What is the LAMY CP1, and why do I like it so much?

LAMY CP1 Fountain Pen

One of my favorite review categories is products that are great, but not great for everyone. The LAMY CP1 is a perfect example of this type of product. I love it, it has its super fans, and it flat-out won’t work for many people. Let’s dig in.

Starting with me: why do I like the Cylindric Pen 1 so much? It is a long, skinny fountain pen, with a lightweight metal barrel and a Stainless Steel clip. LAMY’s classic Bauhaus fingerprints are all over the design, making the CP1 look like a mini LAMY 2000 - ok, maybe if you squint a little.

LAMY CP1 Fountain Pen Nib

My enjoyment of this pen comes primarily from the narrow barrel, with everything else tied for second. (Second, until they released the Aquamarine model, which made me throw money right through my computer screen.) Having a narrow barrel fountain pen is convenient for sliding it into notebook loops, clipping it to notebook covers, or stashing it into any type of pocket. Yes, it is long, but the narrowness comes in more handy than I ever thought.

LAMY CP1 Fountain Pen Converter

The CP1 hits the price point where a converter is included. I think all fountain pens should ship with a converter.

I’m also a fan of LAMY’s Steel nibs, primarily Extra Fine. You may notice that I ordered a Fine for this pen, and that is for good reason: I don’t own a Fine, and this nib is swappable with other LAMY nibs found in some of their most popular pens, like the Safari and AL-Star. I have plenty of stock EF nibs I can swap into the CP1, plus their unique Cursive and A nibs (found in the LAMY ABC,) and I have a few grinds at the ready if I’m feeling frisky. I ordered something I didn’t have, and if it’s too wide for regular use, I can swap it easily.

To my surprise, the line and flow of the Fine LAMY nib in this CP1 is close to many of my Extra Fine favorites. I’m not compelled to change it anytime soon, but the option is always there.

LAMY CP1 Fountain Pen Fine Nib

A very controllable LAMY Fine Steel nib.

Given that I like the CP1, who won’t like it? Those who don’t like narrow pens, for starters. Obvious, right? The diameter is a negative for users who need, or simply prefer, wider barrels.

LAMY CP1 Fountain Pen Comparison

The LAMY Safari could eat the CP1 for dinner, and still have room for dessert.

Secondly, the grip section isn’t great. For some reason, LAMY loooooves slippery metal grip sections, and the CP1 grip is no exception, even with grooves that provide absolutely no bonus grippability. My fingers will slide when I first pick it up, but once a little natural temperature and moisture cranks up when writing, it’s fine. If you have dry hands, this grip will frustrate you, especially since it is straight-sided. There is no concave here to help.

LAMY CP1 Fountain Pen Posted

Posting is a mistake.

Up next, the aforementioned nib. They can be wide and wet even in relatively fine sizes, so if you are looking for a narrow pen with a needlepoint-adjacent nib to match, I’m not sure even the Extra Fine would be an option for you.

LAMY CP1 Fountain Pen Grip

The grip is slick.

Finally, the price. For $60 I think it is fairly priced, but that is too expensive to take a random chance on because there are downsides to the CP1. If this price point is within your budget but the style isn’t, take a look at the recently discussed Pilot Prera, which is an easier recommendation to make to a wider audience.

Remember, there is a pen out there for everyone, but not every pen is for everyone. The LAMY CP1 is a perfect example of that.

(JetPens provided this product at no charge to The Pen Addict for review purposes.)


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LAMY CP1 Fountain Pen Box

It even ships in a nice box, not a perforated sleeve.

Posted on January 21, 2026 and filed under Lamy, Fountain Pens, Pen Reviews.

Meet Your Maker: Gavin Hardy, Hardy Penwrights

Hardy Penwritghts Proletariat

In late 2024 the fountain pen community was shaken by the news of the sudden passing of Greg Hardy, the well-loved character behind Hardy Penwrights. But Hardy Penwrights lives on, in the hands of Greg Hardy’s son Gavin.

Gavin started working for his father after moving back from Wisconsin to northern New York, to be nearer family. “My parents were selling my childhood home so we bought it and renovated it.” Because Greg wanted to expand the business, Gavin, otherwise a fulltime musician, began working for Hardy Penwrights.

