Posts filed under Pen Reviews

Old but New to Me: The Waterman Edson Sapphire

(Susan M. Pigott is a fountain pen collector, pen and paperholic, photographer, and professor. You can find more from Susan on her blog Scribalishess.)

In my early pen collecting days, I purchased several vintage pens. Unfortunately, I had no idea what I was doing, and I wound up with some real stinkers--a jimmied together Waterman lever-filler that never worked correctly, a few vintage Pelikans, a vintage Parker or two. I had such bad luck with these pens--bladders failing, horrible nibs, pistons sticking--that I eventually swore off vintage pens altogether.

Recently, however, I began purchasing a few vintage and pre-2000 pens. I found a vintage Waterman with a steel music nib for a great price on FPN. I bought a Parker 51 on eBay that so far is working well. I purchased an incredible 1970s Montblanc that I’ll be reviewing soon. And I lucked out on a Waterman Edson Sapphire.

I actually found a new-in-box Waterman Edson Sapphire for sale, and I was about to purchase it, when one of my awesome pen friends told me he had a user-grade Edson that I could buy much more cheaply. Since I always want pens I can use (I don’t collect pens to keep them under glass), I was happy to get the user-grade Edson.

When it arrived and I opened the box, I gasped. It is stunning.

The cap is gold plated with a soft, buffed finish. It has a unique clip that wraps around the top of the cap--it sort of reminds me of the nose of an airplane. The clip itself has an interesting cut out design. It’s hard to describe in words, so see the photos below. I think it’s one of the coolest cap designs I’ve ever encountered.

The cap is engraved at the bottom with “Waterman” and “Paris.” It snugly snaps on, held by three gold posts that are also a brilliant part of the design.

As I examined it more closely, I discovered that the cap was once engraved with someone’s name, but it has been sanded down and buffed off. I’m intrigued by this hint of a previous owner. I can’t read the name, but I love the ghost of it remaining on the cap.

The body of the pen is a deep blue resin that is transparent if you hold it up to light.

The grip is a really dark black/blue color and it feels almost rubberized. I’m not sure if this is due to use and age (perhaps ink permeating the material over time), or if this is how all Edsons feel. Regardless, it makes the pen easy to hold because it isn’t slick.

The 18k gold inlaid nib is incredible. Just look at the details: the V shape that extends to the grip, the gorgeous “W” logo on the otherwise simple nib, the rounded feed. I could stare at this nib all day.

The Edson is a cartridge/converter filler. My pen didn’t come with one of the original converters, which were also sapphire blue. But that really doesn’t matter to me. The converter I have works well and supplies plenty of ink to the nib.

The Edson is a large pen. It measures 5.9 inches/150mm capped, 5.2 inches/132mm uncapped, and 6.1 inches/155mm posted. There’s no way I would try to write with it posted. The Edson is a weighty pen at 46 grams with the cap. Without the cap it’s a more reasonable 26 grams. Most of that weight is in the nib end, but the barrel actually has brass threads that also give the pen some weight in the middle.

I love writing with this pen. I inked it with Iroshizuku Kon Peki which is a great match. The medium nib is super smooth and juicy, but it has absolutely no bounce or flex. I knew that before I bought the pen, so this was not a disappointment. I find the large grip and the weight of the pen to suit me perfectly. Writing with it is a pleasure.

I am absurdly in love with this Waterman Edson. I adore its retro looks, the clean lines, the color, the weight, the ghostly remnants of a previous owner’s name. It’s like owning a retro sports car--it handles well, is really solid, and shines like a jewel.

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Posted on March 22, 2019 by Susan Pigott and filed under Waterman, Fountain Pens, Pen Reviews.

Faber-Castell NEO Slim Rollerball Pen Review

(Jeff Abbott is a regular contributor at The Pen Addict. You can find more from Jeff online at Draft Evolution and Twitter.)

The Faber-Castell NEO Slim rollerball pen falls comfortably into the sleek gift category of pen, but it's also a solid performer that comes equipped with a great refill.

At face value, this is another pen that falls into a category that is already fairly cramped, so it has to show some sort of unique feature or style decision that sets it apart from the many other contenders. Priced from $35 to $55, it's already more expensive than other pens in the same class, making the comparison even more difficult. But, even with this uphill battle, the NEO Slim manages to (mostly) pull its own.

The model in this review is the Black Matte, which falls in the middle of the price range at $45. Here are the basics: this is a slim barrel click pen that's made mostly of metal. The included refill is a Parker-style medium ceramic rollerball in black. If you're looking for a different color from Faber Castell in this line, you're out of luck. There are plenty of ballpoint refills, but no rollerball. That might sound like a downside, but I wouldn't go that far because of the lack-luster performance of the rollerball refill.

When most of us think of "rollerball" refills, visions of different Retro51 Tornados flash through our minds. They're popular, affordable, and perform well. When comparing the NEO Slim refill to the Schmidt rollerball refills that ship with the Tornado pens, there really is no contest. The NEO Slim refill acts exactly like a decent ballpoint refill. Even then, when comparing to something like a Schmidt EasyFlow refill, it still doesn't match up. The rollerball refill has certainly disappointed me, but the saving grace is the fact that it's a Parker-style refill, meaning you have a plethora of other options.

