Staedtler Textsurfer Gel Highlighter Review

(Sarah Read is an author, editor, yarn artist, and pen/paper/ink addict. You can find more about her at her website and on Twitter.)

Where were these when I was in school?

The Textsurfer gel highlighters from Staedtler come in packs of five (yellow, orange, pink, green, blue), or three (pink, orange, yellow), or as individual units. The bodies are plastic, cylindrical, with a snap cap and sturdy clips. The bottom portion is a wide, textured twist mechanism that raises or lowers the gel stick.

The gel is super smooth, like a soft crayon. It glides over the paper like warm butter. It is semi-transparent and almost seems to glow, as if it possesses some neon school supply magic. It even smells good. It's formulated to perform well on thin paper without bleeding through--so it's excellent for use in novels, planners, bibles, or textbooks. They would have been perfect for my Complete Works of Shakespeare with onionskin paper.

The gel works well over a variety of inks and is inkjet safe. The only ink type that smudged under the application was gel pen ink. Even fountain pen and rollerball ink stayed put.

On the down side, the wide rounded tips wear unevenly--so they do not produce a precise line, and the line width can vary quite a bit. They also leave a waxy residue on the paper that adds weight to the page and feels slightly sticky to the touch for a little while. But the lines do go down dry, so there isn't the slow dry time that standard highlighters have, even on coated textbook paper.

Because the gel is so soft, it wears down very quickly. Even coloring a small area leaves a noticeable flat edge on the tip. If your textbook pages look anything like mine did--with nearly everything highlighted but the pronouns and adverbs--you're going to go through these pretty fast. The gel stick is a good length, so I do think they are useful and fairly priced--but I would have needed quite a stockpile of these to complete my coursework. Like Smaug on a hoard of highlighters.

I'll use these for the occasional research project, for marking knit and crochet patterns, and for highlighting interesting quotes in the books I read. All the while homesick for my student days. I think these would be a great gift for any scholar, and I personally prefer them to the standard highlighter marker.

I remember the days of smudged highlighter lines, lines that bled through the page, or wet lines that transferred to the facing page, making it look like I'd marked something I hadn't. Exam weeks might mean the sides of my hands were permanently stained in a neon rainbow. I tried colored pencil highlighters, but they required too much pressure on the page and were rough on thin paper. These smooth gel sticks are a fantastic solution to these common student ailments that went unchecked for decades. I'll file these under "brilliant solutions you didn't know you needed for problems you hadn't thought too much about".

Sometimes it's the little things.

(JetPens provided this product at no charge to The Pen Addict for review purposes.)


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Posted on November 24, 2016 and filed under Staedtler, Highlighter, Pen Reviews.

22 Design Studio Contour Concrete Rollerball Review

(Jeff Abbott is a regular contributor at The Pen Addict. You can find more from Jeff online at Draft Evolution and Twitter.)

In the vast world of stationery and writing instruments, you'll find a wide array of materials used to bring these products to life. Plastics, metals, and natural materials. One material that I haven't seen in writing instruments yet is concrete. But, that changed when I received the Contour Rollerball from 22 Design Studio.

That's right, the Contour Rollerball is a pen made from "high-density concrete" and stainless steel. And, let me tell you, it's gorgeous in person.

Given the materials, it has a nice weight to it that gives it a precise and industrial feel. It looks cold and heartless on the desk, but when you pick it up, you realize that there's a warmth and softness in the hard materials. It really is a special pen that you have to hold in your own hand before you can fully appreciate the design.

The mechanical preciseness of the machined parts are exquisite. Everything feels like it was milled in perfect harmony to produce a well-oiled writing machine. The threads are smooth and exact, and every part of operating this pen is a pleasure. The stainless steel cap has a plastic insert to keep the refill from drying out, and it has a substantial weight given its size. The top of the cap is completely flat, which allows you to store the pen standing up on a flat surface. It's not something I'd recommend in the off-chance that it tumbles to an untimely death, but it looks cool.

The refill is accessible through the front of the pen. The small section between the cap threads and the refill tip unscrew from the body of the pen to give access to the refill. It's all a very exact and comforting fit, and I doubt you could use any other refill in this pen.

Not to worry, though, because they picked an excellent refill to wrap this work of art around: the Schmidt 888 ceramic rollerball. The Schmidt rollerball is a favorite around here. It's not the exact same refill as the venerable P8126 found in the Retro 51 Tornado, but it's very comparable. To my discerning hand, it writes the same, so I'm left to assume that it's the same tip on a differently-sized cartridge. If you like how the Retro 51 Tornado writes, then you'll love this automatically.

