamy Imporium, I was mesmerized. I loved the guilloche patterns, the clean lines of the cap, and the nib–oh, that nib! The black exterior with the gold center was just too cool. Then I saw the price. $520 for a Lamy? No way. Plus, initially I was told the pen wouldn't be sold in the US (that turned out to be incorrect). I quietly resigned myself to no Lamy Imporium.

But then Black Friday arrived, and I happened upon a sale at Pen Boutique. The Lamy Imporium was reduced plus Pen Boutique was offering an additional 20% off! I got my pen for around $320, which seemed considerably more reasonable.

The Imporium comes in a large, heavy box wrapped in tissue paper inside a white cardboard outer box. The box is black/gray with the Lamy name on top. The lid is hinged and when you open it, the pen is centered in the middle with a ribbon to keep it in place. The ribbon doesn't work. My Imporium had made its way to the outer edges of the box during shipping.

Underneath the presentation board is a cartridge, a cleaning cloth, and a booklet about the Lamy Imporium. It's nicely packaged, but in all honesty, a huge box like this seems unnecessary. I know the more expensive pens all come in big, heavy boxes (think Visconti and Omas), but Lamy could have crafted a much smaller, elegant box.

I'm not exactly sure what the Lamy Imporium is made of. Lamy states that the pen has been "partially galvanized" and "refined" with a black matte PVD coating, but what has been galvanized is never stated. I think that the underlying body of my pen is steel, but there's also a titanium version.

Regardless, it's a beautiful pen designed by Marco Bellini. The barrel and grip have contrasting horizontal and vertical guilloche patterns.

The screw-on cap is smooth with a gold-plated clip that nicely matches the cap's shape. The clip is spring loaded and opens and closes easily.

The only branding is the word "Lamy" on one side of the clip.

The barrel sports a gold ring where the nib and grip meet and a gold disc at the bottom.

The Imporium is a solid pen in the hand. It weighs 47 grams capped. It is 141mm/5.6 inches in length capped; 121mm/4.8 inches uncapped; and 169mm/6.7 inches posted. I write with it unposted (posted it is a bit ungainly), and the guilloche pattern on the grip helps to keep my fingertips from slipping on the coated metal surface. The ribs on the grip are rounded, and I don't find them to be at all uncomfortable.

The 14K EF nib is spectacular, writing more like a fine. Lamy describes the nib as "PVD-refined bicolour gold" that provides "a uniquely soft writing experience." I will say the nib writes smoothly and has unique feel. There's no flex, of course, but it has a bit of give when you press into it.

The pen is a cartridge/converter filler. I suppose a piston converter would have made the Imporium prohibitively heavy, but at this price point you sort of expect a piston.

I have a crazy affection for this pen. It grabbed me the moment I laid eyes on it, and I can't explain that rationally. It's just a black and gold guilloche pen. Big woo. But I think it's absolutely fantastic.

Pros

  • The Lamy Imporium is incredibly solid and well made.
  • The nib on this pen is fantastic. Not only is it unique with the black and gold contrasts, it writes beautifully.
  • I love the design of this pen with the guilloche patterns and the contrasting smooth cap. The gold accents add just the right amount of elegance.
  • Even though the pen is heavy, it is well balanced. The guilloche design makes the grip easy to hold.
  • If you don't like the black and gold, there's an all-black, stealth version and a titanium version.

Cons

  • Obviously the biggest negative about the Lamy Imporium is the cost. It is super expensive for what you get. I would never have bought one at the full price.
  • Some may find this pen too heavy for comfort.
Posted on December 30, 2015 and filed under Fountain Pens, Lamy, Pen Reviews.

Edison Pearlette Fountain Pen Review

(Jeff Abbott is a regular contributor at The Pen Addict. You can find more from Jeff online at Draft Evolution and Twitter.)

When I purchased my first Edison pen at the 2014 Atlanta Pen Show, I told myself that it wouldn't be my last. In that review, I spoke highly of the Beaumont that I had, and my feelings for that pen haven't changed a bit. So, it was no surprise to me that I was heavily drawn toward another Edison at the 2015 San Francisco Pen Show earlier this year in August.

