Posts filed under Pen Shows

2026 California Pen Show Recap

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

Now in its fourth year, the 2026 California Pen Show (aka CAPS) was once again held at the Torrance Marriott Redondo Beach. I had a great time at last year’s show and was definitely looking forward to it again this year. I knew that they were planning to add another room so I was a little nervous to see if it would all pan out. 2026 CAPS would be bigger than last year, but did it get better? Let’s find out!

It had been raining up and down California for the days leading up to the show. My flight to Los Angeles wasn’t too bad, with just a few bumps here and there. The rain had stopped and the sun came out by late afternoon (after I got to the hotel, of course). While it was a little chilly on Friday (chilly for Californians, like me), the weather was lovely for the whole weekend.

Welcome to sunny Southern California!

This year’s CAPS was held the weekend after both Valentine’s Day and Presidents’ weekend (the show is often during that same weekend). Maybe because of that, or maybe because there were more LA-based vendors, or because it’s a good show, more people came to the show this year (I don’t have numbers but I was told there were more attendees than last year). Surprisingly, it didn’t feel more crowded than last year - more on that shortly. As usual, Friday and Saturdays were busier than Sunday, with Saturday being the busiest, but even Sunday had a decent amount of folks shopping up to the very last minute.

The show kicked off on Thursday with a “trader day”. Traditionally, this was where vendors (especially vintage vendors) would come together and trade pens with each other. It has since become a place for weekend pass holders and vendors to start the show with some sales/purchases before the show starts in full on Friday. Many shows on the circuit have some version of this on Thursdays.

Views of the trader room.

This is the main entrance to the pen show, where you’d pick up your badge (if you bought your tickets in advance), pay for entry, and get your wristband for re-entry. This picture was taken before VIP hours, which is why it’s relatively empty.

You can also purchase show merch like a canvas bag, t-shirt, past and current pen show inks, and pin.

New for this year is the Lighthouse Ballroom, a semi-circle-ish shaped ballroom, which you have to go through in order to access the Grand Ballroom (aka “main ballroom”). Even if you left the main ballroom to use the bathroom, you have to go back through the Lighthouse Ballroom (unless you were a vendor).

Map from the show brochure of the Lighthouse Ballroom, and the service hallway which leads you outdoors briefly before entering the show. If the weather hadn’t cooperated, they were ready to set up awnings to protect folks from the elements.

I think that the additional room and the outdoor space between the two ballrooms resulted in more walking space overall, which meant that it wasn’t as congested as before. I thought I took a picture of the space between the two rooms, but alas I didn’t. There were some chairs and benches outside which was great for folks to hang out and catch a breath. On Saturday afternoon, they also had an outdoor bar set up so folks can get a soda, or something stronger - I was working, so just a ginger ale for me!

Map of the main ballroom. The restrooms were located on the other side of table 180 and the other REG table, where local GLAMPIG (Greater LA Metro Pen and Ink Group) volunteers checked badges and directed traffic.

Like I do at many shows, I was working at the Franklin-Christoph table so my shopping and picture taking was limited to before show hours and to/from restroom pit stops. Franklin-Christoph was located at tables 28-29 in the main ballroom, so I got to walk up and down many of the aisles. I tried to take a lot of pictures for this recap and focused on some vendors that don’t go to all the shows. So, if you’re a vendor and I took your picture but it’s not in this recap, it’s probably because you’re in my other recaps, including last year’s!

Now that I’ve shown you the layout of the two ballrooms, let’s start with the Lighthouse Ballroom, which had ~20 vendors inside.

The Traveler’s Company table, with Christina, Job, and Ethan, was a popular stop in this room! PLOTTER was on the other side but I forgot to take a picture when they weren’t busy.

Artist Kristina Yu of Cheery Human Studios had her fun stickers, pins, washi, and more, in the Lighthouse room.

Abbie Lewis from Maverick Pens is sporting a Rickshaw bag that matches her shirt, or is it the other way around?

Ryan Finnegan of Saiko Stationery, Alex Jay of Imperfect Concepts, Jeremy Saumure of Flax Pen to Paper, and helper Leo Carney, were busy all weekend.

