Posts filed under Pen Shows

2023 St. Louis Pen Show Recap

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

I’m just got back from the 2023 St. Louis Pen Show (their second one since the pandemic) and have finally recovered enough to gather my thoughts. I spent a lot of time describing last year’s show so that would be a good place to start since I will be doing some comparisons in this recap.

The show was held at the same location as last year, the Sheraton Westport Chalet St. Louis hotel. I love walking down the hallway with all the large displays greeting you as you make your way to the registration desk!

Welcome to the St. Louis Pen Show!

Like last year, Michael and the Dromgoole’s spread were the first things you’d see at the show - lots of pens, stationery and an ink wall too!

The perfect rubber chicken for the one and only Ana Reinart, who was working the Dromgoole’s ink wall.

Opposite the Dromgoole’s tables were Steve and Diane Curnow of Curnow Bookbinding and Leather with their lovely array of notebooks, inserts and leather covers!

I like that there was a map on display so folks could look up where the different vendors were located.

This was a view of the main ballroom on Friday when it was fairly busy.

I don’t have attendance numbers from last year or this year but it felt significantly slower this year. Most of the vendors I spoke with felt the same way. Slow days are much harder on vendors than busy days because the hours just drag on and it just drains a lot of the energy. There were maybe a few more folks on Saturday but it wasn’t enough for some vendors, who decided to pack it up and not return on Sunday.

I also don’t have vendor or table numbers, though this year’s website listed 93 vendors (compared to around 100 last year). I know that there were some new vendors this year but I had also heard that a number of folks did not return after they had a disappointing show last year.

The pandemic has seen a lot of new folks entering this hobby, which is great for making new pen friends, but also essential for a hobby’s growth and continued existence. It feels like I’ve encountered a lot more newer folks at this show than any other show in the past two years. More than once (and at different tables), I heard “I don’t have any fountain pens” or “how do I get ink in the pen?” It’s not a bad thing to have a lot of newbies, but it often means that vendors spend a lot more time and energy explaining their products (or just pens in general). Budgets are often lower since they are still discovering this rabbit hole. So you end up with a lot of vendors competing for fewer dollars (on average) from fewer attendees.

The vendors that did the best were the ones who catered more to this newer crowd. Paper, inks and pens $50-100 were the items that seemed to sell the most. Though I did hear that at least one customer bought a Namiki Emperor from Jimmy Dolive (Jimmy strikes again!), that was definitely not the norm.

Last year the show had two nib workers, which was about right. This year, there were 5. Richard Binder, the Kennedys of Indy-Pen-Dance and Gena Salorino of Custom Nib Studio came this year, in addition to returning nib folks Kirk Speer and Josh Lax. I think 2 nib workers is more than enough for this show, not only because of its lower attendance, but the relative newness of its audience also means that they often aren’t aware of what a nib worker does, let alone want to spend the money on getting a pen tuned or ground.

Gena Salorino working their magic.

What the show continues to have is variety - plenty of modern and vintage vendors in all price brackets.

Love seeing Greg Hardy’s smiling face alongside (literally) the “Crawdaddy” pen he made just for this pen show!

Danny Fudge of The Write Pen is a well-known and well-respected fixer/restorer of pens!

If you need supplies for restoring/fixing or just cleaning/maintaining your pens, Indy-Pen-Dance can help!

Akhila and Nirmal Sheth of Smruti Pens came to the STL show for the first time!

I love that they have vendors who sell other things besides “pens & inks” and some vendors that don’t sell anything at all (like the calligraphy guild or the STL meetup group)!

This father-daughter duo of Lincoln’s Leathers makes notebooks and other items out of Michigan!

Keith McCleary and his family brought all their 3D-printed goods, as well as stickers and other fun stuff to the show!

Look at these cool creations from War Pony Forge!

Slapme? No,Slap U! The St Louis Area Pen Users (SLAPU) has regular meetups named St Louis Area Pen Meet & Eat (SLAPME)! I’m pretty sure no actual slapping happens, but don’t quote me on that, lol! Just follow the St. Louis Pen Show IG to find out about the next meetup.

There were two of these ink testing stations in the middle of the ballroom - perfect for ink play while taking a rest break.

Members of the St. Louis Guild of Calligraphers were present to write your name in calligraphy for free and to talk about all things calligraphy!

If we’re going to talk calligraphy, then you have to mention the master penman, Michael Sull, who was busy making and embellishing his gorgeous calligraphy prints!

Sitting next to Mr. Sull was a tray full of old letterpress “stamps”. For free. These were used to print handwriting exemplars for cursive books. You neve know what treasures you’ll find at a pen show!

