Santini Italia Ebonite Classic Libra Voyager Fountain Pen: A Review

Santini Italia Ebonite Classic Libra Voyager Fountain Pen: A Review

(Susan M. Pigott is a fountain pen collector, pen and paperholic, photographer, and professor. You can find more from Susan on her blog Scribalishess.)

[Santini Italia] is an Italian brand that I was unaware of until recently. Headquartered in Lombardy, Santini makes acrylic and ebonite fountain pens, and all the parts for the pens are made in house, including their 18k nibs and ebonite feeders.

Late in 2020, I read a post or saw an Instagram photo of a Santini pen. Curious, I looked at the website and read about their nibs. I was especially intrigued by the fact that they make their nibs themselves and they offer flexy versions in nib sizes beyond the usual fine, medium, and broad. You can get flexy stubs, cursive italics, and even a "superflexy" nib. Nibs come in 18k yellow gold, solid rose gold, rhodium-plated gold, and even solid white gold upon request. Currently Santini offers nibs in sizes 5 and 6, but a number 8 is on the way.

Being one of the most indecisive people on planet earth, I struggled to choose a pen. Did I want acrylic or ebonite? Which color(s)? The only thing I was certain about was that I wanted a flexy stub nib. I finally decided on an ebonite pen called the Libra Caribbean, but to my dismay, it was sold out. For weeks, I visited the website daily to check for upcoming ebonite editions, but I didn't see any colors I liked as much as the Caribbean. Finally, I purchased one of the acrylic pens. But the next morning, a new color was announced: the Libra Voyager. I contacted customer support, which consists of one woman named Katrina who apparently never sleeps (I contacted her multiple times to ask questions and she was on the chat within a minute, no matter what time it was in Italy). She promptly switched my order to the Voyager and a couple of weeks later, the pen was at my house.

Hoo boy! When I opened the box, I was treated to some beautiful packaging: a black engraved box with bright turquoise ribbon.

Santini Italia Ebonite Classic Libra Voyager Fountain Pen Packaging

Inside I found a warranty card, a pamphlet introducing Santini pens, and a page written with my pen to test the nib.

Santini Italia Ebonite Classic Libra Voyager Fountain Pen Box

And then I saw my pen--it was stunning.

Santini Italia Ebonite Classic Libra Voyager Fountain Pen

Voyager is made of ebonite with swirls of turquoise, blue, black, and magenta. Just look at the patterns on this pen and those swirly finials:

Santini Italia Ebonite Classic Libra Voyager Pattern 1
Santini Italia Ebonite Classic Libra Voyager Fountain Pen Pattern 2
Santini Italia Ebonite Classic Libra Voyager Fountain Pen Finial Top
Santini Italia Ebonite Classic Libra Voyager Fountain Pen Finial Bottom

The trims on the pen are bronze. The clip has a roller ball on the end, but it is a stiff clip. I can slip it onto paper, but it might be difficult to clip it to a shirt pocket.

Santini Italia Ebonite Classic Libra Voyager Fountain Pen Clip
Santini Italia Ebonite Classic Libra Voyager Fountain Pen Clip 2

There's a large cap ring engraved with "Santini Italia" in cursive script. The raised lip of the ring is engraved with tiny vertical lines. The piston knob is separated from the body with a plain bronze ring.

Santini Italia Ebonite Classic Libra Voyager Fountain Pen Cap Ring
Santini Italia Ebonite Classic Libra Voyager Fountain Pen Piston Ring

The cap unscrews/screws with three twists--easy on and off. The limited edition number is engraved to the right of the clip. Mine is number 15 out of 33.

Santini Italia Ebonite Classic Libra Voyager Fountain Pen Limited Edition Number

The body of the pen is tapered at the top and bottom with a slightly thicker barrel. The finials are conical. This is a large pen, measuring 145mm/5.7 inches capped, 135mm/5.3 inches uncapped, and 173mm/6.8 inches posted. It weighs 31 grams un-inked. The grip is 11.4mm at its narrowest and is very comfortable between your fingers. It's slightly hour-glass shaped and flares out closest to the nib so your fingers won't slip. You can see in the third photo below how the Libra Voyager compares in size with an Opus 88, a Leonardo Furore, a Pilot Custom 823, and a Lamy 2000.

Santini Italia Ebonite Classic Libra Voyager Fountain Pen Body
Santini Italia Ebonite Classic Libra Voyager Fountain Pen Grip
Santini Italia Ebonite Classic Libra Voyager Fountain Pen Comparison

The Libra Voyager is a piston-filler with a ratcheting sound that alerts you when you've filled the pen completely. It works smoothly and holds a good quantity of ink.

Voyager comes with a solid 18k rose gold nib (it is not plated). It is decorated with scroll work, a large "S", the date 1988, and the gold content. It's a beautiful, classic looking nib.

Santini Italia Ebonite Classic Libra Voyager Fountain Pen Nib 1
Santini Italia Ebonite Classic Libra Voyager Fountain Pen Nib 2

My nib is a flexy stub with an ebonite feed. Before inking the pen, I took macro photos of the nib, as I always do, to check the tine alignment. Unfortunately, the tines are slightly misaligned, which is disappointing. I hoped that I wouldn't notice the misalignment while writing, but I can. The nib hard starts occasionally and there's some skipping on downstrokes. If I can get over my chickenhood, I might try to realign the tines myself.