I was safe from the Imperfect Concepts gorgeous notebook covers because I already own more than 1 of them - we don’t need to say how many, lol! (pc: Flax)

Steve and Diane Curnow of Curnow Bookbinding and Leather with their vast array of handbound notebooks. I recently had a notebook made from a recycled Winnie-the-Pooh book and Canopus paper!

Selfie time with Lupe Gonzales and Don Takemura of Itoya US, and pen friend Joi, who made me spend money in this room - the nerve! 😃

Once you make your way across to the other side, you’re met with a variety of vendors up and down the hallways.

Jill, Faith, and Stacy Hills are such nice people who have pen cases, stickers, pottery, and vintage pens.

Tom of Sugar Turtle Studio, on the other hand, is super scary! No, not really, he’s only scary if you don’t use your stickers!

Bruce Eimon from Bungubox saying “Hello” with a wave and a great big smile! Please say hi to Kaoru for us!

The Esterbrook folks showing off the new Bestie collection! Are you team pink, purple, or BOTH Bestie colors?

The two Bestie colors (on the left) as well as a variety of JRs including the new Love Potion (pink)!

Mai of PaperTreats is one of the sweetest, kindest people I’ve ever met. Did you know she has a journalism background and is an avid baseball fan? And her mom (not pictured) is super cute and delightful, and makes greeting cards too!

Managed to catch Christine Herrin of Everyday Explorers before opening hours! I was marked safe from this table…because I had placed an order two weeks prior, haha!

Fountain Pendulum have a variety of wood accessories to hold your pens and inks.

A beautiful sunset after a busy Saturday!

Always a pleasure to work with Scott Franklin (left) and Dustin Proehl of Franklin-Christoph. We were in the far back corner of the main ballroom and got to see the ballroom in action.

Artisan engraved/painted pens on the left, special CAPS 2026 collection in the center, and the Antique Glass collection on the right.

Some of the hand-painted Franklin-Christoph pens by A.A. Vacharat - guess which two were sold at the show?

Jessica busted out her ukulele for an impromptu serenade at our table! We were trying to come up with pen and ink-themed lyrics!

Where else but at a pen show, can you see an Andre the Giant pen? (RIP, I loved him so much in The Princess Bride.) The other pens look like pocket pens by comparison!

Gee from Karas Kustoms is always ready with a smile!

If I had desk space (and the funds), I’d definitely want one of those massive pen holders!

*Joe Crace, The Gentleman Stationer, at his tables, which he shared with Lisa Vanness of Vanness Pens (not pictured because she was teaching a class). *

Ryan Krusac readies himself for the impending crowd!

New Rickshaw Fillmore cases in new Zodiac designs at the Zodiac Pen Co table.

Luke and Kristina of Papa J Studio had such a lovely display with the flowers and pens! They were properly “zhuzhed” before I took the picture, lol!

Here’s something digital at a pen show: Pomera is meant for “distraction-free digital writing”. Reminds me of my word processor back in the day (am I dating myself? Yes, yes, I am.)

There were several nib workers to choose from, but I think a show of this size could use another 1-2 more, though I’m not sure where they’d go. They were spread out in the hallways - Matthew Chen, Gena Salorino - and inside the ballroom - CY of Tokyo Station Pens and his apprentice, Tsubasa, and Kirk Speer.

CY (left) and Tsubasa were both busy doing grinds and tunes.

Arielle, Bettina, and Jessica were at CY’s table helping customers answer questions about nib grinds and selling Kyuseido pens.

CAPS continues to draw a lot of international vendors like St John’s Pens from the UK, Miroslav (Miro) Tischler from Croatia, Osman Sümer from Germany, Mora Stylos from France and others. Galen Leather came from Turkey, and Nagasawa, Sey Pen, and Bungubox came from Japan and I know there were other international vendors too.

Yunus and Meltem of Galen Leather were all smiles, despite the jetlag!

The Nagasawa table was always busy with folks looking at their wide array of inks (shown here) and exclusive pens on the left side of the table (not pictured). They were nearly sold out by Sunday morning!

It is always so nice to see the Nagasawa team - my wallet was relatively safe this time because I didn’t have the time to shop, lol!

Snagged a pic of the Hachimonjiya tables before they got slammed - with all their exclusive inks and pens, it’s no surprise they were busy!

