Posts filed under Guest Post

Zebra Sarasa Clip Viridian Green 0.3mm Review

Zebra Sarasa Clip 0.3mm Viridian Green


This post is by Lou Rinaldi, who can also be found at cfug.org and on Twitter @LouRinaldi.


There must be something I’m missing when it comes to Micro Tip Gel Ink pens. The Zebra Sarasa Clip 0.3mm feels good in the hand, but it seems like it will take some time for me to get used to. This is definitely the finest point I€'ve ever used for writing, and there€'s undoubtedly going to be an adjustment period. They seem to be well-loved by aficionados, so I'€™m being very patient and giving it a chance.


Every stroke is like sandpaper across the desert. And I can hear it, too. For my writing style, at least, it’s quite fatiguing. Nor is it a smooth writing experience. Perhaps this was a poor choice with which to begin my journey, but if nothing else this will give me a valuable sense of perspective as I continue to explore different options.


Love the push clip design, and I suspect I’d love the whole package a lot more in a 0.5mm or 0.7mm tip. The Viridian Green ink is gorgeous in color. I don't usually give much consideration to color when writing, but this ink€™s vibrancy made me take notice.


Maybe I’m just not ready for the 0.3mm yet. It's too scratchy for my inexperienced hand. I’ll have to revisit this down the road. I'm not ready to pass final judgment, but for now, this isn't a pen I'€™ll be returning to on a regular basis.


Pen: Zebra Sarasa Clip 0.3mm, Viridian Green (furnished by JetPens)


Paper: Ampad Envirotec Recycled Steno Book # 25774

Posted on August 10, 2011 and filed under Guest Post, Pen Reviews, Sarasa, Zebra.

Counterpoint

(Or, what the heck am I doing, writing for a pen blog?)


My name is Lou Rinaldi, and I am probably the last person who should be contributing to this blog; you see, I absolutely hate handwriting.


Allow me to explain. I work in the field of information technology, in a higher education environment. As you might imagine, I do a lot of typing. Ever since receiving my first computer in the 1980s (a Texas Instruments 99/4A), I have strongly preferred typing to handwriting. Learning how to write cursive in third grade was agonizing; I hated how cramped my hands got from using those oversized red square-edged pencils. My interest in computers as a hobby grew with me, and I soon found myself able to type much faster than I could ever write. I was the only student in my high school graduating class who regularly used a laptop for in-class work, long before geek was chic (think 1991-1995). Rather than handwrite an undergraduate final in one of those blue exam books, I begged the professor to let me sit in front of the entire class and type my answers on the lone computer in the classroom. I don’t think I hand wrote a single thing during all of grad school. And signing the myriad of legal documents when buying and selling real estate was the seventh level of hell for me.


So, what am I doing here? You’ll recall I mentioned that I work in higher education. A growing aspect of my job function involves interfacing with Ivy League faculty; talking with them face to face, gathering their feedback on various issues, and recording it in a non-disruptive manner. One thing I’ve learned quickly is that many of them appreciate a more conventional approach to note taking in these scenarios. That means leaving my laptop behind, and picking up a writing implement. The time has come for me to make my peace with the pen.


Now that you know a bit about my background and the perspective from which I’ll be approaching my contributions, I’d like to hear from you. What products do you recommend for someone in my shoes? What tricks or techniques should I know? How can I ease the transition from typing zealot to handwriting hero?


This post is by Lou Rinaldi, who can also be found at cfug.org and on Twitter @LouRinaldi.

Posted on August 9, 2011 and filed under Guest Post.

Review: Kuretake Pocket Double-Sided Brush Pen

This review is by Kalina Wilson, who can also be found at geminica.com.


DSCI0046 The brushes on the Kuretake Disposable Pocket Double-Sided Brush Pen are felt tips that are designed to give a variable width line.  These brushes are in the same neighborhood as Tombow Fudenosuke brush pens (of which I am a great fan) in terms of line width, shape, and responsiveness.


The two tips are described as "fine" and "medium", but with a light touch, they can both achieve quite a fine line.


Neither of this pen's tips are intended for fast, lush sketching. Ink flow is quite thin.  You get a lot of control but not a lot of ink.  I'd say this is a good pen for cartoonists that are inking carefully over pencil sketches - not so good for loose sketching since you'll run out of ink if you move too fast.  The ink appears to be totally waterproof.


Kuretakedouble5


Kuretakedouble4

This pen would be a solid competitor to the Tombow Fudenosuke... if the "medium" brush were a little more reliable.  Mine hasn't been used much but it's already a little flakey, and its skimpier ink flow really becomes obvious if you try to fill an area - see the bottom of sketch on the right. 


Kuretakedouble1


  Kuretakedouble3

Because this pen is double-sided, affordable, waterproof, and has at least one good fine brush tip on it that can achieve very good detail (that Spock drawing is quite small), it's a very decent pen to experiment with - but I would recommend giving the excellent Tombow Fudenosuke a try as well.  


   


 

Posted on July 29, 2011 and filed under Brush Pen, Geminica, Guest Post, Kuretake, Pen Reviews.