There were a good number of classes/seminars this year, but not quite as many as last year, which was fine given the lighter crowds at the show this weekend. Still, the variety of classes was great - “Your Name - Your Signature”, Back to Basics Bullet Journaling, Celtic Knots, as well as American Cursive Handwriting, Vintage Pen Buying for Beginners, and more – there really was a wide range of classes/seminars to choose from.

I barely made it in time for the Journaling Social on Friday afternoon and there were still plenty of people gathering, chatting and working on their journals!

Look at these gorgeous Namikis at the Pilot USA table!

On the other end of the spectrum, look at this “bargain” of a pen! I love it when vendors have a sense of humor!

I love this Nahvalur Voyage: Pride 2023 Pen, with a portion of proceeds being donated to It Gets Better Project!

This is the blackest black ink ever made by Platinum - Chou-Kuro. Apparently, it is 43% darker than Platinum Carbon black!

Luxury Brands of America’s exclusive Retro 51 is not only a good looking pen, but proceeds also benefit the Rainforest Trust!

As always, I had a good time after hours at the show. The bar staff was painfully slow on Thursday afternoon/evening, and didn’t pick up until Brian the bartender showed up with his amazing energy and great service on Friday. I heard that the show organizers asked the hotel to keep the bar open late, which they did on Friday and Saturday nights (yay!). Security did come by around 10pm on Sunday to (very nicely) ask us to vacate the lobby because it was past their quiet hours.

Discovered that the Schnickelfritz Bavarian style Weissbier is really tasty - I may have had a few this weekend!!

A few of the die-hards at 1:45am Sunday morning!

Last year I said “it is a well-run show that might need to scale back on the vendors/tables. There is such a thing as “too big” when it comes to pen shows, especially if you don’t have the attendee numbers (and resulting sales dollars) to support it” and sadly, that is even more true this year. This is already a very well-run show, so there isn’t much to improve on from that perspective. There are great shows that are much smaller than STL (Colorado comes to mind, but I’ve also heard great things about Orlando and Arkansas), so I hope that they consider pulling back the number of vendors they ask to come to this show. This way, the vendors can have a successful show, which in turn, brings more attendees to the show.

Clockwise from the left: matte blue Platinum Curidas (Luxury Brands), Colorverse Indigo Blue (Smruti Pens), 2023 St. Louis Pen Show ink Missourah Crawdad by KWZ, Rainforest Retro 51 and Endless notebook clip (LBA), washi tape and New Pen Day stamp from InkyConverters, and STL notebook inserts (Curnow Bookbinding), all atop the Col-o-ring Folio (Well-Appointed Desk). Not pictured: a pen tuned by Gena Salorino and two of the letterpress stamps (which need to be thoroughly cleaned before I handle them again).

I was fairly restrained at this show since DC and SF are right around the corner. I spent most of the time at the show spending time with pen friends, old and new, which is the best part of any pen show. Until DC, stay safe and stay inky!

Posted on June 30, 2023 and filed under Pen Shows.

2023 Chicago Pen Show - Recap

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

I am back home from the 2023 Chicago Pen Show and I am about as wiped as I have been in a long time (is anyone surprised?)!! As I mentioned in my recap from last year, the Chicago show starts out in a bright, airy atrium before leading you into the ballroom, where you would find yours truly behind the row of tables for Luxury Brands of America. Even though I was working this time (last year I went as an attendee), I still had ample opportunity to check out the rest of the show and do some damage to the wallet as well.

Welcome to the Chicago Pen Show!

The atrium is such a welcoming way to start a pen show! Well-ventilated, bright, fairly roomy, close to the restaurant, coffee and bar (in no particular order, lol), the atrium has a good variety of vendors to catch your eye on the way in AND out of the ballroom!

The atrium as viewed from the ballroom. In the background (aka the view from the lobby) there is a fountain as well as lots of tables and seating.

Always good to see Doug, Marie, and John Phelan of Lemur Ink again!

Even with the rabbit ears photobomb, Angela He of InkyConverters is still adorable! - and look at all the cute things at the table too!

One of the places I broke my ink buying ban this weekend - I couldn’t resist getting a bottle of Papier Plume’s show ink, Lake Michigan Sunrise!

Compared to other shows, including last year’s Chicago show, Friday felt a little quieter but it picked up on Saturday. Sunday continues to be a much slower day at this show - maybe due to the nice weather and a Cubbies day game?

View from two sides of the ballroom on Saturday.

Linda and Mike Kennedy working on nibs and repairs.

Shu-jen Lin and Sue Beck at the Taccia table where they showcase their stunning urushi, maki-e and raden pens.