As for the concrete part of the pen, it's one of my favorite features of the of the pen because it's interesting to look at and it also feels great in the hand. The pen is flat on opposite sides, and there are graduated plans that widen toward the middle of the pen, giving it a stepping contour shape. On one end of the pen body, "22" is embossed to indicate the pen brand. This is the only form of branding on the pen. To me, the pen is a piece of art that is enjoyable both to the eyes and the hands.

The concrete warms up your hand nicely while in use, and has a soft feel even though it's an extremely hard material. This is nothing like your average quick mix concrete that you create in a wheelbarrow. This is high-end, high-density concrete. Over time, the concrete will absorb oils and react with the air, taking on a unique personality similar to the way brass and leather products age over time. According to the 22 Design Studio website, the shape of the pen will also contour over time as you use it.

Overall, I'm really impressed by this little pen. It makes a striking visual statement, and it's a complete joy to use. It excites the senses, and I'm not sure if there's much else you can expect from a writing instrument except that it write well (which, it does).

The Contour Rollerball Pen about $85 from Kohezi Amsterdam. This would make a great gift for yourself or another stationery enthusiast! My copy is the White version, but it also comes in Original and Dark Grey.

(Kohezi Amsterdam provided this product at no charge to The Pen Addict for review purposes.)


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Posted on November 23, 2016 and filed under 22 Design, Concrete, Pen Reviews.

First Look: The Steel & Flint Pen

Mike Hancox from Steel & Flint was kind enough to arrange an early prototype of the Steel & Flint Pen, which recently launched on Kickstarter. If you are looking for a high-quality pocket pen option then you are going to want to check this one out.

Two things struck me when I first opened the package: The pen is smaller and lighter than I was expecting looking at the pictures online. That doesn’t mean this is a small and light pen necessarily, but my brain was feeding me different information before its arrival.

The size and weight of the Steel & Flint Pen play to its advantage as a pocketable, on the go pen. The aluminum barrel keeps the weight down, and the rounded ends allow for it to slide easily in and out of a pocket or a bag. It is clipless pen, so don’t expect to attach it anywhere, but I think that is a feature of this style of pen, not a negative.

The pen is available in three anodized finishes - Silver, Black, or Champagne - and each are bead blasted to give it a bit of matte/satin feel. The finish feels nice in the hand and gives it enough texture to keep it from feeling slick. The knurled grip is a wonderfully done as well. It is refined and feels almost smooth across the top, but keeps your grip in place when writing.

One concern about the finish I have is how the constant capping and uncapping will have on the look of the barrel. Will friction stripes start to appear from metal on metal sliding? And will I care? I imagine at some point marks will start to show up, and I probably won’t care. This is a pocket pen, so it is going to get scratched and dinged as it is. Only time will tell.

When this pen was launched, one of the main comments I heard was that this pen is a copy of the CW&T Pen Type-B. As one of the biggest fans and supporters of the Pen Type-B on the planet I can safely say these pens are almost nothing alike aside from the general silhouette.

The sleeve on the Pen Type-B is designed for an air-tight, zero tolerance fit, which gives it a unique capping and uncapping feel. The Steel & Flint sleeve is essentially a cap. Pull off and push on, with a magnet snap pulling it tight at each end. It feels good and works well. It’s also shorter, narrower, and about 1/3 of the weight of the Pen Type-B. It is a totally different pen in my mind.

If I were to give it a comparison to other pens, it’s more like a mash up between the look and feel of the Baron Fig Squire and the technical machining and size of the Karas Kustoms EDK. I love both of those pens, and the Steel & Flint Pen is right there with them.

Refill wise, the Steel & Flint Pen takes Parker compatible (International G2) refills. While not my favorite option, it does ship with the a Schmidt Easyflow 9000M, which is probably the best of the bunch. I’m always on the lookout for something finer though.

As far as being the “World’s Finest Soft-Close Magnetic Pen”, ok I guess so when it is a competition of one. I can caveat myself into being the “World’s Finest Bradly Stephen Dowdy” too, which doesn’t tell you much.

At $69, it is priced fairly and I have backed it myself. Post-Kickstarter pricing will be closer to, or over, $100, which gives me pause. I do see a future where other materials could be introduced to the Steel & Flint offerings which could justify a three-digit price.

My thanks to Mike and Steel & Flint for sending me this pen at no charge for the purposes of this review.


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Posted on November 21, 2016 and filed under Steel & Flint, Kickstarter.