Posts filed under Fountain Pens

Laban Ocean Blue Fountain Pen: A Review

(Susan M. Pigott is a fountain pen collector, pen and paperholic, photographer, and professor. You can find more from Susan on her blog Scribalishess.)

Laban Pen Company is a Taiwanese brand founded in 1981. Their motto is “Refill your soul by writing.” I tried to find out more about the company, visiting their website and Facebook page, but neither of these offered any specifics about the founders. The company sees itself as carrying on the long tradition of writing by hand and creating beautiful instruments to aid in that process.

I’ve never owned or used a Laban pen, so I was excited about the opportunity to try the Ocean Blue fountain pen. It comes in a black clamshell cardboard box.

The Laban Ocean is part of a two-pen series called “Land and Sea” (the other pen is the Laban Forest). The blue acrylic barrel is meant to mimic “waves breaking gently on the sand” (Facebook Post February 13). The remainder of the pen (cap, grip, bottom section of the barrel) is a marbled ivory color.

The pen is adorned with gold-plated accents. The cap has a medal-like finial with the Laban crest.

It also has two thin gold bands at the top, a gold spring-loaded clip, and a wide gold band near the bottom, etched with the company name. The acrylic is thick and the cap is sturdy and of excellent quality.

The body of the pen is made of the same thick acrylic. The grip and bottom of the barrel are both accented with gold rings (two where the barrel meets the grip and one between the barrel and the bottom of the pen). This is a large pen, measuring 5.9 inches/150mm capped, 5.2 inches/132mm uncapped, and 6.8 inches/172mm posted. Because the cap weighs 14 grams all by itself, posting really throws the balance off.

Not only is the acrylic thick, but the threads inside the grip and the barrel are metal, adding extra weight to the pen. The pen weighs 34 grams overall.

The Laban converter is plastic and inserts into the metal portion of the grip. I found that the converter slips in and out a bit too easily. I’d like it to be more snug.

My Laban has a gold-plated, stainless steel fine nib with engraved scroll work and nib size. The number 3952, “Laban,” and “Germany,” seem to be printed or etched onto the nib. This is the only detail that detracts from the pen. Close up, you can see that these items seem smudged. I searched long and hard to discover why the number 3952 is etched on the nib. 3,952 meters is the height of Yushan Mountain (the highest mountain in Taiwan), so perhaps this is why the number appears.

The nib is a smooth writer, but it does not offer any flex, bounce, or line variation. Still, the feed provides plenty of ink to the nib which is juicy and fun to write with. I’ve not experienced any dry starts, skipping, or rough writing with this nib, even though the tines are slightly misaligned.

I am deeply impressed with the Laban Ocean Blue fountain pen. I took it to a faculty meeting yesterday, and everyone at the table wanted to look at it. The ivory and blue acrylics work really well together, all the gold accents make this pen look like a high-end luxury pen, and the pen has the heft of a Montblanc 149. You can purchase the Laban Ocean Blue from Vanness for $104.00, which I think is an incredible price for so much elegance.

(Vanness Pens provided this product at no charge to The Pen Addict for review purposes.)


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Posted on March 29, 2019 and filed under Laban, Fountain Pens, Pen Reviews.

Woodshed Pen Co. Fountain Pen Review

I can’t believe it has been less than two years since I first heard of Woodshed Pen Co.. I may not have heard of Mike Allen and his company back then either if it weren’t for a reader asking me about a certain “Cracked Ice fountain pen” project on Kickstarter in the middle of 2017. I’m glad I got tipped off to it, because I have been able to enjoy my Woodshed pen, and make a new friend along the way.

The materials were what sold me on Mike’s first fountain pen Kickstarter. He started out as a kit pen turner, who transitioned into turning his own fountain pens. It was a small start to be sure - I was one of only 26 backers of the project - but the quality of the end product set Woodshed off on the trajectory he is on today. Onward and upward!

Today, Mike continues to turn pens in off the shelf materials, and has begun mixing his own blanks as well. On top of that, he is trying to perfect the coating of black fountain pen nibs. That’s a tough challenge to be sure, and is what prompted me to write this review.

New, “Wildfire” model on top. Original Kickstarter “Roses and Violets” on bottom.

But before that, let’s talk about the pen, and specifically, the barrel shape. Woodshed Pen Co. offers just one. That’s it, and I can appreciate that decision. Luckily for me, that one shape is right on the money. You could be tricked into calling this a small pen, but in reality it isn't at all. It is “just right sized” in my book. The overall length may fall short of some of the standard pens in your rotation, but it is plenty long enough for most people to use unposted. The pen diameter falls in the standard range as well, including the grip section.

I think the section it what makes the entire pen body work honestly. It is slightly longer than you would expect for a pen this length, and makes for a comfortable writing experience for all grip styles.

My second, and newest Woodshed Pen does have a slightly different body shape than my original Kickstarter model. The overall length is shorter by about 1/4”, and there is no taper towards the ends. I prefer this current shape for the overall size of the pen. While my original is great, the shape made it feel like a bit of a tweener in it’s overall size. The newer shape is perfect.

Top to bottom: Sailor Pro Gear, Woodshed, Kaweco Sport.