Erick Gama of Amarillo Stationery has lovely products from Latin America.

I was eyeing this Writers Briefcase big time!

The official show ink this year is made by Anderillium Inks. Named “Chicago 1871”, it commemorates the great fire of 1871 - the cause of which, according to popular lore, was set by Mrs. O'Leary's cow, who allegedly knocked over a lantern (thanks for the info, Wikipedia!)

Look at all these colorful beauties from Schon DSGN!

I had such a great time working with Jesi and Bryce this past weekend. Thank you so much, Luxury Brands of America, for the opportunity to help out!

One of the busiest tables at the show would have to be for local favorites, Atlas Stationers. Working at the Luxury Brands tables which were directly across from theirs. I got a great view of their bank of tables and witnessed the seemingly endless stream of customers. I got my daily allotment of steps by bringing customers and products to their table all weekend.

Brian, Alex, Jennifer, Momma T and Brendan of Atlas Stationers - what a blast it was working across from them all weekend! Also, it was dangerous for the wallet too!

One of the other busy areas would have to be at the PLOTTER tables. Having seen the crowds at past SF and DC shows, it was no surprise that they would draw a lot of traffic at this show. They had special edition leathers and products just for this show, and had appointment slots where customers could pick the leather and hardware for their custom binder as well as decorations.

The friendly and helpful PLOTTER crew from L to R: Youhei Yamaguchi, Yuri Aida, April Wu, Takayuki Saito, Ethan Hogbin, Christina Del Rosario and Tomomi Morita (Thank you to April for sending this photo.)

Watching Youhei Yamaguchi-san hand embellish a PLOTTER is such a treat.

I was so excited when Tomomi Morita-san handed me my new custom A5 PLOTTER in burgundy Horween leather!

As usual, I flew in on the Wednesday night redeye so my Thursday was a bit of a blur. I did enjoy the pizza party, but my delirious self forgot to take pictures, oops. Friday and Saturday though, I definitely made sure to take a few picts! This is my 5th Chicago show and it continues to be one of my favorites for after-hours socializing.

Look at this table of pen peeps having fun! And this wasn’t the only table where folks were congregated! (PC:Pretty sure Julian from Schon DSGN took this picture with April’s phone.)

The Bossman is giving me his best Blue Steel while playing with some of Alan Shutko’s batons, I mean, large pens!

My little pen up vs one of the biggies - just an example of the ridonkulous things you can see during after hours!

I’m not sure the last time I saw the Bossman awake after midnight (it was nearly 1 a.m.)

Achievement unlocked! I popped Drew Brown's cherry – his washi tape cherry, that is! Did you know this is his FIRST EVER washi tape?!?!?

I spy with my little (medium and big) eyes, little bebe PLOTTERS!!!

You never know what you’ll see at Pen Shows After Dark. In this case, friend Simar is sharpening a knife, you know, no big deal.

Saturday night’s whisk(e)y tasting event was hosted by Mario Campa of Toys from the Attic. Here he is pouring into the glass of Atlas’ Brendan Schmidt, with his dad, Don, patiently waiting his turn.

Les Sheely of Stylosuite and Gena Salorino of Custom Nib Studio were trying each other’s grinds and commenting how much they loved them! Of course, I had to try them too!

One of the highlights of this show was the opportunity not only to spend time with fellow TPA writer Sarah Read and B-rad “the Bossman” Dowdy, but also to record a special episode of Friend of the Show (Wished you were here, Jeff!). We had a fun time brainstorming during dinner but ultimately neither Sarah nor I would know what Brad would end up asking us, so that was a little unnerving! And another shout out to Sarah who just finished her grad school work just hours before driving to the show!

Trouble x 3 - Sarah Read, the Bossman and yours truly.

How does it compare to last year’s show?

