Posts filed under Ink Reviews

Robert Oster Bishop to King Fountain Pen Ink Review

(Sarah Read is an author, editor, yarn artist, and pen/paper/ink addict. You can find more about her at her website and on Twitter. And check out her first novel, The Bone Weaver’s Orchard, now available where books are sold!)

Robert Oster is one of my favorite ink brands. I love the wide range of colors, the way they are inspired from nature in Australia, the eco-friendly production of the ink and bottles. It's all good to me--and this is another great color in a winning lineup.

Bishop to King is a complex purple. It's very rich and royal, but violet enough to pass for blue under certain light, so it's a great ink if you want something with character but that you can still use in professional settings. It's purple with deniability. The chromatography shows a pretty even split between purple and blue, and the blue element has a slight touch of water resistance, too. On the water drop tests, standing water that was blotted dry left a hint of blue line behind. But when water is wiped up, it did wash all trace away.

The most noticeable element of this ink is a distinct dryness. It feels dry when writing or swabbing, and its dry time is so fast, I had to do it twice to make sure I hadn't imagined it. Despite this dryness, it does show some shading on Clairefontaine paper, but I could not get it to sheen, even when I let it pool.

I prefer wet inks, so this dry one isn't for me, but I highly recommend it for lefties, or for quick notes that must be jotted down on swiftly-turning pages. I think this makes it ideal for school or meeting notes, or for when you need to write a hasty note in your planner, slam the book shut, and hit the road.

The ink comes in a 50ml plastic bottle which is manufactured in a carbon-neutral plant. The bottles are fully recyclable. They're also a good shape for filling--narrow enough to allow for nib submersion even when the ink is running low, but sturdy enough that they don't tip over. The bottles aren't as glam as the handblown glass ones, but they also don't have the glam price tag. This bottle sells for about $17. In our world of climbing ink prices, I'll take that deal all day.

I think this is a solid, practical ink that fits some specific, practical needs. It's not one I'm likely to reach for often for my own needs, but I think it's an essential player on the field.

(JetPens provided this product at no charge to The Pen Addict for review purposes.)

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Posted on July 11, 2019 by Sarah Read and filed under Robert Oster, Ink Reviews.

My Ink Testing Kit

(Susan M. Pigott is a fountain pen collector, pen and paperholic, photographer, and professor. You can find more from Susan on her blog Scribalishess.)

Over the years writing for Pen Addict, I’ve done many ink reviews. typically using whatever pens I had on hand. But over time I’ve accumulated some tools that I use for all my reviews. Plus, I decided to standardize how I do ink reviews so each one is more consistent.

I realize that not everyone wants to do in-depth testing of their inks (even I don’t go so far as calibrating my screen for exact color matching or swatching every single ink in my collection). But, for anyone who is interested in going beyond the occasional swab, here are the tools I use.

Paper

Although in the past I used the Maruman Septcouleur notebook for my ink tests, I switched to a Rhodia dot spiral because the Rhodia brand seems like a more popular choice among pen addicts. This is the paper I use for my primary pen testing pages.

I also test inks with a Tomoe River notebook (because this is such a popular paper) and the MD Cotton A4 plain for large lettering.

One of these days I’m going to shell out the money for an ink bottle stamp that I can use on my pen testing page. Until then, I drew my own bottle on my iPad, exported it into a Word document, duplicated it, and printed it out on regular copier paper. I paste this in the corner of the Rhodia page to add visual interest.

For ink swatches I use the wonderful Col-o-dex cards from Well-Appointed Desk. The paper is excellent for swatching. Plus, I love putting everything into my Rolodex where I can organize the swatches by color.

Another tool I use is chromatography paper. I ordered a set off of Amazon, but you can just use coffee filters or even paper towels. I like the strips I bought because they are consistent. I cut them in half, poke a little hole in the top, stick a piece of dry spaghetti through the hole, put tap water in a glass, and let the ink do its thing.

