Posts filed under Ink Reviews

Two Kyoto Ink Reviews: Ohara’s Morning Snow and Hisoku

(Susan M. Pigott is a fountain pen collector, pen and paperholic, photographer, and professor. You can find more from Susan on her blog Scribalishess.)

For Christmas Santa bought me some fabulous ink! (Well . . . actually, I ordered the ink and Santa wrapped it, but whatever). I asked for several Japanese inks. One was Kobe’s Mikage Grey (which I included in a review of grey inks here). The others were Kyoto TAG inks: Kyo-no-oto Hisoku, which is a limited edition ink, and Kyo-iro Ohara’s Morning Snow. These are inks produced by the TAG stationery store in Kyoto, Japan.

I fell in love with Kyo-iro Ohara’s Morning Snow when I first saw it on the Vanness website. The name comes from the soft purple shadows that appear in snow drifts on cold mornings (not that we have such days in Abilene, Texas, sigh). The color is a muted purple that can be quite dark in wide or flexible nibs and nicely subtle in finer ones.

I tested the ink using my Aurora Nebulosa with a medium italic nib (no flex). The ink shades well and writes beautifully, though it is a bit on the dry side. As you can see from the swipes, the ink can appear as a dark purple or (as in the swab) a dusky purple. It is not waterproof.

Chromatography reveals several colors in Ohara’s Morning Snow: dark blue, purple, lavender, pink, and light blue.

The ink exhibits wonderful shading and sheen in wide nibs, as demonstrated using my Handwritmic Ruling Pen.

But for normal writing, the ink is much more subtle, as you can see in these writing samples with my medium italic nib. The poem is by Christian Wiman who teaches at Yale.

##Kyo-no-oto Hisoku

I saw a swatch of Kyo-no-oto Hisoku on the Fountain Pen Network and went nuts over it. Poor Lisa at Vanness Pens got about a dozen emails from me about this ink. Fortunately, she was able to procure a bottle and got it to me in time for Christmas. Hisoku means “secret,” and this ink looks like something whispered in the wind. Unfortunately, it is a limited edition.

Hisoku is an unusal color. It’s not bright like a teal ink and it’s not dark like a blue ink. Vanness calls it a “steel blue.” I think it looks like the muted blues you sometimes see in Renaissance paintings. I tested it using an Omas fine extra flessibile nib. It exhibits gorgeous shading and the color is quite unique. It reminds me a little of Noodler’s Dostoevsky, but I like Hisoku better. The ink is wet and is not waterproof.

Chromatography reveals some of Hisoku’s secrets. It is a muted blue ink with some yellow tones.

Hisoku looks fantastic in a wide nib with excellent shading and sheen where the ink pools.

I wrote out a poem by one of my favorite poets (Mary Szybist) using my Omas pen, but something is wrong with the feed and the nib kept railroading.

So, I switched to my TWSBI mini with a 1.1mm stub. The ink performed well. It’s wet, but not deeply saturated, yet it shades beautifully.

I love Kyoto inks because they are soft, distinctive colors that evoke emotions in me that other inks simply do not. I can’t explain this. Perhaps the names of the inks create images in my mind that stimulate emotions. Perhaps the colors themselves remind me of fond memories. Either way, the inks are special to me.

You can purchase both Kyo-iro Ohara’s Morning Snow and Kyo-no-oto Hisoku at Vanness Pens. 40ml bottles are $28.00 and 4ml samples are $3.50[

(These inks were purchased from Vanness Pens at a discount with my own funds.)

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Posted on December 29, 2017 by Susan Pigott and filed under Kyoto, Ink Reviews, Tag.

Robert Oster Signature Ink Review: Soda Pop Blue

(Susan M. Pigott is a fountain pen collector, pen and paperholic, photographer, and professor. You can find more from Susan on her blog Scribalishess.)

I love Robert Oster inks, and I know I’m not alone. I am especially fond of blue inks, so it’s no surprise that when Soda Pop Blue came out, I wanted some. Soda Pop Blue is a cross between a blue and a turquoise ink. And, like many Robert Oster inks, it has lovely shading and sheen.

I tested Soda Pop Blue on Maruman Septcouleur 75gsm paper, which is a smooth, true white paper. I used a Parker Premier fountain pen with a medium nib. This nib doesn’t exhibit much shading, but in broader nibs (see below) the shading is excellent. Soda Pop Blue isn’t as wet as other Robert Oster Inks I’ve tested, drying quite quickly. But that doesn’t mean that it’s too dry—in fact it flows nicely. The ink is definitely not waterproof.

My chromatography test demonstrates that the ink contains quite a bit of pink, turquoise, and blue.

Robert Oster produces so many beautiful blues. I did a comparison of the colors I have on hand so you can see the subtle variations. The closest match to Soda Pop Blue is Bondi Blue. But do you see that Blue Denim? Yum!

Soda Pop Blue is a gorgeous, saturated blue with stunning pink sheen. I used my Handwritmic Brody Neuenschwander Ruling Pen pen on Midori MD Cotton paper with excellent results as you can see in the photo below:

You can purchase a 50 ml bottle of Robert Oster Soda Pop Blue from Vanness Pens for $17.00 or you can get a 4 ml sample for $2.50.

(Vanness Pens provided this product at no charge to The Pen Addict for review purposes.)

Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!

Posted on December 15, 2017 by Susan Pigott and filed under Robert Oster, Ink Reviews.

Diamine Bilberry Ink Review

(Jeff Abbott is a regular contributor at The Pen Addict. You can find more from Jeff online at Draft Evolution and Twitter.)

Inks are like restaurants in a big city — there's so many worth trying, but not nearly enough time or money for one person to give them the chance they deserve. This time around, I'm back on a purple kick with Diamine Bilberry.

Diamine Bilberry is a dark purple ink with deep saturation and good shading characteristics. Being as dark as it is, it really benefits from a larger nib to show off the complex shading and sheen hidden in the depths. I've used this in a couple of pens so far, and I've enjoyed using it much more in the 1.1mm stub nib. The additional line width shows a lot more of the ink's character. In certain light, the ink has a definite blue hue, but it's still unmistakably purple.

As far as shading goes, Bilberry isn't a top performer. It certainly shades easily, but the variation is minimal. Even so, it's a pleasant effect. What really stands out with this ink is the golden sheen that appears after the ink dries. When you talk about sheen characteristics, some inks require a good hard look in the right light before you notice it. Bilberry has sheen that is incredibly easy to see. If I didn't know better, I'd say this ink has some sort of shimmering ingredient. The golden sheen in this ink is a real treat.

For a deeply saturated ink, Bilberry dries really quickly. In my tests, the ink is normally dry in about 10-15 seconds. This isn't noteworthy as far as dry times go, but it's not bad either.

Flow and lubrication with this ink are superb, along with the ease of clean-up. I wouldn't expect anything less from a Diamine ink.

It also stands up well to different types of paper. Bleeding, feathering, and show-through are minimal, if noticeable. Even when I've used a large nib, I rarely see any signs of feathering on mediocre paper. It's a solid performer across the board.

Like most Diamine inks, you have a few choices in terms of format and quantity. Bilberry is available as an 18-count pack of cartridges, a 30ml bottle, or an 80ml bottle.

If you're looking for a business-friendly, dark purple ink to add to your rotation, Bilberry is a great choice.

(JetPens provided this product at no charge to The Pen Addict for review purposes.)

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