Parker Jotter XL Ballpoint Pen Review

When I think of classic ballpoint pens, the first one that immediately comes to mind is the Parker Jotter. There are older ballpoint pens, and there are better ballpoint pens, but there is only one Parker Jotter.

It's place among the pantheon of all-time great pens is well-deserved. Parker has treated it as such, with regular updates over the decades.

The most recent to hit the shelves is the Parker Jotter XL. As a Jotter fan myself, I was anxious to give this one a shot. And, while I like it fine, it's not compelling enough for me to recommend it over the classic-sized Jotter.

Let's talk about the XL moniker first. As it relates to the original, yes, it is longer, wider, and heavier. That puts it squarely into standard pen size for me, as the basic Jotter is actually a smaller-sized pen. That small size was certainly closer to expectations from this ubiquitous pen in its 1960’s and 70’s heyday. But like almost every other product that has been around this long, bigger is assumedly better.

I don't think the larger size serves the Jotter well.

The Jotter has always been a small, skinny, lightweight pen, with a plastic lower barrel and a thin metal upper barrel and clip. It tapers down towards the tip of the pen, and yes, with that thinness I see it being a non-starter for those with large hands. The XL does solve that issue, but I think that is where the benefits stop.

Due to the taper that is also present in the XL, the pen becomes more unbalanced the lower you grip it. It is a high-grippers pen, if you will. The top weight shift is not drastic - it's still a generally light pen - but I could feel it instantly.

The refill also does this pen no justice. It shipped with a standard Parker 1.0 mm blue ballpoint refill, and while the smoothness and color were enjoyable, it was a blobby mess. Ballpoint refill technology has improved greatly over the years, so what passed for reasonable ink output a decade or so ago no longer cuts it. As I wrote, the ink collected on the tip, and subsequently transferred to the page when I rotated. I hate messy ballpoint pens, although it is correctable by swapping it out.

That brings up the biggest issue I have with this pen: The price. At over 60% more than the standard ($23.50 vs $14 at JetPens) it is only justifiable if a short, specific set of criteria are met. One, if you are a Jotter fan and the XL barrel fits your hands better, or two, if you are buying it as a gift. It's tailor made for engraving.

That's it in my book. It's not different enough for me to choose it over any of the few standard Parker Jotters I already own and love. Make it in bright orange or hot pink and I may change my tune (and the refill) but otherwise I'll stick with what has worked for decades.

(JetPens provided this product at no charge to The Pen Addict for review purposes.)


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Posted on July 15, 2019 and filed under Parker, Jotter, Ballpoint, Pen Reviews.

The Pen Addict Podcast: Episode 367 - The Acquisition Phase

Australian movies and music were also a topic. The Go-Betweens, via The Adelaide Review.

I am joined this week by David Parker, better known in the fountain pen realm as Figboot on Pens. His YouTube videos are some of the best around, and I pick his brain on why that is. It’s a great conversation that I took a lot from. I think you will too.

Show Notes & Download Links

This episode of The Pen Addict is sponsored by:

Squarespace: Make your next move. Enter offer code PENADDICT at checkout to get 10% off your first purchase.

Harry's: Quality shaving and grooming products, at a fair price.

Posted on July 12, 2019 and filed under Podcast.

Sailor Ink Studio 123: A Review

(Susan M. Pigott is a fountain pen collector, pen and paperholic, photographer, and professor. You can find more from Susan on her blog Scribalishess.)

Sometimes there’s an ink you see on the Internet in a review or on Instagram that you simply must have. It doesn’t matter if that ink is difficult to obtain or if it comes in a dinky 20ml bottle or if it’s expensive, or if you have to wait weeks for it to arrive from Japan--you buy it anyway. Sailor Ink Studio 123 is one of those inks.

I first saw 123 on Mountain of Ink’s review of Set 1 of Ink Studio inks. I was mesmerized by this strange and magical unicorn ink that shifts between gray, green, and purple depending on its mood.

Sailor Ink Studio is a collection of one hundred inks (out of 20,000 created!) that were blended by inkmeisters at Ink Studio events. Each number represents a unique blending code (source: Sakura Fountain Pen Gallery).

I purchased my 20ml bottle of 123 from an eBay seller who stocks the collection (although you’ll discover that 123 is often out of stock). I paid $21.49 for the bottle (including shipping). It took about two weeks to arrive.

Although the bottle is tiny, I am not disappointed with this ink. It really is unique and magical, but it isn’t necessarily the most practical color for writing since it can be very light and hard to read depending on the paper.

For my initial ink test, I used Rhodia paper and a TWSBI Eco with a 1.1mm stub. The ink shows up well on white paper and looks like a dusty purple with the stub nib. But, the swabs fluctuate between gray, green, and lavender. The ink is not waterproof, but it dries quickly.

Note: The ink is much more washed out in this photo than in person.

In my Lamy Vistas (fine, medium, and broad) the ink looks more gray than lavender, but it sort of depends on the light and angle.

On my Col-o-dex card, the swab looks like a summer storm in Texas, complete with that green tint that promises hail. The ink shades beautifully, but it doesn’t have any sheen.

Chromatography reveals the complexity of this ink blend. I’ve never seen an ink separate out into so many different colors. This really is unicorn ink!

Sailor 123 shines in great, big, juicy nibs. Just look at that gorgeous shading and color shifting on MD Cotton paper:

The only time the ink fell short of expectations was (much to my surprise) on Tomoe River paper. I don’t know why, but the ink comes out as a super light lavender, and all that miraculous shading and color-shifting seems lost. Maybe it’s the cream color of the paper, I’m not sure, but I got the same results in my Kanso Sasshi booklet (picture below) and my Hippo Noto journal (both Tomoe River paper).

Regardless, I am in love with Sailor 123. It looks best on white paper with wide to super-wide nibs so you can see the color shifts. But, even in wet fine, medium, and broad nibs, it’s usable (though it looks more like a simple gray-lavender ink). This is also a terrific ink to use as a wash.

I ordered Sailor 442 as well, which is a darker color than 123. I’ll be reviewing it sometime soon. It’s certainly a more readable color than 123, but it doesn’t show the range of shades that 123 does.


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Posted on July 12, 2019 and filed under Sailor, Ink Reviews.