Posts filed under Ink Reviews

Bung Box Sweet Potato Purple Ink: A Review

(Susan M. Pigott is a fountain pen collector, pen and paperholic, photographer, and professor. You can find more from Susan on her blog Scribalishess.)

Bung Box inks, which are made by Sailor, are truly to-die-for inks. I hoard my First Love Sapphire (review here) in its gorgeous bottle for special occasions.

Because Bung Box inks are so expensive ($43.00 per bottle at Vanness), it’s hard to shell out the money for one of these inks, especially now that they are packaged in the boring, regular-shaped Sailor bottles.

Still, I am fascinated by the Bung Box colors, with awesome names like “Clown Tears,” “Fresh Oranges of Lake Hamana,” and “Ink of the Witch.” Samples cost $5.00 for 4ml at Vanness, so I ordered 4B (which seems to be many people’s first choice for a blue-black ink; Jeff reviewed it recently) and Sweet Potato Purple.

Sweet Potato Purple is a lovely, deep burgundy ink. It is one of the most interesting inks I’ve done chromatography on, with shades of pink, purple, orange and blue—so much complexity.

In my ink tests, it dried fairly quickly, so I would call it a medium-wet ink. It is not waterproof. It doesn’t exhibit much shading or sheen in my tests with a TWSBI stub nib.

But in the ink splats you can see some pretty green-gold sheen.

In wide nibs, the ink shades and sheens beautifully.

I tried to find some close matches to this ink, considering how expensive it is. The closest is Diamine Tyrian Purple which I reviewed here. But Tyrian doesn’t have the depth or complexity of Bung Box Sweet Potato. None of my other purple/burgundy inks were even close.

So, even though it hurts my pocketbook, this is one ink I’m going to have to purchase.

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Posted on January 27, 2017 by Susan Pigott and filed under Bung Box, Ink Reviews.

Pilot Iroshizuku Fuyu-syogun Fountain Pen Ink Review

(Jeff Abbott is a regular contributor at The Pen Addict. You can find more from Jeff online at Draft Evolution and Twitter.)

It might be 2017, but there's still a long stint of winter ahead for most of us. When I decided to order a bottle of Pilot Iroshizuku Fuyu-syogun, part of my reasoning was due to the wintery color of the ink. Another reason is that I haven't had any experience with gray inks of any kind. A few days later, it's in my pen and putting a smile on my face.

Being an ink from the Iroshizuku lineup, I knew to expect a well-behaved ink. I just wasn't sure about the color. Gladly, it's a very low-key blue-gray that shades nicely. It's not dreary at all. It's crisp and stoic like an early winter morning full of snow and clouds. Even though those conditions can be miserable, they can also be beautiful.

The color of Fuyu-syogun is gray with a heavy blue undertone. At times, the overall color can look like a pale, cold violet. When you look closely, it's unmistakably gray. The shading is the main reason your eyes want a second take. The blending and shifting of gray, blue, and violet make for some beautiful shading qualities. Even though the color is subdued, it stands out enough to possibly be a problem for regular office use. But, it's a tough call about how professional this ink is. It could pass in some office environments.

One minor setback for me is the lack of saturation I get in some of the lighter strokes with this ink. It's a minor complaint, and it pretty much disappears (the complaint, that is) when used in a larger or wetter nib. After trying the ink in a Kaweco EF and a Pilot F, I can say that I'll probably never use this ink in anything but a European medium nib or larger. Keep that in mind if you prefer inks with more potent saturation. Smaller nibs don't show off the nice shading this ink is capable of.

The last several inks I've tried have had relatively fast dry times. It's not something I've done on purpose, and it's not even a feature that I demand out of my inks. All the same, Fuyu-syogun dries rapidly. In my tests using a medium nib, it dried consistently between 10 and 15 seconds for normal writing. Fast drying inks are always a nice bonus.

Feathering, bleeding, and show-through are minimal with this ink. Given the light color saturation in most nibs, show-through isn't a concern for nearly any decent paper type. Even when I've tried this ink in a 1.5mm dip nib, I wasn't able to detect any feathering or bleed. Like all other Iroshizuku inks, it's well-behaved and predictable in this sense.

I ordered this ink from JetPens, and it's one of the Iroshizuku lineup that come in two sizes: 50ml or 15ml. I've recently been on a small bottle kick because of how easy they are to store. And even though 15ml is a lot less than 50ml, it still goes a long way in fountain pen terms.

This is a great ink, and a permanent favorite for me. It's my first gray ink experience, and I'm glad it's a positive one. If you're looking for a neutral, slightly-blue gray ink to try, give this one a look. With gray inks, you can choose from many different shades (from cold to warm, blue to brown), but this is a great place to start.

(JetPens provided this product at no charge to The Pen Addict for review purposes.)

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Posted on January 24, 2017 by Jeff Abbott and filed under Pilot, Ink Reviews.

Robert Oster Signature Ink Fire and Ice: A Review

(Susan M. Pigott is a fountain pen collector, pen and paperholic, photographer, and professor. You can find more from Susan on her blog Scribalishess.)

I’ve reviewed several Robert Oster inks (Torquay, Tranquility, Astorquiza Rot, and Claret and Verde de Rio), but I’ve been looking forward to this review for a while. The first time I saw a swatch of Fire and Ice, I knew I must have it. Usually I order a sample first, but, nope. I ordered an entire bottle. This ink has two characteristics I love: it’s blue and it has amazing red sheen, thus the name “Fire and Ice.”

I loaded it up in my Visconti London Fog with a fine palladium nib. This nib has a little bit of flex to it, so I figured I would see some shading and sheen. I was correct. When I did my usual ink tests on Maruman paper, I noticed sheen in the writing and wherever the ink pooled. The ink is wet, as you can see from the dry times test. It is also not waterproof. It’s a gorgeous turquoise-ish blue with distinct red sheen.

The sheen shows up best in the ink splats, of course. Just look at that delicious color!

My Pilot Parallel 2.4mm really shows off the shading and sheen.

The chromatography test revealed pink, green and blue in the ink.

Fire and Ice is a spectacular color. You can see the fire (red) even with a fine nib.

I prefer this ink to J. Herbin’s Emerald of Chivor (review here), which is also a blue-teal with red sheen, plus sparkles. They are both beautiful inks, but, honestly, I don’t like sparkly ink anymore. It’s too high maintenance, and I don’t like having to constantly shake the pen to get the gold sparkles to appear.