When writing, the included refill normally has a rough start with lots of skipping and some ink build-up around the nib area. Once it is going, it's a fairly smooth writing experience minus the occasional hiccup. The richness of the ink is lacking, as it just isn't bold enough to grab your attention. One the plus side, it does dry fairly quickly for a rollerball ink, and that probably has something to do with how thin the line is.

The pen barrel is slim, but still comfortable. It's very similar in length and diameter to the popular Rotring 600 ballpoint pen, but it has a much more minimal and sleek design.

The only branding on the pen is a small logo next to the clip. The clip is mushy and doesn't seem to stay very well when clipped to things. It doesn't have a pronounced jaw or tooth on the clip are, so it slips around easily. If you're clipping this pen to your shirt, pocket, or bag pocket, it will stay put. If you make any sudden movements or toss your bag around, it will probably come loose.

The click mechanism has a solid but pleasant feel. It doesn't take much pressure to operate, but it has a satisfying click sound. The only irritating part of the mechanism is that you can hear some metal-on-metal grating sounds when using the nock. To me, it sounds like the spring inside the click mechanism is too loose and rubs against the edges. It's not a deal-breaker, but worth mentioning on a pen of this price. On another note, the top of the click mechanism has a slight concave depression that feels great under your finger.

The only non-metal portion of this pen is the nose section where the nib comes out. It's a black plastic material that degrades the overall feel a tiny bit, but it feels good in the hand and does a good job.

Overall, I wanted to really love this pen and add it to the list of "great pens to buy as classy gifts," but the number of negative ticks is just too high to justify the price. It's great that it accepts the ubiquitous Parker-style refill, but I expect a $35-$55 rollerball pen to have a buttery smooth refill out of the box. It's hard to justify this pen over a Parker Jotter, Retro51 Tornado, or the Rotring 600, just to name a small handful.

(JetPens provided this product at no charge to The Pen Addict for review purposes.)

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Posted on March 20, 2019 by Jeff Abbott and filed under Faber-Castell, Pen Reviews.

Franklin-Christoph Model 46 in Autumn Oak: A Review

(Susan M. Pigott is a fountain pen collector, pen and paperholic, photographer, and professor. You can find more from Susan on her blog Scribalishess.)

The Franklin-Christoph Model 46 is a new design based on the smaller Model 45 but with a #6 size nib. It’s a sleek design with smooth lines tapering to flat finials. Uncapped, the barrel drops gently to a large, curved grip. Even though there’s a distinct edge between the barrel and grip, it’s not sharp and it doesn’t interfere with writing.

The cap is clipless and is a bit shorter than other FC caps. I like this design choice because it suits the pen’s simple aesthetic and shows off the beautiful acrylic. Etched near the base of the cap is “Franklin-Christoph 46,” but the etching is so light you can barely see it except in bright sunlight.

The top finial is etched with the FC logo.

Model 46 currently comes in three colors: black, Autumn Oak, and Winter Pine (at the time of this review Winter Pine appears to be out of stock). Although I initially thought about buying Winter Pine, I decided on Autumn Oak. It’s a beautiful reddish-brown acrylic with flecks of gold and darker brown. The pen shimmers in sunlight and has depth reminiscent of celluloid.

The pen is a cartridge/converter filler and comes standard with a Franklin-Christoph converter. As with most FC models, you can turn the pen into an eye-dropper by rubbing a little silicone grease along the threads. After a few disastrous “middle-age” moments when I unscrewed an eye-droppered Franklin-Christoph, spilling ink everywhere, I just use the converter. Pens like the Opus 88 that have built in rubber O-rings are much easier to use as eye-droppers in my opinion (it also helps if the pen happens to be a demonstrator). Regardless, the FC converter holds a good amount of ink and works really well.

I chose a medium steel nib with a Masuyama stub grind for this pen. I’ve found that Franklin-Christoph’s steel nibs are every bit as good as their gold ones, especially when you get a Masuyama grind. The tines on this stub are perfectly aligned and the nib is decorated with beautiful scrollwork and a tasteful FC logo.

I inked the pen with Diamine Autumn Oak, because, duh! I mean, if you have a pen that is called “Autumn Oak” why wouldn’t you ink it with Diamine Autumn Oak? I wrote with the Diamine ink for several days and was dissatisfied with how dry the pen wrote. I feared that perhaps the nib and feed were ink-stingy.

I decided to switch inks to see if the pen wrote better. I chose Kyo-Iro Higashiyama Moonlight, and it made a world of difference. The nib writes wet and smooth with this ink.

The Franklin-Christoph Model 46 is a medium/small-sized pen, measuring 5.25 inches/133.35mm capped, 6.65 inches/168.91mm posted, and 4.95 inches/125.73mm unposted. It is the smallest member of my FC collection (I don’t own any pocket models).

I am quite pleased with the Model 46. It has a distinct shape and style that sets it apart from my other FC pens. It exudes typical Franklin-Christoph quality, and the color is exquisite.

You can purchase a Model 46 from Franklin-Christoph with a regular steel nib for $150 (music nibs cost $10 more). With a SIG nib, the pen costs $165, and with a Masuyama nib, the cost is $175. This model with a gold nib costs $240.

(I paid for the Franklin-Christoph Model 46 with my own funds.)

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