Doughnut Pen Case Review

(Sarah Read is an author, editor, yarn artist, and pen/paper/ink addict. You can find more about her at her website and on Twitter. And check out her latest book, Out of Water, now available where books are sold!)

The Doughnut Pen Case is a simple concept perfectly executed. Overall it's a very plain case--just a long fabric box with a zip closure--no bells or whistles. Sometimes that's exactly what you need.

The case is made out of a 400D nylon that is water-resistant and has a lovely shine to it. This one is a nice charcoal and olive green, though there are teals and mustards available as well. It has a metal zip tab with plastic zipper teeth, and a knotted paracord pull attached. The inside is lined with a more lightweight nylon fabric, and all the seams are enclosed in bias tape, so there are no cut edges or threads dangling inside. There is one brand tag on the front of the case.

The simple silhouette of this case disguises a surprising capacity. While it's too short to hold some lengthy pencils, it can hold a ton of pens. Not literally a ton, but a whopping 37 gel pens fit into this baby. I probably could have fit a few more, but this was as many as it could hold while still feeling relaxed while zipping it up. It didn't feel stuffed.

The water-resistant material makes this perfect for carrying painting supplies like water brushes or anything that might get a little leaky. It will contain the mess to the case, which is washable, and protect the other items in your bag.

As a simple zip pouch, it has thousands of potential uses beyond the stationery sphere. It would be perfect for crochet or knitting notions, for camping utensils, as a small packing cube. It could even fit a mini travel umbrella, a kid's leaky sippy cup ... All sorts of things.

It's not inexpensive for a zip pouch, coming in at $19.50 at JetPens. It's about what you'd pay for a similar pouch from Tom Bihn or Topo Designs, which are arguably a tier above this one in construction and materials. But this pouch is easily just one step down from those elites, whereas most pen pouches are leagues behind. I'd say it's very slightly overpriced, but not unfairly expensive.

My kids usually end up claiming all the pen cases I review, but this one I'm keeping. In fact, it's going straight into my suitcase for my upcoming trip. I think it's the perfect size to contain my travel blanket, or maybe it will hold my stash of granola bars, or my makeup, or... Gotta love a simple zip pouch.

(JetPens provided this product at no charge to The Pen Addict for review purposes.)

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Zebra bLen 0.7mm Gel Pen Review

The Zebra bLen ballpoint is a fairly new pen that has quickly risen to the top of many stationery lists. And now, the newer gel variant of the bLen is here to compete with the Pilot Juice, G2, EnerGels, and Uno Signos that you can find on many store shelves.

At around $7 for a pack of two pens, the bLen is a great value that is comparable to other gel pens that have been on stationery shelves for decades. The version I have uses a black 0.7mm gel refill that leaves a delightfully dark and saturated line on the page.

According to the marketing materials, the bLen provides an "innovative vibration-free writing experience" due to a "gap-free internal system to reduce noise and a brass weight at the tip to lower the center of gravity." The pen is silent when writing, meaning there isn't any rattling or other noises as you move the pen across the page. You can also sense the lower sense of gravity, which is a nice touch and makes the pen easier to handle when writing.

These are nice features, but I wouldn't call them unique. I have plenty of gel pens that don't make noise while writing, but they don't tout quiet operation in their marketing materials. In all, it's a great feature even if the marketing is a little heavy handed.

It all comes down to simple questions that anyone can answer after a few seconds with any new pen: does it write well, and does it feel good in my hand?

In the case of the bLen gel pen, the answer is "absolutely" to both questions.

The pen is really lightweight overall, and it requires little effort to hold and control. The contoured grip is covered in a grippy silicone material that feels great. And, it's nice that the pen makes zero noise or vibration when in use.

The refill produces a smooth, dark line with crisp edges, and it dries really quickly. In my tests, it was smudge-proof within 3 seconds. The 0.7mm tip size is quite bold, and I'm glad it's still able to dry quickly while laying down so much ink. I don't choose black ink first in most cases, but this is exactly what I want from a black ink. It's bold, dark as night, and crisp at the edges of the line. It's fantastic.

The refill also starts up immediately and flows consistently. There aren't any globs or skips with this refill. It really is a great refill.