In recent years, there has been a noticeable increase in the presence of pen-adjacent vendors at many shows, including this one, which I think is great! Many of them are located in the greater Los Angeles area, so it makes sense that they had quite the presence at the show! Here are some that I haven’t already mentioned:

RJ and Rex Zhang of Pinky Elephant Craft had so many cute things, including their neon sign!

Believe it or not, all of these ladies don’t work for the same company! They were table neighbors and got together for this group shot! L to R: Claudia Ramos, Susie Cacacho, Julie Medina were with Shady Pine Paper Co and Leilani Bermejo and Yushing Foo were with Kuboandlucy Stationery Co.

Liz of M Lovewell (left) and her crew (whose names I forgot, sorry!) were full of smiles and their tables were full of customers too!

Another pre-show picture - this time it’s Miki Lalam of Pineberry Paper who had so many cute stickers!

Jenn Smith with friends Emi and David of Nagomi Woodworking.

I may or may not have been ORDERED by the Bossman himself to pick up some custom Post-It ® notes from Jenn!

Got a picture of Addy of Stationery Stack before folks bought nearly everything!

Alexandra Hero of Hero of the Story makes “cards for life’s sh!ttier moments”. I’m glad that folks are trying to normalize, instead of stigmatize, that crappy things happen and that there are cards to express your support for those times.

Vincenza Los Angeles had notebook covers and patches (which I forgot to buy) at her table. Gotta ping Stephanie next time I’m in town!

Claudia Ramos of Hola Mijas Bonitas is an LA artist who creates products that are fun and colorful, showcasing “the beauty of diversity, friendship and having fun”!

There were 13 classes/seminars this year, which I’m pretty sure is more than last year. Some of those classes included Fountain Pen Basics (with Lisa Vanness), Explore Creative Journaling (with Tom from Sugar Turtle Studio), Sheaffer Snorkel Repairs, and even a class on Improving Your Handwriting (with yours truly). I don’t believe there were any official post-show gatherings like there were last year.

What an absolute blast teaching this class! Micah, standing in the back, used the word “flow” to describe his writing experience during the class and I told him I’m totally using that term from now on!

Last year, I had a few things that I thought the show could work on - most of which they addressed.

  • The temperature - while it was warm in the way back of the ballroom, it wasn’t nearly as hot as it has been at past shows. I think that having the hallway doors open (coming in from the Lighthouse Ballroom) got some more air circulation than in the past.
  • Circulation - I think this was better than last year because of the additional space from the ballroom and outside walkway. Aisles felt just a bit less crowded, and almost roomy at times.
  • Class locations - Last year, I said that class locations weren’t clear. This year, all class locations were in the show brochure, as well as on the website (which is where I found my class). They had volunteers checking people in (scanning their QR codes), which was very helpful.
  • Website still could use a little work (seems unchanged from last year) - For example, if you clicked on Attendee in the menu (instead of hovering on it), you might not know that there was a seminar list or a vendor list. I would have liked to see a clickable, text-based list of vendors, instead of a graphic. It would make it easy for them to update the vendor list too. I did like that they had a floor map available online.

Theft continues to be a problem for many shows. This one, sadly, has had a long history of thefts. This year, while not as bad as past years, there were some vendors who had items stolen, including a four-digit price tag pen. Thankfully, it was caught on camera and they were able to recover the item, but not all vendors were that lucky. The show did have security roaming the aisles (which was how they managed to catch the person). Just a reminder to vendors to stay vigilant, and for attendees to be aware of what’s happening around them and keep an eye out too.

Overall, the show was well-organized. It was a good mix of vendors, located throughout the two rooms. They had a vendor breakfast every morning and water stations throughout the show floor (both of which were there last year but I forgot to mention it). The show was well-attended, and almost every vendor I spoke to, whether big, small, international, local, modern, vintage, stationery, etc., had a good to phenomenal show sales-wise. Some said “best LA show” and some even said “best show period”. I don’t think I heard many (any?) complaints from attendees either.

Suffice it to say, I had a great time this weekend. The show is in a good hotel, albeit pricier than past years ($229/night before taxes/fees, oof), the rooms are nice, plenty of food options in and outside the hotel, lots of places to hang out. Lots to see, lots to buy/try, lots of people to meet for the first time and get reacquainted with. More classes of all sorts and more opportunities for people to hang out and learn from others. They’ve improved their social media presence even more than last year, as well as highlighting vendors and classes and posting/sharing IG stories. All this has made me rethink my second favorite show of the circuit (even with all its crowding, it will always be difficult to unseat my home show, SF). Sorry, Chicago, but CAPS 2026 was awesome and is now my second fave show (for now)!

