Clairefontaine 1951 Collection Notebook Review

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Like any healthy pen addict, I have quite a collection of notebooks. You never know how you'll like a particular notebook until you buy one and try it out for a while. For me, one of my favorite notebooks to carry around and use is the Clairefontaine 1951 Collection books.

There are several things about these notebooks that I love, so let's start there. Paper quality is one of the highest priorities when selecting a notebook, and the paper used in these notebooks is exceptional. It's bright, silky smooth, and well-behaved with every ink I've used. I have not seen feathering or bleed-through. Show-through is very faint on the back of the pages. The paper is described as 90 g/m^2 weight with acid-free properties. Overall, the paper has never disappointed me.

Another part of the paper that I enjoy is the ruling color and spacing. The line color is a light purplish-gray that really stays in the background when writing. I've used some light-colored inks on this paper, and the lines do not overpower the ink. For me, the line spacing is perfect, but this is one of those details that will vary for each person.

For some, the fact that these notebooks are only available with lined paper is an automatic deal breaker. I completely understand and wish that Clairefontaine offered more options. I happen to like using lined paper for some things and find that the spacing in these notebooks is perfect for my journaling or long-form writing style. There's no index or page numbers - just the lined pages.

The book has been very durable for my usage, which is limited to being carried in a bag every day with other objects. The cover reminds me of a composition notebook, which is a plus for me. The diamond pattern is subtle but distinct. There's a Clairefontaine logo and a cream rectangle for labeling the book. The rectangle is about 2x4 inches. The book measures in at 5.75x8.25 inches, which is very similar to many of the “medium” journal options out there.

I'm not in love with the soft cover. I prefer hard covers on my notebooks so I can write in my lap or on uneven surfaces without worrying about my paper not being flat or stable. With that said, this cover is durable and wears very well. Bound by two staples, the notebook has a little trouble staying flat on its own, but a little breaking in will fix that quickly.

The last thing I'll mention about these notebooks is the price. They're very affordable for the paper quality. You can get them at a better deal from JetPens if you buy 2 at a time, and they offer a nice range of pastel colors (black, blue, green, pink, coral, and turquoise).

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Posted on November 20, 2013 and filed under Notebook Reviews.

My Fountain Pen Education: Nakaya Naka-Ai Writer Ao-Tamenuri

Nakaya Naka-Ai

WARNING: Do not read this post unless you want your wallet to be emptied.

No post I do about Nakaya is going to do this brand justice. I have been reading and researching these pens for about a year now and still feel like I am a complete novice concerning this historic brand. Luckily, I was able to spend some time with one a few months ago. To say I came away impressed is an understatement.

Before ever getting this Nakaya Naka-Ai Writer Ao-Tamenuri from the venerable Thomas I was in awe of everything Nakaya. The pictures I saw and the reviews I read only solidified the fact that this was my holy grail pen. The designs alone are exactly what speaks to me as a pen owner, not to mention the amazing finishes and world-class nibs.

Nakaya Naka-Ai

What makes a Nakaya so special? Each pen is a handcrafted work of art, taking from 3 to 6 months to make depending on the requirements and finish. The barrels begin as hand-turned ebonite and then are finished with many layers of Urushi lacquer to provide a depth in color that is unparalleled. If you have an hour or two to kill (and a drool bib), browse through the Nakaya product catalog. Only then will you begin to understand why these pens are so loved and respected.

The naming conventions may be confusing, but once you are familiar with Nakaya's style they are easy to break down. Let's take this model apart to understand what the name means:

Nakaya - The manufacturer

Naka-Ai - The barrel shape

Writer - With clip

Ao-Tamenuri - The finish, in this case blue-green underneath black

Nakaya Naka-Ai

The Ao-Tamenuri is one of the newest finishes available, and is a Nibs.com exclusive (Correction: The Naka-Ai model is the Nibs.com exclusive, not the Ao-Tamenuri finish. Thanks Thomas!). I know Thomas had been waiting a while for this one and I can see why. There is a depth to the finish that is impossible to capture in pictures.

When I finally got the nerve to ink up and use this pen I understood why Nakaya's are so revered. As soon as I picked it up I could feel the warmth in the barrel and the perfect balance. The nib provided a writing experience unlike I had felt before (this one has a stock EF nib). It is dead smooth and only takes a feather-light touch to write a solid line, but you can hear the nib moving across the page as you write. It is very hard to explain, other than it sounded like music to my ears.

Nakaya Naka-Ai

So why don't I have one of these pens in my arsenal yet? Well, the model I reviewed runs about $700, with entry-level Nakaya's starting around $550. The price isn't necessarily a deterrent. I could save up for one in a few months if I wanted to. The problem is I know I won't be able to stop at one, and I'm not sure how Mrs. Pen Addict would feel about that.

This small review does not do a pen like this justice. At all. Here are several links where you can read and learn more about Nakaya fountain pens:

-- A Bit About Platinum and Nakaya

-- The most gorgeous red - Nakaya Dorsal Fin

-- The Nakaya Urushi Wajima-nuri -Tamenuri

-- A Snooping around the Nakaya Fountain Pen Company

-- Hands-on with the Nakaya Piccolo Writer Heki-tamenuri Fountain Pen

-- 2012 Top Ten Pens

Be safe out there. And hide your wallets.

Nakaya Naka-Ai

Posted on November 18, 2013 and filed under Fountain Pens, Pen Reviews, Nakaya.