Montegrappa Mia Limited Edition Sea at Dusk Fountain Pen with 1.1mm Stub: A Review

(Susan M. Pigott is a fountain pen collector, pen and paperholic, photographer, and professor. You can find more from Susan on her blog Scribalishess.)

Montegrappa is one fountain pen brand I’ve never tried. I was poking around on the Casa della Stilografica website one day and came across a striking blue pen. It was a deep blue with turquoise swirls. I was entranced.

Anyone who knows me understands that I have a crazy thing for blue pens. So, despite the rather steep price (€ 569) and the fact that I had no prior experience with Montegrappa, the Mia Sea at Dusk fountain pen stole my heart.

The pen arrived from Italy in a sage green outer box and an engraved wooden inner box with a hinged lid. I must say, Montegrappa did a great job packaging this limited edition pen.

In person, the pen is, simply put, spectacular. The resin looks like brush strokes in rich oil paint.

With solid silver furnishings, this pen has substance and class. The top finial is engraved with the Montegrappa logo. The clip tapers to a roller-ball tip for easy attachment to pockets or papers.

The cap band is engraved with “Montegrappa” on the front and “2020 Italy” on the back.

The barrel threads are also made of silver, which is a special touch, and there are silver rings at the end of the grip and around the piston knob.

You’ll find the limited edition number engraved on the bottom finial.

The Mia is a large pen (but not over-sized). It measures 137mm capped, 125mm uncapped, and 157mm posted. It is heavy, however, because of all the metal furnishings. It weighs 31.6g uncapped and 43g posted. The grip tapers. At its narrowest, it is 10.1mm and at its widest it is 12mm.

The 18k rhodium-plated nib is engraved with the Montegrappa logo, the name Montegrappa, and the gold content. There’s no scroll work to complicate the simplicity of the nib design.

I purchased my Mia with a 1.1mm stub nib. When it arrived, I noticed that the pen was writing poorly--hard starts, scratchy, skipping. I took macro photos of the nib and discovered the tines were misaligned.

But Casa della Stilografica and Montegrappa took care of the problem gracefully. I had to ship the pen back to Italy, but the nib was repaired and returned speedily. Now those tines are perfect.

The 1.1mm stub writes beautifully. It offers a thick line with enough sharpness that it could be called a semi-italic nib. The ebonite feed provides plenty of ink for a smooth, wet writing experience.

I will say this pen blows through ink very quickly, but it’s easy to refill with the piston system. This is one aspect of Montegrappa that is different from my experience with other piston fillers. The Mia piston makes a ratcheting sound the entire time you turn it. That freaked me out a tiny bit the first time I rinsed out the pen. But now it just sounds kind of cool. One thing to note: the piston knob is a little loose and jiggles if you shake the pen (don’t shake the pen!). That said, I haven’t noticed any sound coming from the knob during normal use.

I am quite impressed with my first Montegrappa. This is one solidly built pen. I love its heft, the feel of the pen in my hand, the silver accoutrements, and the (now) fantastic stub nib. I find myself gazing at the beautiful resin and enjoying its depth and painterly qualities.

The Montegrappa Mia Limited Edition comes in two colors: Sea at Dusk and Chrysocolla (turquoise). 120 pieces were made in each color. I bought mine from Casa della Stilografica, but I’m not sure if they have any more in stock.

(I purchased the Montegrappa Mia Sea at Dusk from Casa della Stilografica with my own funds.)


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Posted on April 10, 2020 and filed under Montegrappa, Fountain Pens, Pen Reviews.

The Pen Addict Podcast, Episode 405 - The Biggest Flex

Myke and I discuss several new products in this one, including a new Kaweco Sport limited color, and the ystudio Resin Fountain Pen. I also engage in a brain dump around a certain price point of pens that I’m fascinated by.

Show Notes & Download Links

This episode of The Pen Addict is sponsored by:

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Posted on April 9, 2020 and filed under Podcast.

Robert Oster Signature Austrialian Opal Blue Ink Review

(Sarah Read is an author, editor, yarn artist, and pen/paper/ink addict. You can find more about her at her website and on Twitter. And check out her latest book, Out of Water, now available where books are sold!)

Every time I think that Robert Oster has made an ink for every shade of blue possible, he comes out with another blue! All of them are different and lovely in their own way. Austrialian Opal Blue is simpler and less flashy than some of them, so perhaps not one of the Oster rock stars, but it's a lovely shade of summer blue.

This is a very pale, soft color that may not be practical for everyday writing. It's a delicate shade that's difficult to see in dim light, but really dazzles in sunshine. It does have some nice shading, though, and where it pools, it has a beautiful, bold sky tone to it. The shading is even visible with a fine nib, which bodes well for its character in a firehose of a pen.

It has no water resistance, and washes away completely, not even leaving a washed-out droplet behind. It dries very quickly for liquid ink, between 15 and 20 seconds. This might be a great light blue for lefties. It does feel a bit dry when writing with it, but not to an unpleasant degree.

Chromatography shows a blue to aqua fade, very soft colors that are difficult to see at all unless the paper is on a white background. There's not a lot of complexity to this color.

I don't see any sheen with this ink. There is almost a hint of a purple sheen at the edges of where I pooled the ink and let it dry, but it's not visible in any writing I've done. My guess is that you'd only see a sheen from this ink if you spilled it on some fancy paper and let it dry.

This is a very different tone from my other blues. It almost comes close to Iroshizuku Kon Peki, but it's much more subtle and pale than that in writing. It's not like any other blue I've used, and I love that no matter how many colors there are, there are always new colors.

I've never met an Oster ink I didn't like. This one is perfect for celebrating the arrival of spring. But it's definitely one of the low-impact colors of the line. It's simultaneously not wild and not practical. It's too plain to be exciting, and too pale to be utilitarian--so I think it falls between purposes a bit. Despite that, it is a unique blue, so maybe it's the exact color you've been waiting for.

(JetPens provided this product at no charge to The Pen Addict for review purposes.)


Enjoy reading The Pen Addict? Then consider becoming a member to receive additional weekly content, giveaways, and discounts in The Pen Addict shop. Plus, you support me and the site directly, for which I am very grateful.

Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!

Posted on April 9, 2020 and filed under Robert Oster, Ink Reviews.