Pens

I use several pens to test my inks. Two instruments that I’ve used consistently in all my ink reviews are my Kaweco straight nib holder with a Brause Blue Pumpkin nib and my Handwritmic Ruling Pen. The Kaweco/Blue Pumpkin is for writing the ink name and creating swirls on my Col-o-ring Rolodex swatch cards. The Handwritmic is for big juicy lettering to test for shading and sheen on the MD Cotton paper.

I wanted to provide consistent examples of a fine, medium, and broad nib in all my reviews. That’s hard to do if you’re using different brands of pens. So, I decided to purchase some pens just for ink testing. After researching various possibilities, I chose the Lamy Vista ($29.60). Although I could have gotten some piston-filler pens for around the same price, I wanted a brand with a converter because they’re easier to clean. Pilot Metropolitans were first on my list, but they only come in fine and medium nibs. So, I purchased three Lamy Vistas in fine, medium, and broad, and one Lamy converter ($5.00), which I can easily move from pen to pen as I test the ink. This way I have a consistent writing sample with a western fine, medium, and broad nib.

Other Tools

An obvious additional tool is a cotton swab. I go through a lot of these with each review, swabbing the Col-o-dex cards and the ink testing page.

Another tool that comes in handy for making ink splats and doing water testing is a fine-tipped pipette. Although it’s disposable, I use it over and over, rinsing it out in between uses. My first one developed a leak, and I’m now on my second one. These are quite inexpensive and you can buy them in bulk (as in 200 pipettes!) from places like Amazon.

I found a toiletries holder at Target where I store my supplies. I love this one because it has a variety of round tubes to hold my pens, chromatography strips, and cotton swabs.

The last tool is my camera. I use an Olympus OMD EM1 with a 60mm macro lens for all my reviews. I shoot in our Florida Room using natural light, though occasionally I use a light box (but setting it up is a pain and the cats always climb in and get hair all over, so . . . yeah). In order to get semi-accurate color, I have to brighten the exposure when I take the photo and when I process it in Lightroom.

So, there you have it: my wondrous ink testing kit!

(Most of the above supplies were purchased with my own funds. A few items, such as the Col-o-dex Cards and Tomoe River Paper Notebook, were provided by a retailer for Pen Addict reviews.)

Posted on July 5, 2019 by Susan Pigott and filed under Ink Reviews.

Kyo No Oto Nurebairo Ink Review

Kyo No Oto Nurebairo is a black ink that breaks the boring mold.

I’ve used other black inks in the past - primarily Sailor Nano Black - but there are no other black inks that I choose to use, unless forced to do so. That’s a common issue for black inks. Why use it when there are thousands of inks on the market with more color and character?

Nurebairo is the first black ink in recent memory that I actually look forward to inking up and using.

For starters, I see this as a very black ink on the page - especially when I’m using a wide, wet nib like this Nakaya broad stub. It goes down thick, and dries dark. I bring this up because some users see a dark blue undertone with this ink. I see that shade if I spread it on thin and dry, which I think is a feature. That undertone of blue is one of the reasons I love it.

Secondly, this ink sheens well. The full perimeter of my letters on the page show a bronze-tinted halo. But, it is a very office-friendly look at the same time. If your boss peeks over your shoulder at your notes they won’t have to wonder what wild shimmer ink you’re using. It is boring black from afar, but you can see how special it is from close range.

Thirdly, you can’t see any of this in my photos. The character of the ink was practically impossible for me to capture.

*This is as close as I could get to showing the sheen. The page is angled in the light, picking up the added color in the top half of the image. (Yoseka notebook)*

Nurebairo translates to “jet black,” which I think is fair. Many other users of this ink refer to it as Raven, which I think is a better description. Have you ever seen the iridescent shine on a raven’s feathers? That is what this ink is like. This color is not basic black, it is Black+.

If I’m forced to list a downside to this ink it is that it’s not waterproof. That never changes my opinion of an ink, but I also don’t require waterproofness for daily use. If I did, the aforementioned Nano Black does the trick, along with the hugely popular Platinum Carbon Black, which is an artist favorite.

Is there another black ink on the market that is as interesting as Kyo No Oto Nurebairo? If so, I would like to try it, because I have no use for any other black ink than this one.

(JetPens provided this product at no charge to The Pen Addict for review purposes.)

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