Pilot Metropolitan White Tiger Fountain Pen Review

(Jeff Abbott is a regular contributor at The Pen Addict. You can find more from Jeff online at Draft Evolution and Twitter.)

The Pilot Metropolitan is one of those pens that caused quite a stir when they first hit the U.S. market. Why? Well, for me it was the price, the quality, and the feel of the pen that made it seem like such an excellent value. It's a fantastic everyday pen, a vey good choice for a first fountain pen, and a pretty good choice for a gift pen. I guess I've overlooked it in my reviews because it's just so ubiquitous and standard nowadays. But, I recently ordered a new one due to my recent predicament of only having one fountain to use. The Metropolitan seemed like the only right choice when I was trying to pick an affordable pen to use as an everyday writer for the next few weeks.

I went over to JetPens and picked out the white Metro with a fine nib, and also got a pack of Pilot Blue-black cartridges for good measure because their blue-black is one of the best. In a couple days, I was back to using a regular size pen as my everyday writer. The Liliput is a great pen, but a little too small for my taste when it comes to longer writing sessions.

Now, I purchased my first Metropolitan back in 2013 and used it heavily for several months. This review is for a new pen, but one that I've used a lot in other forms.

First off, there's the exterior of the pen, which is very simple and balanced. The original pens only came in three colors (black, silver, and gold) with three pattern options for the band (dot, zig-zag, and plain). Later on, Pilot released other designs that featured fake animal skin textures and more colors. I went with the white body and tiger print band. Personally, I love this design, but I know it's probably polarizing.

The pen has a fantastic weight since the insides of the barrel are supposedly brass. The outside is metal, probably aluminum, and I'm a huge sucker for metal bodied pens in general. In my opinion, Pilot hit a home run with this particular line of fountain pen. It's also very comfortable for me when I write — I've never had any complaints or aches when using the pen.

Apart from that, it's all about the nib. And, like I have come to expect from Pilot, it's smooth and error-free from the beginning.

My first Metropolitan has a medium nib because that's all Pilot offered in the first round. Later, they also introduced the fine nib, which is what I got this time. I've gotten to the point where I love both sizes and I pick them based on my mood. This one is no exception. Thin, crisp lines come out of this nib at a steady rate. The blue-black excels with this size nib, as you get a healthy dose of blue with just enough business feel.

For under $20, I don't think you can do better than the Metropolitan. It's a crowd-pleaser. It's about 4-times more than a Preppy, but it's leaps and bounds ahead of the Preppy in feel and performance. You can toss the Metro in the bag and not worry about it, while the Preppy will soon crack or break with minor wear.

It's also neutral compared to the Safari since it doesn't have a unique grip. And, now that they offer more color and band options, you can get one that offers a little more personality as well.

If you haven't tried out a Metro yet, you owe it to yourself to try out the fountain pen that offers the most value! It's an excellent beginner fountain pen, but it also hangs with the more expensive pens as well. It's a win-win.

Staedtler Intium Lignum Fountain Pen Review

Staedtler makes fountain pens?

That was my first reaction when Staedtler PR reached out to me asking if I wanted to take a look at their new fountain pen lineup. Ok great, this will be a school pen along the lines of the Pelikan Twist, right? A good pen, no doubt, but aimed at the beginner/student market.

Oh how all of my assumptions were wrong.

Staedtler has introduced The Intium Collection, a premiun linuep of pens which contains two fountain pen models: The Resina, with it’s sharp, irridescent resin barrel, and the one they sent me, the Lignum, a wood barrel fountain pen.

When unboxing it for the first time I was immediately impressed. The plum wood is a warm caramel color and is set off nicely by a brushed steel cap and section. The feel of the pen is rock solid as well. You pick it up and you call tell it is a well-constructed writing instrument. Every bit of it is tight and on point.

The clip design on the Staedtler Lignum is a knockout. It’s wide and long, running nearly the full length of the cap, but is set at a low profile to give it a clean, sleek look. It is tight, but not overly so, giving it the perfect pocket tension when attaching and removing. Very well implemented.

