(This is a guest post from Paul, aka The Poor Penman. Paul (he/him) is a life-long stationery fiend and former industry professional. Read about his journey with pens and paper at The Poor Penman and on Instagram.)
(Author’s note: I will endeavor to keep the Tolkien references to a minimum in this review, both because I’d hate to draw any undue attention from The Estate, and because this article’s gracious host would not understand them anyways.)
Mayfair Pens is a Virginia-based brand owned and operated by craftsman Ben Stewart. Ben makes fine fountain pens in several uniquely-styled pens inspired (at least a little) by Tolkien's Legendarium. I have admired his work for some time online, and had the chance for a hands-on look at the San Francisco Pen Show. Mayfair makes a handful of models with different characteristics, like the shimmering resins of the Arkenstone line, or the pocketable and postable Narya.
I chose the Noldor model for the simplicity of its design, as well as its position as the first design in the Mayfair family.
The Noldor is a cartridge/converter pen equipped with a steel Jowo #6 nib. The design consists of a smooth-sloping barrel with soft rounded corners and a pinched grip section. The shape of the pen is reminiscent of a glass vial or narrow flask, with seams that would be invisible were it not for the colorful resin mix. The grip section is reverse-threaded into the barrel (righty-loosy,) concealing the converter compartment. The Noldor is compatible with short and standard international cartridges and your typical Schmidt-style converter.
This particular Noldor, MY Noldor, was crafted from a sparkling dark resin mix with tones of purple, blue, red, and gold throughout. There were quite a few runners-up on the table (and online.)
The grip is pinched at the end of the section, rising slightly and dropping-off sharply to meet the cap. At its narrowest point the grip measures in at around 12 mm, swiftly widening to around 14 mm. This is on the wider end of my pen size tolerance, but still usable. Mayfair pens ship with a standard steel #6 JOWO nib unit. The nib that came with my Noldor writes well enough, but I immediately swapped it out for a laser-etched Tree of Life style design that felt very fitting for the piece.
I have mixed feelings about the cap. On the one hand, it’s simple. The cap is completely free from logos or insignia. It has a smooth shape that maintains the silhouette of the pen. On the other hand, it is quite small. And light. And fairly prone to rolling. If you tend to hold your pen cap while writing, then there’s no problem here. I tend to rest mine on the desk or tabletop, and sometimes the coordination of man fails.
Let’s talk about value. The Noldor retails for $185, which is not a small ask. In fact, this comes very close to my limit when it comes to recommending pens. There are some considerations to be made, however, such as the source and (for lack of a better term) provenance of the pen. Strictly speaking, the experience of using a Noldor is not remarkably different from less-expensive products; Jowo nibs and converter fillers are not exactly rare. What sets Mayfair apart is the design and artistry that goes into each piece. From the resins to the shapes, these things are unique. The main difference in buying a Mayfair compared to a “Big Pens” $200 offering is that your dollars go directly to the person making the pen. There is a direct relationship between the piece you buy and the person you buy it from. There’s something special about that, and it cannot be replaced by a bit of gold or precious resin.
Overall I’m enjoying the Noldor from Mayfair Pens. It has been in rotation for a few refills now, which is really saying something. The shape and style of Mayfair’s designs may not be to everyone’s taste, but that uniqueness is what drew me in. I think there is a LOT more room in the fountain pen market for interpretive and creative pen profiles. Ben Stewart, the craftsman behind the pen, uses a beautiful assortment of material blends to make unique pens that will stand out in any collection. He also does an excellent job displaying his work online, but I highly recommend checking them out live at a pen show if you ever have the opportunity. But not this one. This one is mine. My own. My… Precious.
(Note: For more on Mayfair Pens, check out Caroline’s Meet Your Maker post.)
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