(Sarah Read is an author, editor, yarn artist, and pen/paper/ink addict. You can find more about her at her website and on Twitter. And check out her latest book, Out of Water, now available where books are sold!)
Most of my experience with Visconti pens has been staring at them through the glass of a display case, thinking "no way" but feeling a little bummed about it. Because they're gorgeous, but overpriced. So having the chance to try one out at last is priceless.
The packaging certainly makes an impression. The box is textured like a paint canvas and has the image of a Van Gogh painting on top, presumably whichever painting inspired the color scheme for your pen.
My pen is the Orchard in Blossom, with a beautiful blue-grey sky base, with pops of delicate floral colors and splashes of green grass. The pens are meant to look like the painter's oil palette as he creates his masterpieces, and they've nailed that look beautifully.
It has rose gold trim, though other versions have different trim to correspond with their respective paintings. The pen body and cap are gently faceted and taper at each end. There is a wide cap band with "Visconti Italy" on one side and "Van Gogh" on the other. The bottom finial is plain, while the top has the Visconti V logo. It has the classic Visconti Ponte del Vecchio clip, made to look like the iconic bridge in Florence, Italy. It is a hinged clip, so the whole thing lifts easily and clips securely.
The cap has a magnetic closure with a very satisfying click. It does post securely, but you risk scratching that gorgeous finish. The grip section is smooth metal with a slight ridge at the end to keep your fingers from sliding.
The pen takes cartridges or a converter, and it comes with a converter and a bottle of ink, which was a lovely surprise. The ink is a rosy purple to match the blooms in the painting. It's a great ink with lots of character that shades in different purple tones.
The nib in my pen is a rose gold-plated steel nib. It is beautifully etched. But it has some mild QC issues, which is not unheard of for Visconti. This nib is meant to be a Fine, but whoa. The slit in this nib is very wide, a canyon compared to the average nib. It's enough to affect the capillary action and made it difficult to get ink flowing at first. But once it got started, it flowed like a fire hose in a very wet, broad line. It writes with a controlled dribble. It didn't take long to write the pen empty. It's smooth and pleasant to use--I don't dislike the way it writes, but it's definitely not performing as it's supposed to.
Given the nib issues and the price ($260 for a steel nib, yikes), it's not a pen that I can fully recommend, despite its other qualities. If you're fortunate enough to be in a place where you can try one or peek at the nib, or purchasing from a vendor that does nib checks, then I'd say it's definitely worth looking into. I still really like this pen. If money was no object, there are three other colors I'd get! But it's not perfect, and at its price point, it really should be.
(JetPens provided this product at no charge to The Pen Addict for review purposes.)
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