As always, the best part of pen shows are the people, and this show was no exception. Because there were good sized crowds on all the days, people were pretty tired and chill on all the nights, including Saturday night, which tends to be the rowdiest, but not this time.

Folks hanging out in the lobby area on Saturday night.

Insider the hotel Starbucks seating area (also Sat night).

More people outside enjoying a beverage and/or cigar (also Sat night - sense a theme?)

If this isn’t “baby Brad”, I don’t know who is. Brandon, one of the servers for most of the weekend, was a great sport about this pic and gladly did the Bossman impression as best he could. Don’t fire me, Boss! 😄

Compared to my usual pen show hauls, this was relatively restrained! I tried to be more mindful about what I wanted to get, instead of getting everything in sight.

Two A5 zipper pouches from Galen Leather, Minini fountain pens from Itoya Studio, special RainbowRule ™ Post-It ® notes designed by Jenn Smith (yes, they are actually Post-It ®), and two Herbin refillable markers from Lemur Ink that I can’t WAIT to try with fountain pen ink.

”News”, RiraRiraHanko baseball stamps (and card) and washi, and “show ticket” from PaperTreats, stickers and washi tape from Kuboandlucy Stationery Co, sticker sheet, swatch card, and stamp from Pinky Elephant, and stickers from Sugar Turtle Studio.

I may have gone a little more nuts on the paper end, but really, it’s not that bad.

*Inserts from Kuboandlucy Stationery Co, Paper Passport from Everyday Explorers, Japanese collage notecards by Mai’s mom, inserts by Curnow Bookbinding and Leather, and a Graphilo notebook from Nagasawa. *

Pens: Penlux Delgado Moss, Monteverde Dakota Raw Flame, Kaweco Sport, Galen Leather exclusive Vivianite. Inks: Robert Oster x Galen Leather Vivianite, Diamine x Galen Leather Zeugma and Anatolia, Nagasawa/Kobe x CA Pen Show California Teal Blue, Sailor 2026 Pen Show Exclusive, and Visconti Sepia.

Probably one of my more extravagant purchases, but I just couldn’t resist this gorgeous Year of the Horse special edition from Leuchtturm, and also got it debossed.

CA Pen Show bag and brochure (show pin is somewhere in my office), Rickshaw CAPS pen sleeve.

I always say that the stuff is awesome, but the real haul are the friendships made and nurtured at shows <3 data-preserve-html-node="true"

Selfie with Rheena, Christina, and Job.

With Klarissa and Lupe when I made them sign my TN passport at the Leonardo table!

So lovely to meet Quiet Lovely Things at the show - we’ve been drooling over each others’ posts for quite a while now!

I got to see Meltem and Yunus from Galen Leather AND pick up their latest exclusive Kaweco Sport!

Closing out the show outside on Sunday night with Zory (Pilot), Kirk, Marty, Jeremy (Flax), Kimberly (the best name), and Abbie.

Lots of fun memories of the 2026 California Pen Show in here! Gonna need a full size insert next time! (Cover stickers by Sugar Turtle Studio (left) and PaperTreats (right), which I colored in with a Sharpie.

I’m excited for the next show coming up: the Baltimore International Pen Show, and shortly thereafter, the San Francisco Stationery Fest. After that, (hopefully) the Little Craft Fest in Houston, and the Chicago Pen Show. I hope to see you at one of these shows! Until then, stay warm & dry, stay safe, and stay inky!


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Posted on February 27, 2026 and filed under Pen Shows.

The Someday Society ‘Zine - Philly Pen Show Edition

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

One of the vendors that I got to check out at the Philly Pen Show last month was The Someday Society. They had a variety of products like dip pens, notebooks, but what caught my eye was all the ‘zines! I picked up a couple for myself (and a couple for the Bossman too), and in the spirit of “use the things” instead of “hoard the things”, I’m going to write in the Philly Pen Show ‘zine to reminisce about the show.

Philly Pen Show ‘Zine from The Someday Society.