Inking it up, I was a little nervous putting the nib to the page, not knowing if the steel nib would live up to the standard the rest of the pen had already set. Once again, my worries were quickly brushed aside with the first stroke. This is one of the cleanest, sharpest writing steel extra fine nibs I have ever used. I was so impressed, I emailed my contact at Staedtler to find out more. I asked point blank who made the nib:

“Our nibs, along with all other components/articles within our Premium Collection with the exception of the inks, are manufactured in Germany. As the nibs are manufactured specially for the STAEDTLER Premium Collection, this is proprietary information.”

I figured that was as good as I was going to get. ;) It’s a splendid nib though, and it better be due to the cost of the pen.

Price is one of my main concerns with the Lignum. MSRP is $279, street price is closer to $225. For a steel nib pen at that price it better be good, and this one is. Still, perceived value will be at the forefront of most buying decisions, and many will balk when they can get a gold nib pen for half the cost in some instances. In situations like this, I always like to refer people to Brian Gray’s excellent article “In Praise Of Steel Nibs.”

My other concern is minor, and more of a question in my head than anything. The plum wood barrel is unfinished. Meaning, there is no coating, lacquer, etc. on top of the wood to seal it. It’s essentially raw, smooth wood. It feels great, but I wonder if natural oils in the hand will stain it, or, more concerning, stray fountain pen ink. To be determined.

The Staedtler Intium Lignum impressed me. I know this because as I was using it I kept stopping writing to look at the pen quizzically, as if to say "is this really happening?" I kept waiting for the other shoe to drop, and it never did. It was an enjoyable experience, and I think Staedtler has something nice on their hands here.

My thanks to Staedtler for sending me this pen at no charge for the purposes of review.

Familiar looking ink bottle...

Edison Menlo Pump Filler Fountain Pen Review

No sense in beating around the bush on this one. I love this pen.

The Edison Menlo Pump Filler is one of the unique filling systems that Brian Gray of Edison Pen Co. has created or re-introduced over the years. Brian can explain it much better than me in his videos and diagrams (see the Menlo home page), but in a nutshell, you dip the nib into your ink bottle, depress the pump to expel air, then release the pump to bring in ink. It’s a fascinating process to see, especially in a demonstrator like mine. In about four pumps the entire 1.7 ml reservoir is full and ready to write.

As great as this filling system is, there is more to this particular Menlo than that. First of all, this is a fully custom job done by Brian specifically for me. If you listen to the podcast or follow me on Instagram you have heard or seen me discuss how my Nock Co. partner Jeff got in touch with Brian to build this pen to give me as a gift. I had some general email conversations with Brian on a different pen that the two pulled from for the barrel colors, and then they conspired behind the scenes to nail down the final product. And nail it they did.

I love demonstrators, and I love red and blue, so why not combine the two? The result is what I refer to as my Menlo 3-D. It looks cool and is a joy to use. The aforementioned filling system works like a champ, and the steel fine cursive italic nib ground by Brian before leaving the shop is crisp and clean.

The barrel shape is almost an afterthought with everything else going on with this pen, but it may be the feature that suits me the most. It’s just the right length and just the right diameter to fit my hand and give me the best writing experience possible.

If there are any negatives to be mentioned about the Menlo, they would be the price and the difficulty in cleaning. The model I have cost $350 with the steel nib and will run you $450 with an 18k gold nib. With all of the additional design work and mechanics involved in making this pen you can be sure it will cost a pretty penny.

Cleaning the Menlo has proven to be a challenge, at least compared to cleaning a simple cartridge/converter fill pen. As easy as the pump is to fill the pen with, it takes several orders of magnitude more pumping to flush it clean. The pen can be unassembled for easier cleaning, which is the route I usually take. The nib unit is sealed on the back end to allow for the ink tube to function within the closed barrel so I generally soak it in water overnight since I cannot flush it with an aspirator like I would for more standard nibs. There is definitely some time and elbow grease involved to get it just right.

Sounds like a lot, doesn’t it? It is, but don’t let that sway you from considering a Menlo. It holds so much ink I actually end up cleaning it less than I do some of my other pens.

All in all, I am a big fan of the Menlo, and this one in particular. The style fits me perfectly both in form and function, and I love that there is a story to tell along with it. Yes, it was a gift, so I didn’t come out of my own pocket for it, but I can see another Menlo added to the collection in my future.