The fit and finish of the pen is perfect as well. It takes pen makers a while to get everything dialed in, and I’m sure many will say that they never do, but my Woodshed pen feels complete. The edges are smooth, the threads are clean, the polish is even and shiny - it’s a real joy to use.

So about that black nib. Mike asked me before this year’s Baltimore Pen Show if I would help him test a coating he is working on for his black nibs. For any of you that have used black nibs in the past you know that the coating wears down over time, or during repairs, showing a lighter grey, down to silver, color once they get worn.

It’s hard to see the black coating difference in pictures, but you can tell in person.

That’s has never been an issue for me. I’ve always assumed the finish of any coated nib would wear over time, and that was part of the deal when owning one. Mike, on the other hand, wasn’t happy with that result, and has set out to stop, or at least slow down, the wearing effect on black nibs.

I’m only a month into my testing, which isn’t nearly enough time for a test like this, but the black nib Mike gave me for this pen looks brand new through a few different inks and cleanings. Mike is taking things a bit further with testing than I am, and is committed to get this right. I certainly applaud the effort, and I’ll keep hammering away at mine as well and will keep everyone updated.

If there is any hangup with Woodshed Pen Co. right now it is that Mike doesn’t make it easy to buy a pen from him. You can see his latest work and make a purchase through Instagram, or catch him at a pen show, like Atlanta in two weeks. But I’m taking this opportunity and platform to implore him to get that website up and running. Get those pens into our hands Mike!

I’m a Woodshed Pen fan, and I consider Mike a friend, so read this review with that in mind. But good products review themselves, and make my job easy. This is one of the good ones.

(I paid full price for my Roses and Violets Woodshed pen, and Mike gave me the green model, which I call Wildfire, at no cost.)


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Posted on March 25, 2019 and filed under Woodshed, Fountain Pens, Pen Reviews.

Old but New to Me: The Waterman Edson Sapphire

(Susan M. Pigott is a fountain pen collector, pen and paperholic, photographer, and professor. You can find more from Susan on her blog Scribalishess.)

In my early pen collecting days, I purchased several vintage pens. Unfortunately, I had no idea what I was doing, and I wound up with some real stinkers--a jimmied together Waterman lever-filler that never worked correctly, a few vintage Pelikans, a vintage Parker or two. I had such bad luck with these pens--bladders failing, horrible nibs, pistons sticking--that I eventually swore off vintage pens altogether.

Recently, however, I began purchasing a few vintage and pre-2000 pens. I found a vintage Waterman with a steel music nib for a great price on FPN. I bought a Parker 51 on eBay that so far is working well. I purchased an incredible 1970s Montblanc that I’ll be reviewing soon. And I lucked out on a Waterman Edson Sapphire.

I actually found a new-in-box Waterman Edson Sapphire for sale, and I was about to purchase it, when one of my awesome pen friends told me he had a user-grade Edson that I could buy much more cheaply. Since I always want pens I can use (I don’t collect pens to keep them under glass), I was happy to get the user-grade Edson.

When it arrived and I opened the box, I gasped. It is stunning.

The cap is gold plated with a soft, buffed finish. It has a unique clip that wraps around the top of the cap--it sort of reminds me of the nose of an airplane. The clip itself has an interesting cut out design. It’s hard to describe in words, so see the photos below. I think it’s one of the coolest cap designs I’ve ever encountered.

The cap is engraved at the bottom with “Waterman” and “Paris.” It snugly snaps on, held by three gold posts that are also a brilliant part of the design.

As I examined it more closely, I discovered that the cap was once engraved with someone’s name, but it has been sanded down and buffed off. I’m intrigued by this hint of a previous owner. I can’t read the name, but I love the ghost of it remaining on the cap.

The body of the pen is a deep blue resin that is transparent if you hold it up to light.

The grip is a really dark black/blue color and it feels almost rubberized. I’m not sure if this is due to use and age (perhaps ink permeating the material over time), or if this is how all Edsons feel. Regardless, it makes the pen easy to hold because it isn’t slick.

The 18k gold inlaid nib is incredible. Just look at the details: the V shape that extends to the grip, the gorgeous “W” logo on the otherwise simple nib, the rounded feed. I could stare at this nib all day.

The Edson is a cartridge/converter filler. My pen didn’t come with one of the original converters, which were also sapphire blue. But that really doesn’t matter to me. The converter I have works well and supplies plenty of ink to the nib.

The Edson is a large pen. It measures 5.9 inches/150mm capped, 5.2 inches/132mm uncapped, and 6.1 inches/155mm posted. There’s no way I would try to write with it posted. The Edson is a weighty pen at 46 grams with the cap. Without the cap it’s a more reasonable 26 grams. Most of that weight is in the nib end, but the barrel actually has brass threads that also give the pen some weight in the middle.

I love writing with this pen. I inked it with Iroshizuku Kon Peki which is a great match. The medium nib is super smooth and juicy, but it has absolutely no bounce or flex. I knew that before I bought the pen, so this was not a disappointment. I find the large grip and the weight of the pen to suit me perfectly. Writing with it is a pleasure.

I am absurdly in love with this Waterman Edson. I adore its retro looks, the clean lines, the color, the weight, the ghostly remnants of a previous owner’s name. It’s like owning a retro sports car--it handles well, is really solid, and shines like a jewel.


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Posted on March 22, 2019 and filed under Waterman, Fountain Pens, Pen Reviews.