Inside the ‘zine. I love the different prompts, which makes me think a little differently from writing on a blank journal page.

Back of the ‘zine.

I was very curious to see how the paper behaved with fountain pens. Not gonna lie, I was worried it would either bleed through, or worse, not be usable at all, like where the ink would sit atop the paper and be easily wiped off.

TWSBI Eco, Pink, Fine, with Akkerman x GourmetPens Pink - not a problem at all!

TWSBI Precision, Gemini Blue, Medium, with Robert Oster Kids on the Block - this portion felt more waxy to write on, so I was convinced that the ink would smear as soon as I swiped it with a finger. I was pleasantly surprised that it didn’t smudge at all, but your mileage may vary with a broader nib, sheening inks, etc.

Sailor Pro Gear Slim, Nuts, Medium Fine, with Sailor Rikyu-cha. I didn’t get any of the interesting brown-green shading of Rikyu-cha, but that’s not surprising. It felt nice writing in this section.

Leonardo Momento Zero, Nuvola Lila, Stylosuite X-Wing Harpoon flex nib, with Pineider Violet. It held up fairly well with the flex nib.

The wetness of the ink, coupled with potentially scratching the surface with the flex occasionally made it feather a little. Also, the bottom portion of “Violet” wasn’t dry when I took this picture - you can see the ink pooling for a while before it dried. No feathering or ghosting there though!

It handled most standard pens and the one pencil I used, but a few had some issues.

Pens (and pencil) used: Pilot G-2 07, Sarasa Clip 05, Legami Erasable Pen 07, uni-ball One P Gel 0.38, Pilot Frixion Clicker 07, Sakura Pigma Micron 05, Spoke Pen 2 with Muji 05 gel refill, Caran d’Ache 849 Ballpoint, Lamy Tipo Medium, Parker Jotter (Gel Refill), Ticonderoga 2HB Soft, Jetstream 1.0, Platinum 3776 Kasumi Medium, uni-ball One 0.5, Parker Jotter (Ballpoint).

If you look closely at the 3 purple dots to the left of the yellow star, those were the result of a purple Sharpie that I used on the other side, which bled straight through. This is why I did not write with the Sharpie on this page. I did the same test with the Sakura Pigma Micron, which did not bleed through, so I did use it.

You can see that the paper didn’t love the G-2 or the uni-ball one in 0.38. I could barely get the uni-ball to even write on the paper!

The uni-ball one 0.5 was better but still wasn’t consistent. It also had a little problem with the Jetstream (see the underline of “Participating”), but not too bad as you could easily go over it again.

I would normally not swatch inks on something like this so I was nervous to say the least, but since it said “Use this area for...swatches”, I had to do it. For science.

I used my Kakimori steel dip nib to make these swatches of the Franklin-Christoph Ink ‘26 in Purple and Green. I did try not to be too heavy-handed, but it handled the ink well from both the swatches and the Franklin-Christoph 31 with the Gold Fine Flex SIG and Pennonia x Scriptus Lights of Niagara.

Holding the page up to the light, of course, you can see the previous page’s underlines, swatches, and writing.

But put it back on the desk and you’ll see that there is no ghosting or bleedthrough.

The Schon Full-Size Fountain Pen with Mondrian-inspired anodizing and Cursive Monoc, paired with Montblanc UNICEF Blue, wrote well and the ink looked lovely, too. It’s really tough picking just 3 moments to remember about the show, but I’d rather forget the 49er’s horrific loss though!

Wrote down a few pen show favorites, like this ‘zine, with the Esterbrook x TheCoffeeMonsterzCo Estie, Fine Journaler and KWZ It Smells Like Coffee (yes, it really does).

What a wonderful memento of the show!

This ‘zine isn’t available on The Someday Society shop, but they have digital downloads you can purchase. Their ‘zines are a great way to jot down some thoughts on a particular topic without it feeling overwhelming. The prompts and pre-decorated layouts make it easy to keep it short and sweet, while still being thoughtful about what you’re writing. I’m looking forward to picking up some more next time I see them, hopefully at Philly next year!


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Posted on February 20, 2026 and filed under Pen Shows, Stationery.