This year, I walked away with a brand new Edison Pearlette in Deep Indigo Flake with a fine steel nib. I've always been drawn to the shape of the Pearlette in general, and this year I decided to go for it. I have to admit, I was on the hunt for a more custom Pearlette, but I'm also a big fan of this blue flake material. And, like the last Edison review, I don't think this will be my last Edison...again.

Aesthetics

The Pearlette is part of the Edison's Production Line, which means they make the pen in three standard color options, along with the standard nib line-up. You have options of fantastic steel nibs, or gold nibs if that's more your thing. Since these pens are part of the production line, they're a bit more economical than the custom and limited pens from Edison. The regular steel nibbed Pearlette comes in at $149, with a $125 additional charge for a gold nib. Not bad at all for a high-quality, beautiful pen.

The Pearlette features a streamlined design that is equally minimal and mesmerizing. It reminds me of certain Nakaya models, and I think that's on purpose. In my opinion, you can't go wrong with the shape of this pen. It's elegant, clean, and balanced.

The size of the Pearlette is something between small and standard. It's right at 5.25 inches closed, and just under 4.75 when uncapped. This is a very comfortable size for me, but it's important to note that it is a smaller pen. This can be surprising when you only see pictures online of certain pens.

The "furniture" on the Deep Indigo Flake model is silver. The nib is the perfect size in relation to the body of the pen, which can sometimes be off in some pens. Apart from the clip and the nib, this pen is entirely resin. This makes the pen incredibly light and strong.

The cap screws on, and has very tight tolerances. When capping or uncapping the pen, it feels entirely sure and closes nicely without any gaps between the cap and the body. The pen will accept both a standard cartridge or a cartridge-converter, which Anderson pens included with my purchase. I've been using the converter exclusively since I can fill it with a matching Akkerman color.

The clip on the pen is fairly strong, but has a good bit of side to side give. Nothing alarming, but something to consider if you rely heavily on the clip. Personally, I'd love this pen in a clipless version to maintain the sleek aesthetic.

Overall, when you look at this pen, the shape draws you in, but the writing experience hooks you.

Writing

Picking this pen up and holding it in the writing position is what sold me. Before picking it up for a serious look, my thoughts were somewhere in the "I don't need another pen just because it's pretty" range, but that changed immediately after a quick test drive.

The grip is a fantastic shape for me. For reference, I hold pens using a fairly "standard" grip (standard as in how they try to teach it in grade school, but standard is really whatever works best for you). The grip is a tad small, which lends itself to smaller writing. I paired this pen with a fine nib, and I think that was an excellent choice.

The cap posts easily, but I typically use it unposted. Come to think of it, I very rarely post my pens unless they are a compact, short size (like Kawecos or the TWSBI mini).

The nib wrote flawlessly from the beginning, and I've never had anything but good experiences since then. It's smooth, flows well, and starts quickly. This particular nib can get a bit dry after 3-5 days of being idle, but it's easy to get started again if you just lay the pen flat for a couple minutes. Also, the nib is minimally decorated with the Edison logo.

Another point about the nib is the amount of shading I can get out of it. This isn't a flexible nib by any stretch, but I'm impressed by the amount of variation I can get out of it without any modifications. All in all, it's a delightful pen that produces a very pleasant writing experience.

Conclusion

Now that I have two Edison pens in my collection, my hearty recommendation for someone new to the brand is still enthusiastic. I enjoy both of my Edison pens, both for their aesthetic qualities and the fantastic writing experiences they both offer. The only problem I'm noticing at this point is that I have a very narrow color scheme in my current collection, which is something I need to correct in the future.

Anderson Pens have all the Edison Production Line pens for sale, and if you're lucky enough to attend a show, you can pick one of these beauties up in person.

Posted on December 23, 2015 and filed under Edison, Fountain Pens, Pen Reviews.