Faber-Castell Ondoro Fountain Pen Review

As a brand, Faber-Castell has become more and more interesting to me. I know, I’m a little slow, seeing how they have been in existence for over 200 years. I always considered them a pencil company, and a great one at that, but could they make a quality fountain pen? I had my doubts, based on no facts whatsoever. And I’m glad to be proven totally and completely wrong.

The Faber-Castell Ambition set me down this path, and the Faber-Castell Ondoro Smoked Oak solidified my thoughts.

Fun fact: This isn’t my first Ondoro. I bought the Orange resin model a couple of years ago from one Stephen Brown. It had a broad nib, which I promptly had converted into a cursive italic. Despite this being a perfectly styled Brad pen, the nib and I never clicked, even after modification, so I sold it. I think my mistake was the modification, because what I have discovered in retrospect is that Faber-Castell nibs are perfect right out of the box.

The Ambition in EF solidified that thought, so I chose another EF in the Ondoro since I love the design of the pen and missed having one after selling my first. I think it may be my favorite steel German nib too, better than both Lamy and Pelikan in this size. It is finer and firmer, allowing for a clean and defined lined. It looks great too, especially inked with something like Faber-Castell’s own Deep Sea Green.

The Ondoro is described as a chunky pen, and that is accurate. The barrel is wide, and the cap is wider. It’s not a heavy pen though, and I find it comfortable to use. The Smoked Oak feels and looks great, and it comes in various resin models too, like the aforementioned Orange.

If there is one thing to consider with the Ondoro, it is the grip section. It’s short in length as well as concave. For my grip, which is very standard, it’s not an issue. If you have larger hands or a non-standard grip I could see it being an issue. The Ambition had similar questions with it’s lack of a grip section. Faber-Castell definitely does things differently in this area. Additionaly, the metal cap does make this pen heavy when posted as well as when clipped to something thin like a shirt pocket.

Price-wise, Faber-Castell pens aren’t cheap compared to the competition, but I think they are fairly priced. They are very similar to Pelikan in that regard. High quality German design and performance is generally worth the cost. If I enjoy a pen I never think twice about the price, and I certainly enjoy the Ondoro.

I’ve been mentioning how impressed I am with Faber-Castell as a brand for a while now. I think it is time to continue this exploration and see what else they have to offer.

(JetPens provided this product at no charge to The Pen Addict for review purposes.)


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Posted on October 2, 2017 and filed under Faber-Castell, Fountain Pens, Pen Reviews.

Fontoplumo

When you want to buy the newest fountain pen releases before anyone else, your choice should be Fontoplumo.

Not only do they have the extremely limited 2017 Aurora Optima 365 Limited Edition available for pre-order, they have the newest Lamy releases such as the Lamy Studio in Racing Green and Lamy Aion ready to ship.

Based in The Netherlands, Fontoplumo has all of the pens and ink you need to get writing. My thanks to Fontoplumo for sponsoring The Pen Addict this week.

Posted on September 29, 2017 and filed under Sponsors.

Six Shades of Grey: An Ink Comparison

(Susan M. Pigott is a fountain pen collector, pen and paperholic, photographer, and professor. You can find more from Susan on her blog Scribalishess.)

A few weeks ago I reviewed Kaweco Smokey Grey ink. Unfortunately, I was unimpressed with that ink, but I needed a matchy ink to go with my lovely Montblance Alexandre Dumas fountain pen. So, I bought some grey ink samples from Vanness Pens and decided to compare them.

The six inks I compared are Kaweco Smokey Grey, Robert Oster Graphite, Kobe #10 Mikage Grey, Papier Plume Oyster Grey, Akkerman #29 Hofvijver Grijs, and Kobe #46 Nagisa Museum Grey.

In the comparison above, you can see that I wound up with quite a variety of greys, ranging from the very light Kaweco to the almost black Nagisa Museum Grey.

The chromatography on each ink reveals some interesting characteristics.

L to R: Kaweco Smokey Grey, Robert Oster Graphite, Kobe Mikage Grey, Papier Plume Oyster Grey, Akkerman Hofvijver Grijs, and Kobe Nagisa Museum Grey

Kaweco Smokey Grey has virtually no color range, varying slightly from grey to light lavender. Robert Oster Graphite is the most spectacular of the bunch at least in terms of chromatography, with lots of magenta and blue. Kobe Mikage contains mostly lavender and a little bit of blue. Papier Plume Oyster Grey contains blue and magenta tones. Akkerman Grijs is, perhaps, the truest grey, revealing no other colors. Kobe Nagisa Museum Grey is the darkest of all, and like the Akkerman, it demonstrates virtually no color variation.

Close ups of the ink swatches show what each ink looks like using a Brause 361 Steno Blue Pumpkin Calligraphy Pen Nib along with splotches and swabs.

Kaweco Smokey Grey is quite light in the swab, but with the wet dip nib, it writes more like a dark grey.

Robert Oster Graphite, despite its colorful chromatography, is a dark grey both in the swab and with the pen. The ink splats show a tiny bit of sheen, but unfortunately it’s been raining in Abilene all week, and I couldn’t get pictures with sunlight displaying the sheen in all its glory.

Kobe Mikage Grey, in my opinion, is the most intriguing shade of grey. In the swab, the writing, and the splats its purple hue is quite striking.

Papier Plume is a really nice blue-grey as revealed in the swab. With the pen, it appears as a dark grey with some blue sheen.

Akkerman Grijs is definitely the truest grey. The swab shows that it’s a flat color with little variation.

Kobe Nagisa Museum Grey is very close to black with some nice sheen.

I was really pleased with the wide variety of grey shades in these samples. I’ve pretty much written off Kaweco Smokey Grey as being too light and uninteresting for my use. If I wanted a true grey, I would choose the Akkerman. I found Kobe Nagisa to be too close to Iroshizuku Take-Sumi which I already own. Although Robert Oster inks are usually among my top picks, I didn’t much like Graphite, even though the chromatography made the ink look really interesting. So, of the six shades of grey, my two favorites are Papier Plume Oyster with its beautiful blue-grey tones and nice shading and Kobe #10 Mikage Grey with its deep purple-grey hue. It also shades quite well and has some sheen.

Currently my Montblanc Alexandre Dumas is inked with Kobe Mikage. When I run out of that, I’ll put the Papier Plume in the pen and make my final decision about which ink I’ll buy.

You can purchase a 30ml bottle of Kaweco Smokey Grey from JetPens for $13.50. All the other inks are available from Vanness Pens. Robert Oster Graphite is $17.00 for 50ml. Kobe #10 Mikage Grey and Kobe #46 Nagisa Museum Grey are $30.00 for 50ml. Papier Plume Oyster Grey is $7.00 for 30ml. And Akkerman Hofjijver Grijs is $28.00 for 60ml.

(I purchased the ink samples above with my own funds from Vanness Pens.)


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Posted on September 29, 2017 and filed under Ink Reviews, Akkerman, Kaweco, Kobe, Papier Plume.