  • Weekend pass prices went up - This year’s ticket price did not include a second spouse/friend ticket - last year it was $60 for two people, this year it is $60 per person (kids are free). That is a pretty sizable price difference if you were coming with someone. I think it’s still a good value even if you came alone since it also included access to the Thursday night pizza party.
  • Paid whisk(e)y tasting - In prior years, the Scotch and Bourbon tasting event was free. This year, Mario Campa decided to have tasting glasses made and charge a nominal $10 fee to cover the tasting and glass. This seemed like it worked out well and people still had a good time.
  • Lower attendance? - Last year I went to the show as an attendee and this year I was working at the LBA table, so it’s difficult to compare my two experiences. It felt like overall, there were slightly fewer attendees than before (though I have no ticket data to prove this). I had more time than I expected on Friday to walk around the ballroom and atrium, and there was ample space at the tables to browse and talk with vendors. And as par for the course, I had even more time on Sunday. In fact, it was so slow that many vendors started packing up at 2pm (instead of the 4pm closing time). I spoke with a variety of vendors, both in the ballroom and in the atrium and results were mixed. Some told me they had a strong Friday but weaker Saturday than last year, while others told me the reverse. As far as I could tell, everyone still had fun at this show and plan to return next year.
  • More people staying? - Even though I just said it felt like the attendance might have been slightly lower (and it’s possible it wasn’t), it seemed like I knew more people who were traveling to the show and staying at the hotel. In past years, many of the locals would only come for the day and not stay overnight, but more people I talked to were at the show for longer hours (if they didn’t stay), or were staying at least one night (if not more). Again, this isn’t based on empirical data, so maybe more people I knew were going to the show this year vs past years.
  • More nib workers - There were only 3 nib workers at the show last year (Gena Salorino, JC Ament, Kirk Speer), and this year they returned along with Matthew Chen and the Kennedys. Seemed like they were all fairly busy most of the weekend (except Sunday afternoon).
  • More classes/seminars - I had to re-read last year’s recap to see if they had many seminars and they had a decent amount before but this year it seemed like they stepped it up. While there were some $70-100 classes, many of them were $0 - $10. They had a limit of 13 people per class, making it a nice intimate setting to learn about topics like Flourishing with Fountain Pens with Michael Sull, Conid Pens by Allan Shinogle, Tangles & Doodles with Hong Nguyen, and even a seminar on how to use the PLOTTER system! I continue to think this is a great way for people to continue learning about pens/inks/stationery and while giving themselves a break from the show floor.

Last year, my worry was that diminishing number of attendees would spell trouble for this show. While I’m still not sure if there were fewer people this year or not, at least vendors seemed mostly pleased with how they did, even if some ended up making less than last year. I hope that “local folks” (within a 4-hour driving radius) continue to support this show and bring their friends to experience the fun of a pen show.

Heading into the show, I knew I wanted to get the latest Platinum Preppy WA Series 3, the TWSBI Mini AL Grape and the show inks. I don’t think anyone is surprised that I bought more than that, but the additional inks weren’t impulse buys, but ones that I had been looking for and were sold out.

Haul part 1, Clockwise from top left: Pennonia Azur Frida and Rosas Mexicanas from Amarillo Stationery, Laban Aphrodite Pink from Atlas Stationers, Platinum Preppies, TWSBI and Iroshizuku Sui-gyoku from Lemur Ink, Pelikan 4001 Pink from Chartpak, Anderillium Chicago 1871 from Anderillium Inks, Lake Michigan Sunrise from Papier Plume, Colorverse Coffee Date from Darailz Pens.

If that’s all I got, I would’ve been super proud of myself but I did pick up some fun non-pen/ink things too!

Toyo tool box and denim Delphonics pouch from Atlas Stationers, washi tape from Amarillo Stationery, stickers and vial holders from Keith McCleary of RandomThinks, and a roll of Pen Friends PET tape from InkyConverters.

And if I stopped there, I’d still be pretty happy since I had sold several pens prior to and at the show, but we all know I didn’t stop there. I knew PLOTTER was going to be at the show but I wouldn’t let myself fall into the trap of FOMO like I did last year, so I said I would only get it if they had an A5 in a really nice leather. Which they did. Dang it, April and Saito-san!!

My PLOTTER haul, including an A5 in Burgundy Horween leather, Chicago notebooks, some A5 refills and a pouch. All of which resulted in the bebe orange PLOTTER - no regrets!

Chicago continues to be one of my favorite shows due not only to its variety of vendors and proximity to food, but especially because of its after-hours scene. I am happy to not get enough sleep if it means that I have a great time hanging out with people after-hours. My wallet is a little (ok, a lot) lighter, I’m still sleep-deprived, but my heart sure is full. Thanks for a fun time, Chicago! Until next time (which is still TBD at the moment, but definitely DC for sure), stay safe and stay inky!

Posted on May 12, 2023 and filed under Pen Shows.

Sarah's Chicago Pen Show Wrap-up

(Sarah Read is an author, editor, yarn artist, and pen/paper/ink addict. You can find more about her at her website and on Twitter. And check out her latest book, Out of Water, now available where books are sold!)

I wish I could go to all the pen shows, but one advantage of only going to one a year is that it's always a standout highlight of the year. And this year? The best ever. This year was the first where the event felt back to what it was before all the shutdowns. There were still people I missed (Ana! I miss you!) but I got to meet so many folks who I've only ever known online before.