“When I was a kid, he had given me a fountain pen, you know, the plastic Sheaffer with the flat top…” (probably a Sheaffer No Nonsense) “…so I was interested in them. Senior year I needed an extra elective so I put together a calligraphy class with my dad.”

Pens took a back seat to music until Gavin returned to New York. “I never made a kit pen. My dad gave me detailed instructions on how to turn a pen, and I learned.” The shop was at Greg’s house, about a twenty minute drive in the morning. “We’d drink coffee for an hour and a half and then start our work.” Ultimately most of the shop was relocated to Gavin’s house. “He wanted to do less of the business and more metal work, which he was more interested in.”

Hardy Penwrights Clip

“He gave me a crash course in soldering techniques - we did a few runs of pens where I did the clips. I wanted to make sure we were still able to offer the metal work. It was certainly educational!” Education also came from Tim Crowe of Turnt Pen Company, who lived not far away and is a blank casting specialist. “Tim gave me the setup to get started – a pressure pot, a compressor, a mold, some mica. There is more instant gratification in material casting than on the pen side.”

Hardy Penwrights Fountain Pen

How does one step out from the shadow of one’s well-known parent after inheriting a thriving business? Gavin says Greg’s primary focus was “creating art. I think that’s noble and beautiful and I want to do that too, but I’m not retired!” He’s working on making some changes to the company’s lineup, to make products that are viable for shows. “I wanted a less expensive model that’s just as nice as our other models.”

Hardy Penwrights Proletariat

The first result of this process is the Proletariat model. The pen has a satin finish instead of a glossy polish, and a laser engraved logo instead of cast silver. The sections are made from cutoffs from other projects. “I’m focusing on the Proletariat as our main production model, and simplifying what we do across the lineup. The goal is the same as it was, to produce a quality fountain pen that makes people want to use it.” Gavin is still making clips – “Maybe we’ll have one signature clip instead of a different one for every model, and vary that for a custom or limited run. I’m making it easier for one guy in a shop to keep up.”

Hardy Penwrights Custom Clip

There have already been a couple of custom pieces that have tested his mastery of the metalwork that was his father’s passion. A pen for a close family friend and neighbor has a rollstop with special significance. “She wanted something that was representative of our family, so the roll-stop had two big circles representing me and my wife in silver and bronze, and two little circles representing our kids in mokume gane which has silver and bronze swirled together.” A custom pen with a complex cap overlay of birds and leaves represents a continuation of the Hardy metal tradition.

Hardy Penwrights Metalwork

Despite the ability to make such complex pieces, Gavin’s favorite pens that didn’t come out of the Hardy workshop are in a different style. “I have a really cool PapaJ pen. I gave him some ideas when he wanted to make rollstops, and he sent me one with his floral rollstop.” He does have one of his own making – “it’s black, it’s boring” – and then he likes “Zebra clicky pens! I like the slim fine ones.”

Hardy Penwrights Robin

Things are still settling out with the business, website, and show schedules. It’s taking some time to get the business fully transferred to his name, and updating the website is a pending task. He only envisions attending two shows in 2026, and maybe adding one or two more next year. “My goal is three to six shows a year. I just can’t keep up the schedule my dad had.”

Even doing it all on his own now, he still enjoys the work. “There are things I don’t enjoy, but that’s any job. When I’m doing a run of thirty pens, that gets a little hairy, but I enjoy audiobooks and podcasts.” Unlike many makers, this musician doesn’t listen to music in the shop. “I find myself thinking about the music too much.” DND live-play podcasts are more his speed.

Hardy Penwrights Custom Metalwork

Gavin has no trouble articulating what he likes best about making pens. “There’s a sense of accomplishment and pride in seeing other people’s reactions to something you made. There’s the community it hooks you up with – people who are interesting, kind, and supportive. And there’s the flexibility of working for myself – I have a four year old, a two year old, and a wife with a demanding job.”

The legacy of Hardy Penwrights also provides a deep sense of meaning. “I’m continuing what I was doing with my dad, keeping that part of our relationship alive. And it’s possibly something I can also share with my kids.”

Gavin Hardy’s work can be seen on his Instagram @hardypenwrights, the website at Hardy Penwrights, and at shows in Chicago and DC.


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Posted on January 19, 2026 and filed under Meet Your Maker.