Santini Italia Ebonite Classic Libra Voyager Fountain Pen Misaligned Tines

Aside from this, the nib is juicy (just like I like them), writes (mostly) smoothly, and has just the right amount of flex. It's bouncy when you write without flex, but just a tiny bit of pressure gives you excellent line variation. I did not attempt to flex the nib to its maximum, but when flexed, the line is roughly 1mm. Unflexed it is 0.5mm.

Santini Italia Ebonite Classic Libra Voyager Fountain Pen Flex Nib
Santini Italia Ebonite Classic Libra Voyager Fountain Pen Flex Example
Santini Italia Ebonite Classic Libra Voyager Fountain Pen Flex Example 2

The pen is very well balanced. I wrote a six-page letter without any fatigue. I love how it makes my handwriting look, with good line variation, shading, and consistent letter size. The ink used in these examples is Robert Oster Tranquility.

Santini Italia Ebonite Classic Libra Voyager Fountain Pen Alphabet
Santini Italia Ebonite Classic Libra Voyager Fountain Pen Letter Close Up
Santini Italia Ebonite Classic Libra Voyager Fountain Pen Longer Writing Sample

Santini Italia [Classic Ebonite] fountain pens cost €359 (=$435 depending on exchange rates) with free shipping world wide. Their [acrylic pens] are priced at €259 (=$314), and there's a [faceted ebonite line] that ranges between €500 and €550 (=$606 and $667). They also make several limited edition pens that are created with a variety of materials, including enamel and overlays.

Some collectors have wondered why there's a €100 difference between the acrylic models and the classic ebonite models. Isn't ebonite just hard rubber? Why pay a premium for it? As it turns out, there's ebonite and there's ebonite. In other words, the kind of ebonite Santini uses is "high quality certificate German ebonite," and it is, therefore, more expensive. I absolutely think it is worth it.

I am thrilled with my Santini Libra Voyager. The pen is exquisitely beautiful and the workmanship is top notch. The ebonite warms to my hand and the pen is a comfortable writer. I love the flexy stub nib except for those slightly misaligned tines. I highly recommend Santini Italia to you, especially if you want to try some unique in-house nibs.

One thing to keep in mind if you do decide to purchase a fountain pen from Santini, is that the popular ebonite models sell out lightning fast. This is because they make small runs of pens (33 pieces in each ebonite color). If you see an ebonite pen you want, buy it promptly. If there's one that is listed as "coming soon," contact customer service to reserve it.

(I purchased the Santini Libra Voyager with my own funds.)

Posted on June 4, 2021 and filed under Santini Italia, Fountain Pens, Pen Reviews.

The Pen Addict Podcast: Episode 464 - A Paint Job and a Story

I like using pens. And paper. And ink. I talk about that with my friend Myke, and we record it. This week, it marked the 464th time we have had this conversation, and shared it with you. I hope you enjoy it.

Also, don’t eat paper.

Show Notes & Download Links

This episode of The Pen Addict is sponsored by:

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Posted on June 3, 2021 and filed under Podcast.

Writing Retreat/Retreating Writing

Lake Michigan

Long weekends are good for writing. Thing is, they're also good for not writing. This past weekend I ventured off to my usual retreat spot--a small inn on the shores of Lake Michigan, where it's usually just me and the water and the words for days.

What I brought with me:

— A lofty list of goals.

— A Nock Sinclair loaded with good pens.

— My laptop, because one of the things on my list was to finish a rewrite and revision of a new short story I needed to turn in.

Writing setup

— A printed draft of the current novel I'm editing/synopsizing.

— Two notebooks that each contain the beginning of the same novel that I accidentally wrote twice, years apart, so that I could combine them into one preferred draft.

— My stack of planning notebooks for several writing projects (the short story planning notebook, the novel planning notebook for the novel I am synopsizing, the novel planning notebook for the new novel I am drafting, and the random ideas notebook in case I had any random ideas.)

— Far too many snacks.

— Far too little discipline.

I also brought a writing friend this time, a dear person with whom I normally would have been attending a writing convention that same weekend. This was our substitute for that lost convention. It was also the first time we'd seen each other in nearly two years, and perhaps we didn't take that enough into account when making our lofty goals.

Writing Window

I did finish the short story and turned it in on time. I also managed to fix my diverging novel drafts. I did not make it far on my synopsis--the main thing that I had hoped to finish. I only completed three of the twenty chapters.

What I did instead:

I visited with my friend. We had many snacks, and took walks, and chatted. We watched the waves on the lake and boats passing by. We watched a beautiful red moon rise, listened to audiobooks and podcasts. We came across a trove of fossils and climbed over boulders to meticulously document our discoveries. We inconvenienced seagulls. We had the best ice cream ever. We spent five hours strolling a beach, picnicking, sifting through rocks, finding more fossils, dozing in the sunshine. We exhausted ourselves with fresh air and fell asleep early with our work undone.

Red Moon

Sometimes I need to remember, when I look at my lofty lists of goals, that I can't just write. I need to write about something. And if you're going to write about life, you also have to live it--soak up the experiences you can draw from later. If you only write about the world as you see it from your office window, it will be a filtered view, textureless, scentless, incomplete.

Fossils

I didn't get done what I needed to get done, but I did what I needed to do, and while today's drafts are half empty, tomorrow's are half full. There are lots of ways to work on your writing, and sometimes that work involves ice cream, spectacular rocks, and neglected stationery.


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Lighthouse
Sunrise
Seagulls
Posted on June 3, 2021 and filed under Writing.