The highlight, by far, was getting to hang out with Kimberly and Brad. I got to spend some time with Kimberly last year, but it's been six years since I last got to see Brad. WAY overdue. We made up for lost time with a fun dinner at Buffalo Wild Wings, a few rounds of beers, a very silly podcast recording (where I received a scathing employee performance review--I will be taking this to HR), and the traditional evening bar hangout.

I tried something else new this year, too. I left my phone put away the entire time. Readers, I have almost no pictures. You see, I knew Kimberly was going to give you all an extensive, detailed, thorough recap. I love reading her pen show reviews, and I can't wait to relive this one through her post.

I did take two photos. One, a bigfoot sighting at a construction site as we drove into the hotel complex. Two, a pic of my, Kimberly's, and Brad's wee baby plotters with googly eyes, which I carry with me everywhere (it's a librarian thing).

And of course I took the obligatory photos of my haul on a hotel bedspread backdrop, as one does.

The haul is what you're really here for, right? I've got you. And I'll review most of these over the next few months, but here's the overview.

The first thing I did upon arrival was make a beeline for the Plotter table. I knew, thanks to ToastyTreats' Twitch stream, that they were running low of the itty bitty wee baby Plotters that they were giving away with a pen show purchase, and I HAD to have one. I didn't know, going in, that you had to spend a certain amount to get it, though, so I ended up with quite a kit. I got a Mini in the blue leather with a full set of accessories, and it's quite fabulous. I also grabbed one of their new leather pen rolls that I'm very excited to try. And, of course, I got the itty bitty wee tiny Plotter, which already lives in my pocket at all times, filled with wee bits of scrap paper that I use to write call numbers on at work. It's perfect and I love it.

My next purchase, which was actually a gift from Brad, was a gorgeous pen from Hardy Penwrights. It's my first pen from this talented maker, and it immediately captivated me. The material has swirls of pastel and jewel-toned sparkles interspersed with black, so that it looks like melting stained-glass graffiti. The silver clip has chevron cutouts, and it has a fantastic medium nib. This pen is totally urban fae, and I can't stop staring at it.

Top to bottom: Sailor 4 a.m., Hardy Penwrights, Carolina Pen Co.

The next splurge was planned, a pen from Jonathon Brooks of Carolina Pen Company. It's a matte pastel version of his Primary Manipulation material. It called to me from his pile of chaotically splayed pens, and I had him put a stub nib in it.

Then I needed to stop by the InkyConverters table, because I needed a sticker (and pin and lanyard) restock. Angela and I commiserated over our library school adventures, always doing finals at the Chicago show, and we squeaked over her adorable wares, which kept piling up in my hands.

I thought I was done, then. I'd certainly hit my budget, between Brooks and Plotter. I'd already left the show for a bit, to grab lunch and chill. But then Brad texted me, "You were looking for a Sailor 4am, right?" Sigh. Yeah, I WAS, but... Well, I came back to the showroom just to check, you know? And sure enough, a used 4am with a custom ground John Mottishaw M/F italic nib at Brandon's, aka Rocky Top Pen Co. table. For a very fair price. I did what any reasonable Pen Addict would do.

I really wanted to try that nib, after I bought it. Which means? Yep, I needed some ink. So off to Papier Plume, where I exerted superb self-control by only buying three bottles. I got the gorgeous show ink, Lake Michigan Sunrise, which is stunning. And I grabbed Iron Lace and Garden District Azalea to ink up my new purchases.

Then I ran away out of self-preservation, and took the hotel bedspread photos you see here. After that, the agenda was all socializing and we had the awesome evening I described above. I was asleep before 1:30am, which was later than planned, but not my worst Pen Show bedtime.

The next morning I went to the Good Made Better table, where Dan Keller and I (and his kids) had the most wonderful conversation about books and reading and writing and libraries, and before you know it, I realized I'd been there over an hour. I had lots of questions about his products as well, and how he uses them, and all the different ways they can be customized. I covet one of the new storage Writewells. It will be at the top of my purchase list next year, if they're still available. To hold me over, I got one of the leather-bound portable book weights. And then I hurriedly said my goodbyes to all the friends I could find and made my exit before my budget hemorrhaged even more.

All told, I was there for less than 30 hours, but I have no doubt it will be among the best 30 hours of 2023. Thank you to all my awesome pen friends who came and said hi, or hung out at the bar, or chatted in the lobby, or let me block half their table for an hour talking about Charles Dickens' funny character names. You're all treasures, and I'll think of you every time I use the treasures I brought home from the show.

And a special extra big hug for Brad--thanks, Best Boss!


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Posted on May 11, 2023 and filed under Pen Shows.