How I shopped "around the world" at the DC Pen Show

Stationery around the world

(This is a guest Post from Sam Alpert. Sam is a geologist, gamer, and general lover of all things with good, clean design. See more from Sam on Instagram @samalpert.)

Note from Brad: It’s all my fault for how late this is! Or, is it perfect timing with pen show season just cranking up in 2026? 🤔

Pen shows are crazy; the DC Show doubly so.

I find the best way to manage the sheer stimulus overload that is a massive show like DC is to go with a focus. I had a few things I wanted to get for myself, but I knew they would be fast, so I floated the idea to Brad of me doing a sort of “fetch quest” style shopping challenge for him, similar to what Mike over at Inkdependence had his friend do, but this time with a twist. Brad was the one who ultimately hit on the idea that we try to “shop around the world” by hitting as many countries of origin for products from as diverse a vendor group as possible. And all that on a tight $100 budget.

What a crazy idea.

There were so many ways I could approach the challenge. Obviously I could just find the cheapest thing from as many countries as possible, a Jinhao from China, washi from Japan, et cetera. But to me that wasn’t fulfilling, I wanted this to also be things that I myself would buy, something that could be a fun memory of the show and, where possible, even be something Brad had never tried before. This, it turns out, took the difficulty up another level.

After doing multiple passes of the show floor on Friday, I thought I was ready to begin the search Saturday. The first thing I underestimated is how fast time flies when you’re doing things you love. Saturday was a blur of amazing classes, meeting tons of awesome people (some of you may have seen in Mike’s walkthrough tour, I was also giving a geology quiz to anyone who stopped me, with ink samples as the prize). What I came to realize was that instead of trying to look for specific countries, I needed to instead look for specific items, and then go to vendors that had that item in abundance and see what countries I could “shop” from. To that end I decided to go for a “full” setup: fountain pen, ink, notebook, carrying and desk accessories. This dovetails with the idea I love of getting people into the hobby with minimal fuss, but maximal awesomeness.

NFP Designs Galen Leather

So the puzzle became who had what from where? I decided that the easiest thing was to start with the most expensive things and move backwards. I was fairly confident I could get a pen for cheap if I had to, and ink, so the first stop was a desk tray. And who better to get it from than a master of the craft, NFP Design. The two pen tray in a gorgeous mustard yellow was a big ($25) chunk of my budget, but it was perfect, starting my journey off in Turkey. As a bonus, Galen Leather was giving out drawstring bags at the entry to the hall they were in, which came with a lovely leather pen sleeve, a free bonus just for coming to Turkey!

Right around the corner from NFP was Smruti Pens, who had the Dominant Industry Takasago Notebook, conveniently also a new product to Brad, and putting me in Taiwan for a reasonable $.

Dominant Industry Pilot Prera

Next was a pen. Here’s where I struggled the most. I had this crazy idea to try and find something German and vintage, but my lack of knowledge of the vintage pen world meant that I just couldn’t find anything cheap and effective. My next thought was a cool Lamy Safari, but nothing stood out in my price point, so I “settled” on what I think is one of the GOATs of “one for life” pens, the Pilot Prera. Now here’s where things get a little tricky. I maaaaay have bargained this one down a little, but hey, that’s the beauty of coming to a pen show, especially late on a Saturday afternoon (and especially Sunday), vendors are starting to be willing to haggle on things they may not want to schlep all the way back home. So for a cool $ I was able to pop over to Japan.

Now all I had to do was find ink. Thankfully I now had a plan. Heading to a major (unnamed) vendor who I knew would be happy to offload a couple bottles at a deal I grabbed a gorgeous Diamine Imperial Blue (alongside a bottle of Diamine Oxford Blue for myself, I just couldn’t resist) a bargain deal brought it down to $15 for the bottle, a steal to put me in England.

In my browsing at the very end of the day, I stumbled across notebooks. Made in Italy, and theoretically fountain pen friendly. The sadly now-discontinued pocket-sized journal was an easy $7 addition for on-the-go notes to round out the package and take me all the way back around to close the loop!

Brad’s verdict: Nailed it! Sam did an amazing job, taking me on a stationery tour to five different countries, and ending up with a full writing setup as a result. This is a kit that belongs together, so you know what that means. Stay tuned for tomorrow!


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Posted on January 26, 2026 and filed under Fountain Pens, Pen Shows.