Comparing this pen to other comparable pens, it stacks up well. It performs similarly, so it will likely come down to a decision of personal taste and availability. All I know is that if you have a chance to pick up a Zebra bLen, you definitely should. If you can't find any locally, you can pick up a pack from Zebra directly or from Amazon (US store affiliate link).

(Zebra Pen provided this product at no charge to The Pen Addict for review purposes.)

Meet Your Maker – Tim Crowe, Turnt Pen Company

(Caroline Foty's first fountain pen was a 1970s Sheaffer No Nonsense that still writes perfectly. Since she discovered pens by independent makers, she wants "one of each, please" and wants to meet all the makers. Maybe you do, too. She lives in Baltimore with pens, cats, and all kinds of fiber arts supplies.)

When a group of pen models are named Huxley, Grisham, Pynchon, Gaddis, and DeLillo, you might think there was something literary going on. You’d be right. Turnt Pen Company is the enterprise of Tim Crowe, whose day job is teaching English to eighth and twelfth graders in the Finger Lakes region of New York, south of Rochester.

Crowe started making handmade pens in late 2019. Prior to that, he’d been making electric guitar pedals and working on guitars, and making a few kit pens, as well as enjoying collecting and writing with fountain pens. Then he saw a kitless pen made by Greg Hardy of Hardy Penwrights, found that he lived about thirty minutes from Hardy, and called him up. During a long day in the Hardy shop, Crowe learned to make his first kitless pen, and also discovered that his father had student-taught in Hardy’s classroom years earlier. He sold some of his first “prototype” pens on Reddit before feeling confident enough to put his work out more seriously.

It wasn’t long before he decided he’d also like to try making his own materials, and got in touch with maker Bob Dupras, who gave him pointers and talked him through many iterations in the shop. Making materials is famously addicting, and he now has over 270 recipes in his books. Inspiration can come from anywhere – photos sent to him by customers, for example, or random things he sees around him. He also has help choosing colors from his sons Carson and Mikey – Carson’s blank choices are up to 25 and Mikey’s stand at 8.

“It’s like Christmas morning when you shoot that blank out of the mold and see what it looks like.” He hasn’t made pens out of a lot of those recipes, but “the coolest thing is making a pen out of material I also made, or making material to turn someone’s vision into a pen.” The entire process continues to inspire him, “working with my hands, turning a plastic rod into something useful.”

Vintage materials, though difficult to obtain, are on Crowe’s radar, as one of his favorite pens he didn’t make is a Mythic Pen Company pen made from a snakeskin blue cellulose acetate. An Eowyn model from Mayfair Pens is another favorite recent acquisition.

Pen companies are beginning to embrace the appeal of handmade alumilite resins, and some have taken note of Crowe’s materials. He has provided blanks to Leonardo Officina Italiana and Nahvalur, in batches of fifty to a hundred, for exclusive pens sold through the retailer Limited Pens Korea – several have already been released and there are more in the pipeline.

Crowe chooses words similar to Shawn Newton’s in describing his feelings about what he does. “I’m so lucky. I love my day job, and it gives me time to do this.” He wonders about the reasons there seem to be many educators in pen making. Is it because they write a lot? Because they have time in the summer to work more on their pens? He uses July to prepare for his one pen show, in DC – “three years ago, I didn’t know pen shows were a thing!”

Spare time is at a premium, with a demanding day job, service as a class advisor, and family life. When there is a little extra time, Crowe dabbles in music, not having entirely left guitars behind.

Choosing a name for his company let Crowe have a little fun with words. Not wanting to use his own name, he settled on the word “turnt” for a number of reasons. First, it’s an obsolete past tense form of “turn,” which speaks to the process of hand making a pen. Then, the word passed out of use and came back again with a different meaning, just as fountain pens were superseded by ballpoints and then came back with new appeal. According to the Urban Dictionary, “turnt” or “turnt up” means excessively excited or wound up, which seems appropriate for the amount of excitement fountain pens can generate today.

Crowe’s story sounds a theme mentioned by almost any pen maker you might talk to: the time and support given by other makers. “This is unlike anything I’ve ever been a part of.”

In addition to his website, Tim Crowe’s work can be seen at the DC Pen Show every August, and on Instagram @turntpenco. He plans to do a new blank and pen drop on Instagram at 1pm Sundays, letting followers vote the day before on which blank it will be. And this weekend's pen was kind of breathtaking so here it is:

Thank you Tim for sharing your story!